Confessions of a Literary Streetwalker

by M. Christian

Thinking Beyond Sex

A couple of weeks ago I had a delightful lunch with the always-great writer/always-great person Donna George Storey (who also has a column here on ERA, "Shameless Self-Promotion") and my partner-in-all-things Sage Vivant.  We talked about a lot of things, not the least of which was the many tricky questions about how to publicize an erotica book.

While I want to leave the lion's share of the results of that conversation to Donna, whose idea the lunch was in the first place, a topic did come up I’d like to take a bit of time to expound on.

Let’s start at the beginning. Say you’ve written an erotica book.  What's more, it's a quality erotica book, which is to say that it isn't just about positions, sensations, steamy looks, and lingerie. It has an engaging setting, multidimensional characters, and a plot. It's well written and seeks to do more than turn the reader on. Hurray, congratulations.  I’ve said it before but it certainly bears repeating: this is an incredible feat.  There are very few people in this world who could have done what you’ve done.  Take a moment to languish in your success.

Done languishing?  Good. Now you’ve sent your book out and congratulations (part two) you’ve managed to find a publisher for your novel—no mean feat, believe me, especially these days.  So now you’ve written a book, you’ve sold a book, and soon it’s going to be for sale.

Now is the time you must do something very important, and it may surprise you, given the genre in which your book is written.

Don’t. Think. About. Sex.

I know, I know—a bit weird, right?  After all, you’ve written an EROTICA book.  So it seems more than natural that you’d want to reach out to sexy, kinky, smutty, erotica venues—and well you should.  But after you do that you should really try and reach out to places a bit more … tangential.

Let me explain: erotica is a fine and dandy genre (I’m not disparaging it) but it’s also a bit limiting.  In erotica your book is one of dozens, every last one of them clamoring to be the center of attention.  Sure yours is different—for whatever reason—but in the erotica world, your book is common first, and special second.

Let’s say, for example, that your book is about a soldier during World War II.  So why aren’t you thinking about your book being a World War II book?  Sure you know you wrote it as erotica, and that’s certainly essential to the book’s allure, but it’s more than that, see?  Try reaching out to soldier sites, World War II sites (and authors, forums, and such).  Sure, there’s a damn good chance your emails and announcements will be ignored but if someone does respond then your book will really stand out: a World War II book—but an EROTICA one.  Wow!  Unique!  Different! 

In fact, I'll bet if you really looked at your book you could find several places to branch off.  Is it a love story?  Then it could be romance.  Is there a mystery involved?  Then it could be—well, you get the idea.

Here’s an important detail.  Absolutely you should tweak your announcements and such in a way to reach these different audiences.  Instead of “erotic” and “explicit” try “sensual” and “stirring”—play up your book’s connection to their world:  a sensual tale of a love and intimacy set in the latter days of World War II … that kind of thing.

Yeah, I know that sounds like another bit of Madison Avenue trickery, but keep in mind that for many people the whole idea of a book with any kind of sexual content is a brain-turn-off.  You have to get them to see your book more broadly—as a bona fide story rather than merely a sexual tale. The only way to do that sometimes is to squeak it in under their radar.  No, I’m not saying you should lie, but what I am saying is why get the door shut in your face before you’ve even had a chance to say one word about your cherished novel?

Thinking of yourself as a erotica writer and your work as nothing but erotica will limit you as well as your publicity opportunities.  Look beyond that simple label and so will readers.  You know your book is more than Dick In Jane; you know there’s something special about it—so why not use that uniqueness to open a whole new world for both you and your works?  Not only will this outlook give you a possible new audience, but you’d be shocked by the number of connections that also could emerge from stepping into other genres and interests.  Someone who never would have dreamed of reading so-called smut suddenly has their eyes opened—by you, with your wonderful book.

So try and use the imagination you’ve developed in your writing to expand more than just your storytelling: try expanding on other possible places for exposure—and other possible places for you to grow and develop as a writer.

M. Christian
March 2009

As always, if you have any questions or comments please feel free to write me at zobop@aol.com—I promise to write back—or drop by mchristian.com, meinekleinefabrik.blogspot.com, or frequentlyfelt.blogspot.com.

Read more of M. Christian's Confessions of a Literary Streetwalker in ERWA 2009 Archive.

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"Confessions of a Literary Streetwalker" © 2009 M. Christian. All rights reserved.


About the Author: M. Christian is an acknowledged master of erotica with more than 300 stories in such anthologies as Best American Erotica, Best Gay Erotica, Best Lesbian Erotica, Best Bisexual Erotica, Best Fetish Erotica, and many, many other anthologies, magazines, and Web sites. He is the editor of 20 anthologies including the Best S/M Erotica series, The Burning Pen, Guilty Pleasures, and others. He is the author of the collections Dirty Words, Speaking Parts, The Bachelor Machine, and Filthy; and the novels Running Dry, The Very Bloody Marys, Me2, Brushes, and Painted Doll.
Email: M. Christian
Websites: mchristian.com
meinekleinefabrik.blogspot.com
frequentlyfelt.blogspot.com

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