Erotica Readers & Writers Association
Home | Erotic Books | Authors Resources | Inside The Erotic Mind | Erotica Gallery
Adult Movies | Sex Toys | Erotic Music | Email Discussion List | Links




'08 Authors Insider Tips


Everything About Epublishing
by Angela James
Epublishing: A Different Way
Choosing an Epublisher
Your Milage May Vary
Understand Your Contract!
Reasonable Expectations


FictionCraft
by Louisa Burton
The Publishing Biz
Critiquing: To Give and ...
Commerical vs. Literary...
Antiformalism for Fun &...
So You Want to Write a Novel
The Story Idea
Planning Your Novel...


The Write Stuff
by Ashley Lister
5 Steps to Success
Inspirational
Opening Passages
Let's Get Critical
Writer's Block
Learning Lessons


Two Girls Kissing
by Amie M. Evans
Be a Finisher ...
Listen to Your Characters
Conferences: Act Now ...
Starting an Erotic Story
Exercises & Writing Prompts
Revising & Rewriting
Copy Editing
The Manuscript Critique
How to Submit Your Work
Reading as Craft


Guest Appearances

Adventures in e-Publishing
by Lisabet Sarai

For the Love of Man
by Laura Baumbach

How to...Influence Editors
by Alison Tyler

Marketing your e-Book
by Brenna Lyons


2008 Smutters Lounge

Ashley Lister Submits
by Ashley Lister
Role Play
Busy Doing Nothing
Picture of a Fish & Chip...
What I Did With My Summer


Cooking Up A Storey
by Donna George Storey
Naughty Cookies...
Tie Me Up, Please …
The Smut-Writer’s Holiday
Never Trust the Narrator ...
Compare and Contrast
Following the Pen
Naked at the Farmers Market
I’m Easy, But I’m No Slut
Good Girl Gone Bad
Pleasures of the Dark Side
Slow, Spare and Sexy


Get All Worked Up
with J.T. Benjamin
Raising Daughters
Jamie Lynn
Utopias
Lust
The Good Old Days
Election '08
Traditional Marriage
Campaign 2008
Free Will


Pondering Porn
with Ann Regentin
Masturbating on SSRIs
Sex and Disability
Besides Ourselves
Adjusting our Contrast


Sex Is All Metaphors
by Jean Roberta
Sex Is All Metaphors
Turn-ons and Squicks
Sexual Truth
Fickle Muse
Porn, Erotica & Romance


Provocative Interviews

Between the Lines
with Ashley Lister
Alison Tyler
Ashley Lister
Debra Hyde
Donna George Storey
Jeremy Edwards
Kristina Wright
Rachel Kramer Bussel


Erotic Hot Spots
by William S. Dean
Interview with Tilly Greene
Interview with Devyn Quinn


Getting Graphic
with William S. Dean
New Times for Readers...
The Future in Words ...
Interview with Fantagraphics


On Writing Erotica

The Accidental Pornographer
by Lisabet Sarai

The End of Innocence
by Lisabet Sarai

Get Them Off in High Style
Helena Settimana

So, You Want To Write Erotica?
by Hanne Blank


Web Gems
Hot Movies For Her

Sex Is All Metaphors

by Jean Roberta

Sexual Truth

 

Jean

Theories about what makes good erotic stories have probably been around as long as people have been writing them. The standard advice for writers in general is “write what you know,” and many first books are thinly-disguised autobiographies. How autobiographical can sex-writers afford to be, and does raw truth add to the quality of the writing, or subtract from it?

From a publisher’s viewpoint, “true” sex stories are a good thing because they are likely to sell. There is a literary tradition of panned and banned but widely-read sexual memoirs, especially in French. (Even the man known as Casanova, born in Venice in 1725, wrote his memoirs in French, presumably because more people could read French than Italian in his time.) The 2002 book, The Sexual Life of Catherine M, by French art critic Catherine Millet, is part of that tradition, as are the autobiographical books of lesbian writer Violette Leduc, who is probably best known for La Batarde (“The Bastard”), first published in 1964. An American lesbian, Dorothy Allison, wrote an autobiographical novel (in English) with a parallel title, Bastard Out of Carolina. When this book was published in 1992, it was widely criticized by anti-porn feminists for its sexual content, although it is not focused solely on sex.

Connoisseurs of sexual memoirs in English are familiar with the anonymous My Secret Life: The Sex Diary of a Victorian Gentleman, published in eleven volumes from 1888 to 1894, and with My Life and Loves by Frank Harris, published in four volumes from 1922 to 1927. A fifth volume was edited by another writer from Harris’ notes after his death, and the whole work was republished by Grove Press in 1963.

