Amazon

Tune in next week…

Image by Detmold from Pixabay

When Amazon recently announced the creation of Vella, their new serial fiction offering, I shrugged. I have enough trouble writing one chapter of my WIP per week. Committing to a chapter every day or two just isn’t going to work for me.

In any case, I don’t trust Amazon. I tried to make sense out of their payment policies and it seemed pretty clear that to make any money at all, you’d need to pull in a huge number of readers. Basically, you’ll make about 15 cents per reader, for a 3,000 word episode. (Episode lengths can vary from 6,00 to 5,000 words, with cost to the user proportional to the number of words.) If you wrote a 30,000 word novella (just as an example), serialized it, and one person read all ten episodes, you’d make approximately $1.50. Actually, though, you’re required to provide at least the first three episodes free. So really you’re looking at $1.05 for the entire book.

I would normally price a 30K novella at $2.99. At Amazon’s 70% royalty rate, that’s $2.09 per copy. Tell me again how this is a good deal for writers, please?

In addition, the 15 cents is an upper limit. Amazon will bundle the tokens needed to unlock episodes. The larger the bundle a reader purchases, the better the deal for the reader – and the smaller the value of the individual tokens to the author.

Given this analysis, I was ready to dismiss the entire notion of serialized fiction. Then I got an email from one of my publishers, indicating that they planned to serialize several of my novels on the Radish platform, an independent serialization app.

https://www.radishfiction.com/about/

That got my attention. It turns out that my contracts with this publisher do include serial rights. Furthermore, Radish sounds a lot more interesting than Amazon. Though there’s precious little information on payment available on their site, it’s clear that they support serializing previously published work (though I’d assume they pay less). Furthermore they’re actually looking to commission authors to create serialized stories for hire.

https://writersweekly.com/paying-markets/radish-fiction

The pay here is quite good: $50 per 1,000-1,500 words, better than a Cleis anthology. Of course I don’t know what the rights situation would be, though I would expect in this case the rights would belong to Radish. One question I’d have is whether you’d get an author credit. If so, you might be able to get some spill over to your other books.

Radish has been funded by some venture heavy weights, so maybe they can actually compete with Amazon.

https://techcrunch.com/2020/08/04/radish-softbank-kakao/

I have to admit, I’m not fond of the vision promulgated by Radish, of people “consuming” bite-sized chunks of story on their phones while they’re riding on the bus or standing in line in the supermarket. To me this seems to defeat the whole purpose of reading, which is to take some time away from reality and get lost in a fictional world. I also worry that slicing and dicing a book in this way will do violence to the narrative. You can’t have a gradual build-up of tension in a serial format. Every episode needs to have its own hook and own cliff-hanger ending. And I imagine you can’t really rely on readers remembering much from one episode to the next (though perhaps its possible to go back and re-read previously consumed episodes).

Do we really need reading to become like TV? Have people lost the ability to pay attention for anything longer than ten minutes?

I’m probably just being an old-fashioned curmudgeon. Indeed, serial fiction has a long and illustrious history. Some of my favorite Victorian authors including Arthur Conan Doyle and Wilkie Collins originally published their work in serialized form. Alexandre Dumas released The Count of Monte Christo in 139 installments!

So I suppose this can be considered as the latest instantiation of an honored literary tradition. I find that slightly reassuring – though only slightly.

In fact, I’m considering whether to personally get my feet wet with Radish. I have a half-completed novel that’s been going nowhere for years, a paranormal erotic romance that seems to match the sort of content Radish might be looking for. If I have the time this summer, I might try breaking it up into episodes and publishing them on Radish. I have at least 30K written, so that will give me a starting backlog. Then maybe this will kick me into gear to finish the book!

One question that remains unanswered is whether Vella or Radish will accept explicit erotica, as opposed to romance. One would think that erotic content would be a natural for this format, but I haven’t seen any statement about this anywhere.

Maybe that’s another experiment I could try – or maybe one of you who is more prolific than I am might explore that issue.

If you do, let us know what you find out!

Everything I Know About Amazon Keywords…

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I learned from Belinda LaPage. Truly, I’ll be forever grateful to her for explaining how to leverage this aspect of Amazon’s algorithms.

In fact, she wrote a post herself that included information about this topic: https://erotica-readers.com/blog/2019/02/11/raising-the-dead-your-story-doesnt-suck-necessarily/

However, in that post she didn’t give the blow-by-blow how-to she shared with me… which I am now going to share with you.

Let’s start out with the goal: getting people to buy your book. Obviously, in order to buy your book, people first need to find it. And hey, there are only fifty million erotica titles on Amazon. Okay, I made that up, but you and I both know that the ‘Zon is dripping in dirty books, with thousands more being added every day.

When you set up a new title on the Amazon KDP site, you’re asked to select up to two categories. However, the available categories are rather broad and limited. (You can find a list of the erotica sub-categories here.)

You can also specify up to seven keywords, which will be used to match search strings entered by potential customers. Smashwords, similarly, asks for keywords (ten in their case). When I first started self-publishing, I’d use the same keywords for both platforms, single words or phrases like “bdsm”, “lesbian”, “dominance and submission”, “anal sex”, “steampunk”, and so on.

I don’t know anything about Smashwords’ algorithms. I learned from Belinda, howver, that Amazon allows up to fifty characters for each “keyword”. Hence you can have multiple different strings in the same keyword slot. Furthermore, the individual words influence each other to create or match ad hoc search categories. Each fifty character “keyword” acts as a “word cloud” and will match against search terms that relate to the core concepts in that cloud – even if the exact words entered for the search aren’t in your keyword set at all.

The best way to understand this is by example. (Warning: dirty words ahead!) Here are the seven keyword strings I used for my recent release, The Pornographer’s Apprentice.

12345678901234567890123456789012345678901234567890
FEMDOM WHIPPING BONDAGE FLOGGER BDSM SLAVE MASTER
LESBIAN CUNNILINGUS SAPPHIC CUNT-MUNCH LGBTQ CLIT
ANAL SEX PEGGING BUGGERY ASSHOLE PEGGING REAMING
THREESOME FOURSOME MENAGE GROUP SEX ORGY 
GAY BUTT-FUCK HOMOEROTIC BLOWJOB BIG COCK SEX-PLAY
SEX TOYS DILDO BUTT-PLUG FLOGGER CROP WHIP CUFFS
STEAM PUNK VICTORIAN LONDON ENGLAND ALT-HISTORY

The numbers along the top (suggested by Belinda) help me keep within the 50-character limit for any keyword. I use a mono-spaced font to make sure that the characters of my keywords correspond to these numbers.

