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Markets & Guidelines Grammar Tips Bashing the Dashes Overused & Misused Come Vs Cum Which is Correct? He Said, She Said Dialogue Tags... Pussy, Cunt, Cock Choosing the Right Word Too Many "Thens" Excise the Offender Torments Dreaded Word Count How do you do It? Dreaded Writers Block Get-In-Gear Tips Elusive Ending How do you Wrap it Up? Keeping the Faith When you get Rejected Writing Bad Sex An Arduous Effort Writer's Procrastination I'll Write it...Tomorrow Writing Race Pitfalls and Anxieties Novel Help Know the End Or you may get Lost Never Ending Novels What is your Solution? Novel Frustrations Length & Marketing Where to Begin Look Ahead...or Back? Vexations Beware! Potential Pickpockets Burnout The Brutal Second Draft Flashback Technique Clumsy or dramatic effect? Gratuitous Sex in Erotica What the hell...?! I'm Boring Myself! Give your Story Zing No Conflict = Boring Story Or perhaps not... Real Places & Settings Are There Legal Issues? Write Free Give Work Away? |
Bashing the Dashes
When jamming off an email to a friend - I found myself littering my composition with hyphens in places where periods and commas would be more conventional. Which got me thinking about 'modern' punctuation in long, run-on sentences. What are your thoughts on the use of hyphens to break up thoughts in a long sentence of loosely related ideas? You know, the type of paragraphs we speak rather than write. I mean - how many of us actually speak in good, perfectly punctuated and constructed sentences and neatly organised paragraphs? Hyphens where one should normally use commas or periods, semi-colons, or colons - or reorder thoughts - are a big part of my first drafts and I wonder how many of them I should be removing. —Anne Marie Pernier Interested in this topic?
From Sarah S The different tact I have taken with punctuation and the "tone" of books in general, is that "times they are a changin'". I am not the most technologically advanced person in the world, but I know our youth live on their phones, text messages and IMs. Short cuts are being taken left and right and I wonder if grammar as we know it will still be applicable in 5, 10 or 20 years. BTW, FYI, FWIW, gr8, are but a few ways of communicating that are not going to go away. People are writing more like they are speaking. Does it make it right? Not necessarily, but it is happening. So, as an extension of that discussion, I think the dash - is becoming more popular and accepted in writing. There will always be purists and pop fiction writers. Not sure the purists will buy into this argument, but pop culturists already have. From John Brese From Louise Bohmer From Elliot Mabeuse "But you said--" "Never mind what I said." The em dash differs from the eliipsis in that the latter indicates an uncertain trailing-off of speech; the dash indicates a break. I've found that editors are more comfortable with an em dash then they are with a colon or semicolon, even though the double-dot boys are more grammatically correct. I find myself using more dashes now than I used to, just in self-defense. I wince every time I do, though. From Lon Grover Until the end of a sentence, I have to keep all the ideas in it in mind. That's hard work, and I've stopped reading more than one story that wanted me to do it. Very few successful authors write dialog that tries to mimic real speaeh, probably for reasons like mine. Relatively formal writing may not replicate real speech patterns, but it makes life easier for readers. There are few enough of them without chasing some away. From Amanda Earl Glimpsing in my various grammar books, I have discovered that most grammarians consider the em dash to be overused, often in place of a colon (summary, example, etc). "Properly used, the dash adds variety and lightness to writing; improperly used or overused, it gives the impression that the writer is flighty or disorganized." (Handbook for Writers, Celia Millward and Jane Flick) "Caution Use the dash carefully in formal writing. Do not use dashes as awkward substitutions for commas, semicolons or end marks." (Harbrace College Handbook (John C. Hodges et al.). I try not to use the dash much in my own writing because I find it unwieldy and odd-looking. Not to mention that I am not really sure as to how to use it properly. I find the advice in grammar books on the subject of the dash to be confusing and conflicting. One book said not to use it as an introductory element while another recommended its use for introductory elements. Just too darned confusing for me. As a reader and editor, I find the dash to be overused. In my opinion, if you proof your draft and discover that you have em dashes in every paragraph, you are definitely using too many. If you have a deliberate reason for its use, then more power to you. In another discussion, Ishmael, I think it was, pointed out that characters do not necessarily speak in grammatical sentences. I think if you have a character who is, as Millward and Flick say above "flighty or disorganized," he might need lots of em dashes, but I think you have to balance this potential overuse of the em dash with the need for clear and comprehensible texts. Now...my problem is ellipsis points...as you can see...I use too many... From Jolie du Pre But if you're a good writer you can get away with breaking some of the rules. For example, it is not correct to use sentence fragments, but some writers use them for effect. From Chris Skilbeck One thing to remember about dashes in formal writing (you young people will use them willy-nilly in the informal media, I know) is this if there's only one it's probably an ignorant substitution for a perfectly good punctuation mark that you could learn about if you took the trouble. From Ann Regentin From Chris Skilbeck It is also the case, however, that a single dash is very often misused where a comma or colon or even a full stop would be more appropriate, or as a masking device in a sentence that no punctuation could render correct. The dash can often be found as a sort of written equivalent of the 'you know' and 'ah' and 'um' and 'like' of informal spoken language, and in that sort of usage is as pointless and irritating as are those, except of course in the written dialogue of those who speak like that. Copyright © 1996 and on, Erotica Readers Association, Inc.
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On Writing Erotica
Accidental Pornographer Unwitting Road to Porn The End of Innocence Balance Fantasy & Skill Get Them Off And Do It In High Style Want To Write Erotica? Tips For Aspiring Authors Tools of the Trade To Agent or Not Do you really need one? Copyright Tutorial Basic Information Copyright Infringement How to deal with it Publishing FAQ Inquiring minds... Query & Cover Letters How to Write the Buggers Your Rights What are they? Shared Wisdom Advice From Writers Shared wisdom Hang Your Erotica On a Worthwhile Plot Sudden Inspiration Electrifying, and rare... Titillate Your Muse In search of ideas Our Favorite Writing Books How About Yours? When An Idea Dies What do you do? Helpful Hints Color your Characters How to Write Ethnicity E-book Promotion Effective marketing ideas Keep An Idea File For Future Inspiration Keeping Records What do you Use? Location Research How to do the Deed Lush Descriptions Good or Bad? Point Of View Primer By Helena Settimana Titles Brainstorm a Good One What's in a Name? Choosing the Right One Writing Effective Villains Make 'em Bad to the Bone Voices In My Head Do your characters talk |
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