Books like this come to be known as “classics” once they have reached a certain age. At the time they were first published, they were treated like television talk shows that attract zillions of viewers, many of whom complain that privacy, discretion and good taste have obviously fallen out of style.

Certain publishers, such as Alyson Books, regularly post calls-for-submissions asking for true sex stories. Since Alyson specializes in gay/lesbian/bisexual/transgender material, the decision-makers could claim to be continuing the work of educating the public at large by bringing the formerly hidden life-stories of sexually-marginalized people into print. Surely this is not a bad thing, even if the profit motive is the engine that drives publishing in general.

What works for publishers might or might not work for individual writers. “Write what you know” is standard advice in creative writing classes, but some students simply assume that certain kinds of experience are off-limits. When I have taught creative writing (not focusing on sex, which would probably have emptied my senior-citizen classes), most of my students have claimed to have no desire for public exposure.

Real life in some form is the raw material out of which literature is made. I often suspect that writer’s block, or new-writer shyness (“but I don’t know what to write”) comes from an unwillingness to expose any part of one’s life to anyone who doesn’t already know it. One way to break the self-imposed silence is to keep a journal and keep it strictly private until one is ready to share some of the contents with someone else.

The advantages of simply writing the truth—as the writer remembers it at the time of writing—seem obvious. Telling one’s own version of what really happened can be a great relief, even (or especially) if the story is told to a wide audience of total strangers. As the controversial English writer D.H. Lawrence claimed, “One sheds one’s sicknesses in books.” Once the truth (sexual and otherwise) is out, it no longer has the toxic power of a secret.

The disadvantages of simply writing the truth, especially about one’s own sexual experience, seem equally obvious. Even ordinary fiction, labeled as such, can attract voyeuristic suspicion from other people in the author’s real life.

Before I ever wrote an explicit sex scene, poems and stories of mine had appeared in magazines and print anthologies, and a collection of my lesbian stories had been brought out between hot-pink covers by a one-woman Canadian publisher who later went out of business.

Reactions to my writing from people I knew were often creepier (by my standards) than I expected. It seemed as if everyone in my life wanted to know who my characters “really” were, even though I had gone out of my way not to caricature anyone I knew.

Several of my “what-if” stories (about what could happen if someone vaguely like me had left high school to go on a pilgrimage to the big city in search of her celebrity idol, or tried to seduce someone in a committed relationship, or ran away from home to join a roving biker-dyke gang) were assumed to be autobiographical. College-educated friends, who had seemed to understand the difference between art and life, asked me when all these events “really” happened, implying that I was either a troubled soul or a liar. Or some combination of both.

When I began writing sex stories, I dreaded being grilled about the “real” identities of my shameless characters or about my “sicknesses” by conservative or Politically Correct standards. (Note the treatment of Dorothy Allison by her sister lesbian-feminists.) I knew that even if I could keep my sex-writing hidden from my relatives, I might not be safe from an inquisition.

My mother’s advice about sex, starting when I was old enough to understand it, was: (1) don’t do it, and (2) if you’ve done it, never tell anyone. My father usually found the topic too embarrassing to discuss. Over the years, my parents have been fairly consistent on the matter. 

When I got divorced, my mother advised me to admit only that I had had sex with my husband and no one else. She thought it unfortunate that my baby daughter was living proof of my non-virginity. Although my parents now live in a nursing home where they are unlikely to be shocked by references to anything sexual, a surprising (to me) number of other people outside of various sex-positive communities favor the same sexual position, so to speak.

Those who tell the whole truth about their sex lives, in formats intended for public display, have my admiration. They are expanding the dimensions of what can be openly discussed. I can’t help wondering what percentage of them are adult orphans with no brothers, sisters, offspring, extended family, rabid exes, non-kinky friends or straight jobs.

We all decide what to write, based on our personal limits. Having weighed the odds, I continue to write erotic “what-if” stories, and occasionally dip into my memories to reconstruct a scene on an actual mattress which has been cooling ever since the person who bounced on it with me hit the road—preferably several decades ago, leaving no forwarding address. When asked how much of my fiction is “true,” I confess that reality is the ultimate source of all invention.

Jean Roberta
September 2008


Follow Jean Roberta to Sex Is All Metaphors in our 2008 Archive.