Each of the seven lines below the numbers is intended to capture a concept or topic that might be of interest to a certain segment of the market. Line 1 deals with power games, especially femdom, which is featured in several chapters of the book. (I probably should have used “Mistress” rather than “Master” but I didn’t quite have the character count.) Line 2 obviously relates to lesbian activity. There’s little subtlety about line 3; it contains our favorite terms related to anal sex (which is rather prevalent in this story). Line 4 focuses on varieties of multi-partner sex. Line 5 plays to the readers who are looking for MM activity; there’s a bit of this in The Pornographer’s Apprentice, though it’s not the primary focus since the protagonist is a woman. Line 6 celebrates sex toys, the creation of which is the vocation of my heroine and her colleagues. Finally, line 7, which has no dirty words at all, encapsulates the setting and sub-genre. Adding “VICTORIAN” has the advantage of linking the book to genuine Victorian era erotica like The Pearl. In fact this book is currently ranked as #435 in Victorian erotica, on all of Amazon… even though it actually isn’t.

How can I be so explicit in my keywords? you might be wondering. What about the dreaded adult dungeon which awaits books that violate Amazon’s unwritten policies on sexual content?

Amazon, it turns, is severely schizophrenic when it comes to erotica. On the one hand, using a word like “cock” or “fuck” in your title or showing a bit of naked boob on your cover will get you whisked away to the dungeon before you can say “Take me, Master!” On the other hand, it appears there are no standards whatsoever regarding the content of keywords. Of course the keywords are not visible to readers; they’re digested and linked and stored in Amazon’s database (or used to train its AI). But they have (I believe) a lot of influence.

How do I know? Well, of course, none of us know anything certain about Amazon’s mysterious ways. I do know, however, that my Amazon sales have improved noticeably since Belinda gave me her lesson on keywords. It might be that I’m writing better books. However, I’m willing to give the keywords (and Belinda) a significant chunk of the credit.

 

Narrow or wide? How to decide?

Image by Free-Photos from Pixabay

Self-publishing offers an author a lot of freedom. You’re no longer bound to the schedule of a publisher; you can release your books whenever they’re ready, or according to a strategy related to your personal future plans. A self-published book does not need to fit neatly into genre-based pigeonholes. You can write and publish work that reflects your creativity and vision, rather than the often rigid categories that supposedly define “the market”. Furthermore, self-publishing can spare you sometimes painful fights with house editors about words, phrases or content that violate the house style rules. You, the author, are in the driver’s seat, and your book is 100% your own.

On the other hand, you become responsible for many critical decisions. What should the cover look like? What categories and keywords should you use? How should you position the book, with respect to your other work as well as the competition? What price should you set? How should you promote the book? All of a sudden you’re not just the author, but also the publishing executive and the marketing manager.

One thorny issue facing any self-publishing author at the moment is whether to go narrow or wide. Everyone knows that Amazon commands the largest share of the ebook market. “Going wide” involves publishing and selling on other platforms as well as Amazon, for instance Barnes and Noble, Kobo and Google Books. If you want to go wide, there are a variety of sites that will publish and distribute your books to a range of online vendors, including Smashwords and Draft2Digital. In return, they take a cut of the royalties (but a smaller percentage than a regular publisher). As an alternative, you can upload your book independently to different sales sites, which takes more effort but can result in somewhat higher returns as well as better control over format.

“Going narrow” means publishing exclusively on Amazon, enrolling your book in KDP Select and Kindle Unlimited (KU). You may publish and sell a print version of your book, but the ebook version must not be sold anywhere else.

KU is a subscription-based model for reading ebooks. Rather than paying for books individually, KU members pay a monthly fee (currently about $10) in order to download and read an “unlimited” number of books. (In fact, I believe there are some restrictions on how many books you can be reading concurrently, but I have not been able to find the details on the Amazon help pages.)

Since readers don’t purchase books under the KU scheme, Amazon pays authors according to the number of pages of their books that KU members read. The actual unit is called KENP (Kindle Edition Normalized Pages), a quantity which is calculated based on a (secret) algorithm. Authors receive a certain amount of money per KENP; the amount is also a secret and varies over time, but is some fraction of a cent. Note, by the way, that Amazon systems must periodically access individual readers’ Kindle devices or apps in order to compute KENP.

Many authors swear by KU as a way of making more money. It does seem that KU reads do not reduce the number of outright purchases by much. KU subscribers are a different population from purchasers. On the other hand, by going narrow, an author risks losing sales from readers who prefer to buy from other sources. This includes a segment of the reading public who actively avoid Amazon for various reasons including the company’s monopolistic tendencies, their intrusiveness and their indie-author-unfriendly policies. In the interests of full disclosure, I will personally confess that I fall into that segment.

My personal experience with going narrow is very limited. I have one book, a boxed set, available in KU. Since I released that book, in February 2020, it has logged 22,217 KENP. The payment for this has been $54.22. So I’m getting about 0.0025 cents per KENP. The book is about 600 pages, so the page reads translate to roughly 37 sales. The purchase price is $4.99 and the royalty percentage is 70%, so if I’d actually sold these copies, I would have received $3.49 per copy, or $129.13.

Of course, it’s not likely I would have sold all those additional copies. As noted above, KU subscribers wouldn’t necessarily purchase the books they download as part of the program. Like all “unlimited” subscriptions, Kindle Unlimited encourages readers to take a chance on merchandise they’re not sure they want, because there’s no penalty to downloading a book but not finishing it. In addition, KU subscribers have an incentive to consume as many books as possible in order to “get their money’s worth”.

It is clear though, that Amazon itself saves money when authors go narrow. Given the current KENP formula, for a complete KU read of Vegas Babes, they only have to pay me about $1.50, which amounts to a royalty rate of 30% – rather than the 70% I get for an outright purchase.

Still, there’s a segment of the reading community that loves to see the words “Free on Kindle Unlimited” splashed across a book banner. It’s not really free, of course, but once a reader has paid the monthly fee, they will tend to forget that.

