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'09 Authors Insider Tips

Everything About Epublishing
by Angela James
Digital Publishing & Print
Common Myths of Epublishing
Ebook Formats and Devices


FictionCraft
by Louisa Burton
Compelling Characters
Point of View, Part I
Point of View, Part II
Learning to Love Conflict
Story Structure
Keep ‘em Guessing
Keep it Simple
Keep Your Writing Real
The Importance of Pacing


Literary Streetwalker
by M. Christian
New World of Publishing
To Blog Or Not To Blog
Meeting & Making Friends
Thinking Beyond Sex
Selling Books
Walking the Line
e-book, e-publisher, e-fun
Still More E-book Fun


Shameless Self-Promotion
by Donna George Storey
Our Journey Begins
Pitches and Bios
Websites, Blogs & Readers
Publicists, Press Kits and...
Viva the Internet
Adventures in Cyberspace
Promoting In the Flesh
Make Your Own Movie
Bigger is Better
Looking Back, Planning Ahead


Two Girls Kissing
by Amie M. Evans
Questions to Ask Yourself...
Tough All Over


The Write Stuff
by Ashley Lister
Ideas
Practice Makes Prefect
5 Books for Fiction Authors
Poetry In Motions
Six Serving Men
Ashley Lister is Anal
Stealing Ideas
Celebrating Poetry


2009 Smutters Lounge

Ashley Lister Submits
by Ashley Lister
Myths
Graduation


Cooking Up A Storey
by Donna George Storey
A Year of Living Shamelessly
Adultery, Exhibitionism ...
John Updike Made Me Do It ...
Story Soup: Forbidden ...
Lessons from Amazon
Naked Lunches ...
Erotic Alchemy
Secrets of Seduction
Are You a “Real” Writer?
Don’t Fondle My Sentence


Cracking Foxy
with Robert Buckley
The Passionate Taphophile
Havens on Earth
A Knight Without Armor
Jail-Baiting
Magic Carpet Rides
Getting Hammered
Keep It Quiet
Hang Around for a Spell


Get All Worked Up
with J.T. Benjamin
Worked Up About Why
Worked Up About Why, Part II
All Worked Up About Porn
The Catholic Church
Purity Movement
The National Crisis
The Future
About Homosexuality
Public Indiscretions


Pondering Porn
with Ann Regentin
Premature Ejaculation
Auctioning Off What?


Sex Is All Metaphors
by Jean Roberta
Who's Who Around the Table
Retro-Shame
Ritual Sex
Mixed Legacy
The Spectrum of Consent
Drawing the Line
Marriage without the Hype
The Distracting Smirk
Innocent Guns
Gardens of Earthly Delights


Provocative Interviews

Between the Lines
with Ashley Lister
Anneke Jacob
D L King
Kristina Lloyd
Lisabet Sarai
Mitzi Szereto
Portia Da Costa
Shanna Germain
Sommer Marsden
Susan DiPlacido


Guest Appearances

Marketing a Self-Published Novel
by Jeanne Ainslie

Everything You Ever Needed to Know About Epublishing

(and some things you didn’t know you needed to know)
by Angela James


Digital Publishing and Print

 

Angela James | E-Publishing

Despite the benefits of digital publishing and the epublishing business model, it’s understandable that there remains an allure for authors, holding their first, tenth, twenty-fifth novel in print format. No matter how much we talk about ebooks being “real” books, seeing that book in print, in the author’s hands, or on the shelves somehow makes that elusive dream of being a published author more of a reality.

Because of their desire to see their books in dead tree format, many authors will pick an epublisher based on the things I discussed in my earlier article, but also on the epublisher/small press publisher’s print program. I would caution that authors choosing digital publication shouldn’t choose their publisher based solely on their print program. Because that is not a digital publisher’s main area of focus or expertise, choosing based on whether a publisher does print or not could lead the author to be disappointed in the publisher for any number of reasons.

Because print is not a digital publisher’s main focus, most digital publishers utilize the print on demand method of publishing versus offset printing. It’s common for people to think of print on demand as what is known as “the book of one”, where an order for a single copy of a book comes in, is sent to the printer and one book is printed for that customer. However, many publishers now not only print to fill pre-orders, but also maintain a low stock with places like Ingrams, in order for there to be available stock for online and brick and mortar retailers. Doing it in this way allows the books to be fully returnable, and for a small print “run” to occur.

There are multiple reasons for this including saving money on staff and warehouse needed to keep inventory, low start-up costs to put books in print, and the print on demand technology allows publishers to print a smaller number of quantities in a cost effective way, versus the generally thousands of copies required by offset printing. Print on demand also has the advantage of having less actual stock and thus less waste of remaindered books.

On the other hand print on demand can have some drawbacks for the publisher. There is generally a lower profit per unit, because the cost of producing the book itself is higher. Few print on demand companies do a “mass market” size book but instead utilize what’s known as trade size format, which retails for a higher cost than the mass market book. In addition, there is still a general stigma attached to print on demand books, with both authors and retailers, and it can make it difficult for the author/publisher to get their product placed in retail stores.

In addition to print on demand, there are a select number of digital publishers who utilize other methods of printing, including self-owned printing equipment and offset print runs similar to those of traditional publishers. Larger print runs would mean a wider distribution in retail stores, larger per unit profit, but can also potentially mean a larger number of returns.