______
"Sex Is All Metaphors" © 2008 Jean Roberta. All rights reserved. Content may not be copied or used in whole or part without written


About the Author: Jean Roberta is the thin-disguise pen name of a writer who teaches mandatory first-year English classes in a Canadian prairie university and who writes fiction (erotic and otherwise), research-based articles, opinion pieces and reviews. She joined ERWA in December 1998, and has never looked back. Several of her stories can be found in the “Treasure Chest” gallery. Over sixty of her erotic stories have been published in print anthologies, and Eternal Press has released her single-author e-collection of erotic stories in various genres and flavors, Obsession (2008).
Jean is a staff reviewer for the monthly reviews site, Erotica Revealed (edited by D.L. King). She blogs on Livejournal as "Lizardlez" and at www.goodsturdyjeans.blogspot.com. Her website (www.JeanRoberta.com) is a work in progress.
Read Jean's full bio at Erotica Readers & Writers Association.



  E-mail this page


Search ERWA Website:

Copyright © 1996 and on, Erotica Readers Association, Inc.
All Rights Reserved World Wide. Reproduction in whole or in part in any form or
medium without express written permission is prohibited.

'08 Movie Reviews

Almost Perfect
Review by Oranje

The Fold
Review by Ashley Lister

Two
Review by Spooky

Fallen
Review by Spooky

'08 Book Reviews

Anthologies

Best Bisexual Women's Erotica
Review by Ashley Lister

Best Fantastic Erotica
Review by Ashley Lister

Best Women's Erotica '08
Review by Ashley Lister

Bound Brits (ebook)
Review by Ashley Lister

Deep Inside: Extreme ...
Review by Cervo

Dirty Girls
Review by Rose B. Thorny

Hide and Seek
Review by Ashley Lister

Hurts So Good
Review by Ashley Lister

J is for Jealousy
Review by Ashley Lister

K is for Kink
Review by Ashley Lister

Lust Bites
Review by Ashley Lister

Open for Business
Review by Rose B. Thorny

Possession
Review by Lisabet Sarai

Rubber Sex
Review by Ashley Lister

Rubber Sex
Review by Victoria Blisse

Seriously Sexy
Review by Ashley Lister

Sex & Candy
Review by Ashley Lister

The Shadow of a... (poetry)
Review by Lisabet Sarai

Spanked
Review by Victoria Blisse

Tasting Her
Review by Kathleen Bradean

Tasting Him
Review by Ashley Lister

Tasting Him
Review by Kathleen Bradean

White Flames
Review by Lisabet Sarai

Yes, Ma'am: Male Submission
Review by Angelika Devlyn

Yes, Sir: Female Submission
Review by Angelika Devlyn

Novels

The Art of Melinoe
Review by Ashley Lister

Demon by Day
Review by Lisabet Sarai

Gemini Heat
Review by Ashley Lister

Gothic Heat
Review by Ashley Lister

The Hidden Grotto Series
Review by Lisabet Sarai

The House of Blood
Review by Lisabet Sarai

In Too Deep
Review by Ashley Lister

In Too Deep
Review by Victoria Blisse

Incognito
Review by Donna George Storey

Nicholas
Review by Victoria Blisse

One Breath at a Time
Review by Angelika Devlyn

Out of the Shadows (ebook)
Review by Lisabet Sarai

Phantasmagoria
Review by Ashley Lister

Reckless
Review by Rose B. Thorny

Seduce Me
Review by Ashley Lister

Seduced by the Storm
Review by Lisabet Sarai

Serve the People!
Review by Donna G. Storey

Signed, Sealed and Delivered
Review by Lisabet Sarai

Sunfire (eBook)
Review by Lisabet Sarai

Templar Prize
Review by Angelika Devlyn

The Wicked Sex
Review by Ashley Lister

Wild Kingdom
Review by Angelika Devlyn

Gay Erotica

Backdraft
Review by Vincent Diamond

Best Gay Romance '08
Review by Vincent Diamond

Hard Hats
Review by Vincent Diamond

Leathermen
Review by Kathleen Bradean

Lesbian Erotica

Best Lesbian Erotica '08
Review by Donna George Storey

Best Lesbian Erotica '08
Review by Ashley Lister

The Night Watch
Review by Lisabet Sarai

Non-Fiction

America Unzipped
Review by Rob Hardy

Best Sex Writing '08
Review by Rob Hardy

Bonk: The Curious Coupling
Review by Rob Hardy

The Book of Love
Review by Rob Hardy

Casanova: Actor Lover ...
Review by Rob Hardy

Dishonorable Passions
Review by Rob Hardy

Flagrante Delicto (photos)
Review by Jack Gilbert

The Flesh Press
Review by Rob Hardy

Geisha, Harlot, Strangler, Star
Review by Donna G. Storey

The Humble Little Condom
Review by Rob Hardy

Instant Orgasm (sex guide)
Review by Ashley Lister

Man O Man! Writing M/M...
Review by Vincent Diamond

The Not So Invisible Woman
Review by Ashley Lister

Swingers: Female...
Review by Lisabet Sarai

Who's Been Sleeping in...
Review by Rob Hardy