Mostly, I’ve gone wide, because I want anyone who is interested to be able to buy my book. As noted above, I personally don’t have a Kindle or buy ebooks from Amazon. I read 5-10 books per month. Knowing how important this is to authors, I try to review almost everything I read. Since I’m active on Goodreads and host a lot of authors on my blog, I frequently encounter books that sound interesting. If the book is available on Smashwords or Kobo, I’ll consider buying it. However, if it’s exclusive to Amazon, that immediately kills the notion. Hence, my fellow authors are losing out on reviews from me because they’ve chosen to go narrow.

I don’t want my own potential readers to have the frustrating experience of wanting to acquire my books but finding that Amazon is the only source.

I know I’m not neutral on this topic. I recognize that many of you have made a good deal of money by going narrow. It’s your decision – and it’s not irrevocable, since you have the option to remove your book from KU after ninety days.

I’d like to finish by presenting some interesting data. I just ran a contest for members of my email list. To enter, they were required to send me a message answering three questions:

1) Approximately how many books do you read per month?

2) Where do you get your books? (Amazon? Other online sites? Bookstores? Garage sales? The library?)

3) Do you have a Kindle Unlimited subscription now or are you considering one?

I received 26 entries. (I have about 300 people on my list.) They read an average of 11 books a month, with a lot of difference between readers (minimum 1, maximum 30).

The majority of respondents (16 or 62%) get books from many sources including Amazon. Other sources mentioned included BN, Kobo, Google, ARCs from authors or publishers, BookFunnel, PaperbackSwap.com, yard sales, brick and mortar book stores, and libraries. Seven respondents (26%) mentioned only Amazon. Three people (12%) did not mention Amazon at all.

Only six people (23%) said they had or were considering a KU subscription. One or two said they really loved it, since they read so many books. One person said she was considering dropping it, because she didn’t read enough to make it worthwhile.

Finally, I got a couple of comments that, I have to admit, mirror my own feelings about Amazon. One person, in response to the third question, said: “No, I like to keep my books and hate to think they’re tracking me.”

Another reader said: “No, I do not have Kindle Unlimited nor do I plan to get it because a couple of years ago Amazon banned me from leaving any type of reviews, so why should I pay to read on there?”

So: narrow or wide? It’s not a straightforward decision. By choosing to go narrow, you’re probably gaining some new readers, but you may be losing others.

I will leave you with this thought: Amazon wants you to go narrow, not only to freeze out the competition, but because they can pay you less per book than they’d have to if you went wide.

That’s enough to clinch the decision for me. Your mileage may vary.

 

Amazon Scammers Take Over Kindle Unlimited – Game Over for Real Authors?

I’ve been quiet about Amazon’s Kindle Unlimited Program, and self-publishing in general, for several years. Part of me just gave up. (It really does feel good when you stop banging your head against a wall!) I’m an old cynic about Amazon now, I guess. They have been squeezing authors, paying us less and less, since the program started.

Personally, I’ve removed most of my books from the program, even though I’ve left a lot of money on the table doing so. Why? Because it’s unethical. There’s no other way to say it. Authors are getting screwed by Amazon every which way in the program. I kept a few books in, hoping to entice those all-you-can-eat Kindle Unlimited readers into paying customers.

I am, however, now rethinking that. Why? Because any author in the KDP Select Program is now in danger of losing their account.

I’ve been accused of being “Chicken Little” in the past, and here I am again, screaming at the sky. But this is reality. This is happening.

I’m going to let my author friend, D.A. Boulter explain it to you in his open letter to Jeff Bezos. He explains it much better than I do.

And it happened to him. Authors, it can happen to you. Readers, it can happen to your favorite author.

Even if they did nothing wrong whatsoever. 

OPEN LETTER TO JEFF BEZOS from author D.A. Boulter

Mr Bezos:
 
I opened my email program and found I’d received a message from your company.
 
The mail came from ‘content review’, asking for my attention, and I got the immediate feeling that this would be bad. I didn’t know why I’d receive that message now; I’d done nothing with my account in almost six months, haven’t changed a bit of content at all. Thus, it was with no little consternation I opened the message and found that my account is in violation, and if it continues to be so, I’ll be faced with penalties up to and including the termination of that account.
 
What did I do wrong? Actually, nothing. Not a thing. Amazon claims that accounts suspected of ‘manipulation’ have borrowed my book and I therefore accrued ‘illegal page reads’. I’m told that Amazon doesn’t offer advice on marketing, but I’d better be careful because if this happens again, well, see the termination threat above. There’s only one problem with that: I don’t do marketing. I’ve never hired any marketer, and for the past year or more I’ve not even advertised any of my books. The only advertising I get is by word of mouth. Yes, I sometimes – but not always – put a notice in one of the infrequent entries in my blog, and I sometimes, but not always, make a mention of a new book in the two writers’ forums of which I’m a member. Other than that, nothing. I’m lazy, know nothing about marketing, and don’t want to spend the energy finding out about it when I could be writing.
 
So, because Amazon alleges that suspect accounts have borrowed my book through Kindle Unlimited, I’m in danger of losing my account with Amazon. I use the word alleges, because Amazon up front refuses to give any details on their ‘investigation’. At first I found myself just sitting there, stunned. Then I looked up my stats. I’d sold three books so far in April, and had 3000 page reads in nine days. What kind of manipulation was that? Like a fool, I asked.
 
Why do I use the words ‘like a fool’? Because we can rarely get any sort of a straight answer when dealing with Amazon KDP. I asked, “What sort of manipulation?” I got the reply that they rechecked my account and stand by their determination; I will not be paid for illegal page reads.
 
See what I mean? I didn’t ask them to assess the status of my account or to reinstate my page reads. For the leader of a multi-billion dollar industry, you can’t seem to hire anyone for KDP who can read and understand a simple sentence in plain English.
 
I keep daily records of my sales and pages read through Amazon-provided KDP reports. After receiving this letter, and conferring with other authors with whom I share certain authors’ forums, I discovered that the letter would refer to my March totals, not my April month-to-date. I checked my March figures. Of the 24,829 Kindle Pages read (from the daily reports), I find that Amazon has now removed 15,924 or 65%.
 
As the book which constituted over 80% of my previously counted page-reads contains upwards of 750 Kindle Pages, I have to suspect that your company believes that I contracted marketers to “read” a grand total of 21 copies during a 31 day span, grossing me some $72 (approx). You must think I engage the bottom of the barrel marketers.
 