When researching and ultimately signing a contract with a publisher, there are several things it’s important for an author to know about the particular print program their publisher uses. One is whether the publisher’s books are fully returnable. Most retailers will not carry books which aren’t returnable, and there are many retailers who are under the misconception that all print on demand books are not returnable. Authors should also ask publishers what happens when their books are returned (and if we’re being honest, there will be returns. No book has 100% sell through). Does the publisher hold a reserve against returns? Or will authors have returns deducted from current royalty checks? Reserve against returns protects both the author and publisher—but most especially the publisher—against financial hardship in the face of returns. Digital publishers have folded due to bad decisions made in regards to their print programs, taking author royalties with them when they go.

Authors will also want to find out, prior to signing the contract, what the royalties are on print and whether all digital books go to print, or if the publisher has criteria that must be met before putting a book in print (as an example, some publishers base whether a book will go into print on the book’s digital sales numbers).

As an author, you’ll want to not only be familiar with your publisher’s method of printing, but also how it will affect your books and royalties, as well as the publisher’s business plan, in order to be well informed so you can answer questions when asking retailers and consumers to buy your books.

Coming in February: Myths and Realities

Angela James
December '08 - January '09


Lean Everything You Ever Needed to Know About Epublishing with Angela James in our 2008 Archive.

______
"Everything You Ever Needed to Know About Epublishing" © 2008 Angela James. All rights reserved.

About the Author: A former harem princess, Duchess of York and globe-trotting superhero, Angela James has lived an extensive fantasy life thanks to the world of books. But after all that, she settled for the job of Executive Editor at Samhain Publishing, where she’s worked since its inception in 2005.
Read Angela James'' full bio at the Erotica Readers & Writers Association.



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'09 Movie Reviews

Blame It On Savanna
Review by Byrdman

Cry Wolf
Review by Spooky

Faithless
Review by Spooky

Heaven or Hell
Review by Oranje

House of Wicked
Review by Diesel

The Office: An XXX Parody
Review by Spooky

This Ain't The Partridge Family
Review by Spooky


'09 Book Reviews

Anthologies

A Slip of the Lip (ebook)
Review by Jean Roberta

Best Women's Erotica '09
Review by Lisabet Sarai

Bottoms Up
Review by Ashley Lister

Enchanted Again
Review by Victoria Blisse

Frenzy
Review by Kathleen Bradean

Girls on Top
Review by Ashley Lister

In Sleeping Beauty’s Bed
Review by Ashley Lister

Libidacoria (Poetry)
Review by Ashley Lister

Licks & Promises
Review by Ashley Lister

Like a Thorn (ebook)
Review by Lisabet Sarai

The Mile High Club
Review by Ashley Lister

Nexus Confessions: Vol 5
Review by Victoria Blisse

Nexus Confessions 6
Review by Victoria Blisse

Oysters & Chocolate
Review by Kristina Wright

Playing with Fire
Review by Ashley Lister

Sexy Little Numbers Vol 1
Review by Ashley Lister

Up for Grabs
Review by Lisabet Sarai

Novels

A 21st Century Courtesan
Review by Donna G. Storey

The Ages of Lulu
Review by Lisabet Sarai

Amanda’s Young Men
Review by Kristina Wright

As She's Told
Review by Ashley Lister

Bedding Down
Review by Victoria Blisse

Broken
Review by Ashley Lister

Brushes & Painted Dolls
Review by Lisabet Sarai

Cassandras Chateau
Review by Ashley Lister

The Edge of Impropriety
Review by Kristina Wright

Exposure
Review by Kathleen Bradean

Free Pass
Review by Ashley Lister

The Gift of Shame
Review by Victoria Blisse

Kiss It Better
Review by Ashley Lister

The Melinoe Project
Review by Lisabet Sarai

Mortal Engines & The ...
Review by Ashley Lister

The New Rakes
Review by Ashley Lister

Ninety Days of Genevieve
Review by Victoria Blisse

Obsession: An Erotic Tale
Review by Kristina Wright

Sarah's Education
Review by Ashley Lister

Seduce Me
Review by Lisabet Sarai

Lesbian Erotica

Lesbian Cowboys
Review by Kathleen Bradean

Night's Kiss
Review by Jean Roberta

Where the Girls Are
Review by Jean Roberta

Gay Erotica

Animal Attraction 2
Review by Kathleen Bradean

Boys in Heat
Review by Vincent Diamond

Faewolf
Review by Lisabet Sarai

The Low Road
Review by Jean Roberta

Personal Demons
Review by Jean Roberta

Ready to Serve
Review by Vincent Diamond

The Secret Tunnel
Review by Kathleen Bradean

Shuck
Review by Kathleen Bradean

Transgressions
Review by Vincent Diamond

Non-Fiction

Best Sex Writing '09
Review by Kristina Wright

The Big Penis Book
Review by Rob Hardy

Erotic Encounters
Review by Rob Hardy

The Forbidden Apple
Review by Rob Hardy

Hollywood’s Censor
Review by Rob Hardy

Lady in Red
Review by Rob Hardy

Licentious Gotham: Erotic...
Review by Rob Hardy

Live Nude Elf
Review by Rob Hardy

Live Nude Girl
Review by Rob Hardy

The Other Side of Desire
Review by Rob Hardy

Scripts 4 Play
Review by Ashley Lister