Amazon has a great reputation with respect to customer service. In fact, I’ve enjoyed just such great service. Last year, a CD I ordered from one of your 3rd party suppliers in Germany failed to show up in the stated time – in fact, I didn’t complain until some weeks after that time had passed, wanting to give the CD every opportunity to show up. Within hours of my finally making a complaint, I received a choice of them sending a second CD or giving me my money back. I chose to receive the second CD. It took 8 weeks to arrive – but I don’t blame Amazon or the 3rdparty retailer, because the postmark on it showed that the German Post Office had received it only 3 days after my complaint (and one of those days was a Sunday and Monday was New Years Day, as well). It was marked Luftpost (airmail). So, I blame the Post Office – either the German PO, the Canadian PO, or both. (The first CD never did arrive.)
 
Yes, you are rightly proud of your company’s customer service. However, the concern that you and your company show to your customers falters somewhat when dealing with your content providers – those of us who write books and place them in the Kindle Store and especially in Kindle Unlimited.
 
When I began providing content to Amazon in 2010, things were simple. If someone liked the presentation of an author’s book, they bought it outright or read the sample and then bought it. The author then collected the royalty. If the customers didn’t like our presentation or the sample, they didn’t buy it, and we received nothing. And, finally, if the book did not live up to their expectations, they returned it for a full refund and again we received nothing.
 
There existed no way to scam the system to get more royalties than we deserved. Customers either bought our books or they didn’t. They bought short books, long books, epics. They either paid the price we set – or they didn’t buy. No one had a valid complaint over length or price; if they didn’t feel they got value for money, they didn’t buy the book or they returned it. The only scamming that occurred came from a very tiny minority of readers who bought books and then returned them on a regular basis. Some authors noted that book after book of theirs got purchased and then returned, in order. This suggested a multiple returner. We lived with it.
 
Then came Kindle Unlimited. KU started out and remains an irredeemably and irretrievably broken system. Its terms and make-up were almost created with the interests of scammers in mind, and it continues to provide them with the means and opportunity to – let us not mince words – steal money from legitimate authors. That went for the original iteration of KU and every iteration since then.
 
We legitimate authors don’t know what to do. We can only complain, but that rarely gets us anywhere. We hate scammers even more than Amazon does. They steal our money, not Amazon’s. We hate the manipulation of rank that goes on. We believe in value rising to the top. We work very, very hard to provide the best reading entertainment we can. So, yes, we hate scammers. And, at times, we try to do something about it.
 
Example: One scam entailed putting up books full of repeated sentences, paragraphs, or short chapters – thousands of pages worth of repeated verbiage. A poorly-made cover and an enticing, though totally inaccurate description, accompanied the publication of these books. The authors in one of my groups spotted them, and we counted something like 40 obvious scam books in Amazon’s top 100. Eight “authors” with five books each. If a scammer had someone “read” one of these books (with 10,000 pages or more by my estimate), he’d make $50 for that one read.
 
I took it upon myself to report this to Amazon. All I wanted was an e-mail address to send the details to. Unable to find such on the Amazon site, I went the route of “Chat”. Upon discovering that I was not a customer who had been cheated out of money, nobody really wanted to hear from me. Over the next 45 minutes (I still have the transcript), I got passed through 6 different representatives, the last of which agreed with me and gave me an e-mail address. Those books quickly got taken down. I thought I had done my part. It took time, caused frustration, but a blow had been struck for justice.
 
You’d think that your company would be happy. I thought so, too. On my own time, I had investigated and presented the evidence. Amazon had struck quickly to maintain its honour. All was well with the world!
 
Then it occurred again just days later – the exact same sort of scam. Another 20-40 books. Annoyed with the scammers, I sent a second e-mail, only to get told that I should use “Chat” – they wanted to subject me to another 45 minutes of pass-along only to get told in the end to use the email address I’d just used? Not a chance; I then gave up.
 
So, if I’m a customer, I get treated royally. If I try to help Amazon prevent fraud in KU, I’m a nuisance. I’m a nuisance, because this fraud didn’t really hurt Amazon financially – they had already set aside the pool of money – it only hurt legitimate authors who would receive less for their page-reads.
 
We legitimate authors hate scammers with a passion. But then, Kindle Unlimited – as well as being a haven for scammers – is something of a scam in itself.
 
The contract we sign with KU gives Amazon exclusive right to sell and lend out our books; we can place them on no other platform. For this, Amazon undertakes that they will pay us per kindle-page read (present edition of KU). However, it turns out that Amazon does not have the ability to accurately determine how many pages get read. Scammers depend upon this weakness for their scams to bring in the money they steal from legitimate authors.
 
Authors have imaginations. You might consider possession of such as a prerequisite for the trade. We’re curious, inquisitive. Thus, when things seem just a little off, we investigate and talk among ourselves. At first we accepted Amazon’s word that they would pay us for pages read at face value. Then we noted strange things, and began experimenting. The result: we have determined that if someone borrows a book, downloads it to their Kindle reader and then turns off the wireless, bad things can happen. If that person then reads the book through – every page – but then returns to page one before again turning on the wireless and syncing with Amazon, the author gets credited with only one page read. This, in effect, is Amazon stealing from us. Amazon uses our content to entice readers to KU, promising to pay us for each page read, then paying us less than ½ cent for an entire book read – no matter how many pages.
 
I have often seen my page reads tick up by one page. [Let’s face it; I’m not a heavy hitter. I don’t sell a lot of books, and I don’t get hundreds of thousands of pages read per month – or per day – like some do. So, I can note this sort of thing better than more popular authors might.] And seeing my stats tick up by one page, I wonder if someone read one page of my book before putting it down, or if someone read through my whole book and then returned to the beginning before syncing with Amazon. Did I get my half-cent for one page, or did I get paid a half-cent for seven hundred and fifty pages? Did Amazon pay me justly according to contract, or did Amazon scam me out of three dollars? I don’t know, and Amazon relies on non-transparency to ensure that we don’t have more than the minimum amount of information useful to finding out.
 
KU’s lack of transparency doesn’t stop there.
 
When it became obvious that scammers were getting the monthly “All-Star” awards, and authors made this clear in blogs, in posts on forums, etc., Amazon’s solution to the problem seemed to be to make it more difficult … no, not more difficult to scam an “all-star” status, but more difficult to see the results of the scamming. Amazon stopped publishing the names of the winners, making it even less transparent.
 
When Amazon reacts to problems, it often uses a shotgun, where a rifle should be used – in other words, the solution often hurts the innocent as well as the guilty – often more than the guilty, because the guilty, if caught, simply abandon that account and start another. We legitimate authors cannot do that – or, if we do, we lose all books previously published.
 
Take this present situation. I, who have absolutely no control over who reads my books, find myself in danger of losing my account. Why? Because someone Amazon considers a scammer has borrowed them. I didn’t ask anyone to; I didn’t pay anyone to; I didn’t do anything. And my sales figures should show this to be the case. I had an average of 800 pages read per day in March (initial figures) of which you claim an average of 513 per day were scammed. No scammer worth his salt would try for a $2.50 per day payout.
 
I put in a lot of work to write a novel. It takes me a minimum of about 400 hours work to get one ready for publishing – I’m not fast. Sometimes it works out; other times I get a flop. One of mine (which I still believe is a fine novel) has sold 103 copies in almost 4 years. That’s $200 for 400 hrs work, or $0.50/hr. Not near minimum wage. A scammer puts in a couple hours work and nets thousands. We legitimate authors don’t think this is fair. But that’s what KU invites, what by its very composition it has always invited.
 
As I said, I don’t advertise – not any more. I did try AMS, but it gave me a very poor return on investment. And AMS has authors bid against each other to get what the Amazon algorithms once gave for free. The last time I tried for an ad, the bid went up over $1 per click. I think I got about 1 impression and no clicks before I gave up. At $1 per click, I would need a 50% success rate to barely break even. In fact, more likely I’d be paying Amazon more than my book is worth for the privilege of finding a reader. And Amazon knows that and still operates AMS like this. If I were to pay those readers a dollar each from my own pocket to read my books in KU, I’d make money – but that would be scamming, and I’d lose my account. So, doesn’t that make Amazon Marketing Services somewhat of a scam in itself as well?
 
To finish, I’m threatened with termination of my account for no valid reason; AMS doesn’t work for the author; KU is filled with scammers, and the innocent are tarred with the same brush by what? association? by the fact that alleged scammers may actually have read our books?; Amazon doesn’t seem to care who they damage with their shotgun attacks; Amazon actually scams us by not paying us for pages read – because they don’t know how many pages are read, and they knew they didn’t know this from the introduction of Kindle Unlimited. Yet they said that they did, and made a contract with us on that basis.
 
To protect my account, you have forced me to withdraw all my books from Kindle Unlimited when their present terms finish (one’s turn was up today – my best earner – and it’s out, the others should be gone by the end of the month). I can’t stop anyone from borrowing my books if I leave them in – I have no control over that aspect – and if the wrong people continue to borrow them, I may lose my account. I understand: your game; your rules (even though they are generally undefined publicly, and the internal definitions change at a seeming whim and without notice).
 
There is much more I could say, but this letter is long enough as it is.
 
So, if you can, sir, please tell me one good reason that I or any other legitimate author should endanger our accounts by maintaining any books in KU? (I already know why scammers should: they get our money – and in large amounts.)
 
D. A. Boulter.
 
 

ScAmazon 2 – Mammoth Consequences: The Digital Sweatshop

About a month ago, I did a post about the scams that are rocking the self-publishing world on Amazon. I pointed to the scam Kindle internet marketing course that Dave Koziel was doing, and the 15-year-old German kid who made 130K using his methods.

Today, I saw a video from Dave Koziel on YouTube. He apparently felt it necessary to explain to his viewers that his methods weren’t really “scammy” and why he, himself, is not really a scammer. Watch the video for yourself. (I don’t recommend eating anything beforehand, though, if you have a tendency to get queasy…)

You see, Koziel admits he’s not a writer but more of an internet marketer who hired ghostwriters to write his hundreds (literally, hundreds) of 8,000-10,000 word “books.” He would then publish those books under pen names on Amazon. In KU 1.0, those 8-10K books would yield $1.30-ish a borrow. After KU 2.0, Dave clearly found himself with an abundance of short books that paid about half-a-penny per-page-read. So about $0.40-$0.50. That’s quite a pay cut.

Then Dave realized, if he bundled all his books together (and, you know, published them under different titles, changing up that order with every new title) he’d get paid more and could maximize his “Kindle real estate” so to speak. In fact, he discovered, if he got his reader(s) to click to the end of that mass of titles, even if they didn’t read them, he’d get paid for a full read!

This is particularly interesting to me because, as I revealed in a previous post, a representative at Amazon had directly told me, at the very beginning of KU 2.0, that “skipping to the end of a book” would not result in a full read. Dave Koziel, on the other hand, says that Amazon directly told him that yes, skipping to the end of a book does result in a full read, and that they somehow planned this by design.


So, Amazon – which is it?

Clearly, the evidence shows us that skipping to the end of a book does, indeed, result in a full read. We now have conflicting reports about whether or not that was intentional, or even known, by Amazon.

Dave Koziel took it upon himself to put a call out to his readers at the beginning of his books, asking them to click to the end if they wanted him to get paid for all his hard work (or in his case, his ghostwriters’ hard work and his cash outlay…) He explained to them that Amazon had started paying authors by the page read, and in order to get fully paid, they had to skip to the end.

What reader, who picked up a book because they liked the cover/blurb enough to borrow it, wouldn’t click to the end after that plea?

Koziel claims he was just being honest with his readers. And his scam wasn’t a scam, or even a loophole – that Amazon told him they’d designed the system this way on purpose. I don’t know if that’s true or not. I do know that Koziel and the others he taught his “system” to clearly had some ethically questionable morals, but they weren’t technically doing anything against Amazon’s TOS. As with the short “scamphlets” (making books so short, just opening them would get a reader to 10% and count as a $1.30-ish borrow, no matter what content was inside) this “loophole” was built into Amazon’s system.

The shocking thing, to me, was that Amazon decided to pay authors by “pages read,” when in fact, they couldn’t actually count those pages. They threw out a communal pot of money to the authors and like some literary Hunger Games, we were forced to fight over it. And the thing is – the game was rigged. Not just Amazon’s algorithms that favor their own imprints (they do) or Amazon giving authors sweetheart deals in Kindle Unlimited.

No, this game was rigged by Amazon’s own design. In the first version of Kindle Unlimited, they created a perfect storm where erotica authors (who already wrote short) could get $1.30-ish per borrow for a 5000 word story. This made authors of 100,000 word novels mad–and allowed
scammers internet marketers like Dave Koziel to create scamphlets–so Amazon closed that loophole. But it turns out, Amazon had “fixed” the loophole in Krap Unlimited 1.0 only to create an even bigger one in Krap Unlimited 2.0.

So the game’s still rigged.

David Gaughran and Phoenix Sullivan recently pointed out how many of these scammers have taken courses like Koziel’s and run amok with them, adding even scammier ideas along the way to the mix. These scammers are using giant click-farms to drive their books up in rank on the free charts (and Kindle Unlimited subscribers can still borrow books while they’re free).

They’re stuffing their titles full of keywords (a practice Amazon cracked down on years ago and have since let run rampant again) even going so far as to put keywords at the beginning of each title so they’ll appear high in the search rank. (This has made it nearly impossible to find anything on Amazon – they’ve effectively broken Amazon’s amazing search engine.)

While many authors have learned that adding a “bonus book” at the end of their titles can increase pages read (a bird book in the hand, and all that) and actually add value for readers – scammers have taken it upon themselves to add thousands and thousands of pages of “bonus” content. Sometimes they just put all their ghostwritten books in to increase that page count to 3000. Or they translate those books with Google Translate into twenty different languages and put those at the back. Some are even so bold as to just put gobbeldygook culled from the internet with a link at the front with an incentive (win a Kindle Fire!) to skip to the end.

They’re also putting their books into as many categories as possible (most of them unrelated to the actual content) and sometimes aping the looks of covers, titles and even author names, to appear high in searches for popular books.

So… why isn’t every author out there doing this? Well, the reality is, some of them are. They’ve found out about the loophole and have jumped on the bandwagon because… if you can’t beat them, join them? After all, the loophole is still open. Amazon has done nothing to close it. Skipping to the end of a book still results as a full read, right this very minute. Amazon recently capped the amount of pages read per book at 3000. They have also now disallowed (sort of… in certain cases… about what you’d expect?) putting the table of contents at the back of a book.

Of course, none of that has actually fixed the problem. And that is ALL the action they’ve taken. That’s it. They still have a loophole big enough to drive a $100,000 a month Mack truck through!

As Phoenix Sullivan pointed out: “How many ethical authors are feeling pressured into adopting black hat techniques seeing how many black hatters are making bank on them with seeming impunity? Some days even I’m tempted to grab a few EINs and a handful of throwaway email accounts, put on a black hat and go to town. I understand the system—all I need is one good month to game it…”

Authors learned very quickly that Amazon is where the real money is. Amazon allowed self-publishing stars like Joe Konrath, Amanda Hocking, and Hugh Howey to rise to the top after being rejected by the gatekeepers or legacy/traditional publishing, to make thousands, hundreds of thousands, from their work.

When self publishing first became a thing, everyone claimed that with no gatekeepers there was going to be a “ton of crap flooding the market!” Oh noez! Of course, what they meant was a “ton of crap writing” from authors who couldn’t write up to legacy standards.

I don’t think anyone thought, “from hundreds of ghostwriters paid by internet marketers!”

Forget devaluing our work by offering it for $0.99 or free. Forget devaluing “literature” by allowing self-published authors to publish directly to readers. That wasn’t the “race to the bottom” everyone worried about. THIS is the true race to the bottom.

Dave Koziel claimed he wasn’t doing anything wrong. He says he’s not a scammer (even though he admits he’s not really a writer.) He’s a self-proclaimed “internet marketer,” just looking to make a buck on the internet. Nothing wrong with that, is there?

Actually, there is.

Koziel is just one example of his kind. (In fact, he teaches and sells internet courses to others who want to copy what he’s done.) And if Koziel alone has hundreds of ghostwritten books, and they’re not plagiarized or written like a third grader (two things he claims in his video…) then the reality is, he’s accumulated material at a rate that no reasonable writer could accomplish. Only a few outliers (Amanda Lee, I’m looking at you, girl! 😛 ) can reasonably write 10K a day without burning out. But Koziel can hire 10 ghostwriters a day. 100 a week, if he wanted to. He can mass-produce titles at will.

Granted, the system itself is the problem when everyone is vying for a piece of the same pie. The more scammy you get, the more money you make. Yay you! But as the system starts to erode, and more and more mercenary types get on board, the further things collapse. While there’s nothing inherently wrong with hiring a ghostwriter (Patterson does it all the time in the legacy world – and no one cares) there’s a problem when people start taking advantage of ghostwriters and working it all like a “system.”


If you pay a ghostwriter well, and that ghostwriter does a good job, that’s a legitimate business transaction. But most (if not all) of these odesk-type ghostwriters are undercharging (that hurts legitimate ghostwriters) because they’re overseas (there’s outsourcing again) and IMers can (and do) take advantage of that. There’s a difference between an author who has a story to tell who hires a ghostwriter (either because they don’t have time to write it, or because they don’t have the skills) and an IMer who gives an army of ghostwriters the trope-du-jour and says, “write me as many stories as possible.”


These guys may hire click farms, as Gaughran and Sullivan noted – but guys like this are also getting legitimate readers and building a following. (They talk a lot about building mailing lists so they can accumulate a way to sell all their scammy internet marketing things, not just books…) So what’s wrong with what he does? Clearly he doesn’t see anything wrong with it. But there is something wrong with it. I call it the Jurassic Park problem. Remember Jeff Goldblum’s speech to Hammond about cloning dinosaurs? When Hammond asked (like this guy Koziel) what’s wrong with what he’s done?


“I’ll tell you what’s wrong with it – it didn’t require any discipline to acquire it. You read what others had done and you took the next step. You didn’t earn the knowledge for yourselves, so you don’t take any responsibility for it. You stood on the shoulders of geniuses to accomplish something as fast as you could, and before you even knew what you had, you patented it, and packaged it, and slapped it on a plastic lunchbox, and now you’re selling it. Well… you were so preoccupied with whether or not you could, you didn’t stop to think if you should…”

Since Koziel likes YouTube videos so much – here’s one he and all of his minions should watch:

The problem is now we really are competing for readers with this guy. It’s like the outsourcing to other countries that corporations do to trim margins in any business – it’s a slippery slope. And now what do we have? A digital sweat shop environment. Writers terrified of falling off a 30-day cliff, utilizing voice software like Dragon to keep up and write as many words as possible as fast as they can, creating shared pen names to try to get a foothold in a flooded market.

It’s hard enough to gain visibility on Amazon these days, when there are plenty of excellent, legitimate writers out there putting out some great books. Because the reality of the gatekeepers was not that there was too much “garbage” out there to publish – the reality was always that there was never enough room at their table. There was plenty of stuff leftover that just went to waste – that’s the stuff that writers can now self-publish, now that the traditional gatekeepers are gone. And much of it is great stuff – books readers prove, with their buying dollars – they actually want to read.

Today, self-publishing authors don’t have to worry about getting past the gatekeepers. But they have to compete with internet marketers who see Kindle as a “business opportunity” and who are using it, solely, to make money. We’re competing with someone who can scam Amazon’s system (which, admittedly, is Amazon’s fault – they’ve made it “scammable”) and they’ve proven with hard numbers that they can take upwards of $100,000 or more a month out of the pot.

There are people in the world whose ethics are very fluid. Who think, “Why shouldn’t I take advantage of this giant money-making loophole?” And when those people don’t stop to think if they should, just because they can, and they decide to take advantage… there are plenty of people who come afterward who feel like they have to, as well – just to level the playing field.

How can a “real author” (as opposed to a scammer internet marketer) compete in a self-publishing world where scammers internet marketers can buy and publish hundreds of titles at a time? Where they can make enough money scamming publishing their deluge of titles to spend those ill-gotten gains on Amazon marketing (Dave Koziel says he was paying Amazon to market his “books”) and Facebook ads, outspending legitimate authors by thousands, sometimes hundreds of thousands?

Who can compete with that? Unless an author is going to throw up their hands and decide (a temptation that Phoenix Sullivan so eloquently expressed above) “The hell with it, if I can’t beat them, I might as well join them!” how is that author going to have a chance?

In his video, Koziel says he can see why authors might be angry at him… but I don’t think he really does see. He feels he’s simply taking advantage of a legitimate business opportunity. Like most internet marketers, he’s looking at the short-term gain, and not paying attention to the long-term consequences. Or any consequences at all.

Granted, Amazon created this monster. All of these loopholes, from the scamphlets in KU 1.0 to today’s garbage-stuffed tomes in KU 2.0, could have been prevented with a little forethought on Amazon’s part. I told them this was a risk when they decided to change to paying by pages-read and they either a) lied to me, knowing readers could skip to the end for a full-read or b) they actually didn’t know that skipping to the end would result in a full-read. I’m not sure which is worse.

But if Amazon hadn’t started down this road to begin with, most of these scammers “internet marketers” wouldn’t have gained a foothold in the first place. Now they’re like sharks circling in bloody waters, and they’re not about to leave, unless someone cleans up this mess. And even if Amazon takes action, KDP and self-publishing is now a hunting ground they’re not likely to give up any time soon.

Even if Amazon cleaned up the waters tomorrow, these scammers internet marketers would continue to work the system, looking for ways to game it. Like the raptors in Jurassic Park–they have no ethical dilemmas whatsoever–they’ll continue to test the fences for weaknesses.

As Koziel’s video goes to show. These internet marketers will say and do anything to make money in the system. They haven’t paid their dues. Goldblum’s argument applies categorically – no discipline was required to obtain it, so they take no responsibility for it. Because they’re not writers, because they don’t care about the craft, telling a story, supplying a reader with real value and creating a real relationship between author and reader (rather, they just want to collect mailing list subscribers so they can spam them…) They remove themselves from the “system” they are gaming, and see it as just that – a system to game.

To them, it is a game. And thanks to Amazon’s lackadaisical attitude, they’re winning.

It’s readers and real authors who are losing. Because of the crap (real crap – now we know what it looks like) flooding Amazon’s virtual shelves, because of the keyword-stuffed or deceptive titles muddying up the search waters, real authors and readers are the ones who lose in this game. Readers can’t find what they want to read (I know, as a reader, I can’t find anything on Amazon anymore in the Kindle store, because of the keyword stuffed crap) and authors can’t compete with scammers internet marketers who could care less who they hurt with their scams.

They do hurt people. Real people. Because KDP Select is paid out of a communal pot, there is a finite number that decreases when scammers internet marketers decide to make “books” their “business.” Except they’re not writers, and they don’t really care about books. Or readers. Or the self-publishing community. Their idea of “paying it forward” is to monetize their scams “knowledge of the system” and sell it to others so they, too, can be scammers internet marketers.

Not once do they talk about craft–about plots and voice and point of view. Those are pesky details they outsource to someone else. They’re not even providing outlines – just pointing to the best-selling trope of the hour (what is it this month? is it shifters? billionaires? navy seal shifter billionaires?) and letting the ghostwriters do all the heavy lifting. While they sit back, package and re-package the “work,” publish and republish titles (sometimes dozens of times – and Amazon doesn’t care) with new ASINs when they drop too far in rank (to gain those extra five free days in KDP Select) and find any possible way to scam internet market themselves as high of a paycheck as they can manage for the month.

Never once thinking about or caring about the authors who are writing real stories, for real readers, who can’t humanly produce on the mass level in the digital sweatshop environment these scammers internet marketers have created – where Amazon has allowed them to flourish. This is where we all work now, thanks to the scammers internet marketers.

Thanks to Amazon.

I hope Dave Koziel meant it when he said he could understand why authors were angry with him – perhaps his video is proof that maybe, just maybe, he’s growing the seed of a conscience. Maybe he’s finally thinking, albeit a little too late, whether or not he should do something, instead of focusing on whether or not he can. 

But I don’t live in a fantasy world. I know Dave Koziel and those like him are just doing what they do. They’ve found a lucrative hunting ground, and they’re going to continue doing what they do (while occasionally justifying or spinning it in a YouTube video) until they can’t do it anymore.

In the meantime, authors and readers continue to lose – and their trust in Amazon wanes.

Selena Kitt

SCAMAZON – Amazon "Kindle Unlimited" Scammers Netting Millions

scamazonHow are scammers making millions off Amazon? (And off any author enrolled in Amazon’s KDP Select program?)

It’s easy. So say digital entrepreneursscammers like Dave Koziel – who admits to outsourcing his material, he’s not an actual writer or anything. You see, all you have to do it just upload “books” stuffed to the gills with anything, even unrelated material (romance books, cookbooks, South Beach diet books, foreign language texts, any and everything you’ve got at your disposal) then use a click-bait link at the front of the book (something like “Click here to win a Kindle Fire!”) to take the reader directly to the very back. A German blog has detailed these tactics as well, although it seems the German Amazon store (much smaller than the U.S. one) is cracking down on this now.

Why does this method result in big bucks? Because of how Amazon has changed the way it pays authors enrolled in KDP Select. Authors know that when Kindle Unlimited was first launched (rather quickly and in direct response to other book subscription services that were just popping up like Scribd and Oyster) we were paid “by the borrow.” It was similar to a sale (on sales, we were paid 70% of list cost) except now we were paid out of a general fund instead of a set percentage. (Like a “pot” or “kitty” – a communal pool of money – except in this case, Amazon was the only contributor and authors the recepients.)

But Amazon changed that payment method from “per borrow” to “pages read.” Not pages written, mind you – but how many pages a reader actually reads.

Except, the problem with this method that’s recently come, shockingly, to light, is that there’s a loophole in the system. Apparently, if you put a link at the beginning of your book to the very back and a reader clicks it – the author is paid for all those pages. A full read. Even though a reader just skipped over them.

Remember when Amazon capped the KENPC count at 3000? This was why.

Except Amazon didn’t want us to know one important thing – they lied to us.

They have no idea how many pages a reader actually reads.

Let me say that again, just so you don’t miss it:

AMAZON HAS NO IDEA HOW MANY PAGES A READER ACTUALLY READS.

Wow. A little bit of karma coming back at you with these scammers, Jeff Bezos?

Because Amazon has been scamming authors in the KDP Select program all along.

They decided to pay us by “pages” read, when in fact, they can’t count actual pages read, and they can’t time how long a reader actually takes to read those pages (last time I checked, no one could read 3000 pages in less than two minutes…)

Oh, they can email me and my publishing company that I’m missing a “page break” at the end of my novel, or threaten to take my book off sale or label it problematic for typos (that may or may not actually be typos), or actually take my book off sale (which they recently did – Bear Necessitiesjust after a great freebie run, too, while it was on sale for $0.99 – thanks, Amazon!) because I provided bonus content in the front of a book instead of at the back – but they can’t actually count how many pages a reader reads in a book.

Yet… this is how they have decided to pay authors. Per page read.

See anything wrong with this picture?

I sure do – and it smells like fraud and class-action lawsuits to me.

How do I know Amazon can’t count how many pages a reader reads?

Because, if Amazon had a way to count how many pages a reader actually reads, a link at the front of the book that took the reader to the very back would result in two pages read.

Just two, not every single page in the book.

But as Dave Koziel and company have proven, that’s not what’s happening. There’s a little loophole in Amazon’s system. When a reader clicks a link at the front of a book that takes them to the end of a 3000 page “book” – it gives that author 3000 “pages read.” Not just two.

If Amazon had a way to count how many pages a reader actually reads, placement of the TOC (table of contents) at the front or back of the document would be irrelevant.

But as this post proves (and man, do I feel awful for author Walter Jon Williams– he’s out a hella lot of money because of Amazon’s knee-jerk reactions and lack of planning and forethought) Amazon has suddenly begun removing books with a TOC at the back of the book from sale. As usual, they decided to shoot first and ask questions later, and damaged legitimate authors in the process, as David Gaughran first pointed out.

If Amazon had a way to count how many pages a reader actually reads, placement of “bonus material” (an extra story or book along with the original source material, which many authors have started to do, including myself in the Kindle Unlimited program) would be irrelevant. You could put it at the front or back of the book, and it wouldn’t matter, because the table of contents tells the reader what’s where, right?

Except the truth is, Amazon is showing us through their actions – their cap on KENPC, their insistence that the TOC needs to be at the front of a book, and their recent email to me about “bonus” content not being allowed at the front of a book – that they have no idea how many pages are being read in any given book.

All they know is where a reader STOPS reading.

That’s all they can actually calculate.

That’s why a TOC needs to be at the front (because TOC defaults as the “start” point of a book, and if it’s at the back and a reader goes to the TOC, an author has just been given credit for a full read even if the reader didn’t read the book) and why they are no longer allowing “bonus” content at the front of a book.

Oh, and in case you’re wondering, there are legitimate, non-scammy reasons to put a TOC at the back or bonus material at the front. The TOC (especially if a book is long or a boxed set) takes up valuable real estate in the “Look Inside” feature or “Sample” on Amazon. Placing it at the back avoids that issue.

And the logic behind putting “bonus” material at the front?

Well, this is how I explained it to Amazon in my letter to them:

I had a very legitimate reason for putting the bonus book/content at the front of this title.

The last time I put a bonus book at the end of the book, I had reviews complaining that the original title ended at “50%” – and they thought it was much longer, because the bonus book was taking up real estate at the back of the original text.

In this case, I put the bonus book up front (and labeled it clearly on the title page and in the table of contents) so that when the reader finished the main book, it would be near 100% and they would understand they’d reached the end, and wouldn’t feel “cheated” or “ripped off.”

It’s easy to look at a Table of Contents (TOC) and navigate to the book they purchased.

You see, I was under the assumption that, since Amazon is paying us by PAGES READ, that you, at Amazon, actually had a way of knowing HOW MANY PAGES A READER ACTUALLY READ.

I assumed, since it would be fraudulent otherwise, per our contract in publishing with you, that since you were paying us by pages read, if a reader skipped over a book in the table of contents, we wouldn’t actually be paid for those pages. So that putting bonus content at the beginning of a book would be no big deal, no harm, no foul.

Apparently, that isn’t the case. And you never told us that. As a matter of fact, you, personally, (rep’s name redacted), lied to me and said that skipping to the end of a book would NOT result in a full-read. We emailed about this and talked about it on the phone when KU 1.0 was originally rolled out, and you assured me that yes, Amazon had a way of tracking the pages a reader actually read, with time spent on each page.

Turns out, Amazon hasn’t been able to correctly count pages read since the very beginning, even though that’s exactly how you’re paying us. 

If you think this isn’t fraud, and that there aren’t authors out there already talking about a class action lawsuit, you’d be very, very wrong. There are a lot of wealthy authors out there who are beyond furious about this new information. 

I suggest you plug this leak as fast as you can and make some apologies and remuneration for it. 

And restore my book to published status immediately – and its rank as well, since you took it off-sale for a reason that shouldn’t have been a problem or caused an issue if you hadn’t lied to authors about your ability to actually count the pages you were oh-so-generously paying us less than half-a-penny for. 

On my part, it was completely unintentional. I was directly told that skipping over content in a book would not result in pages read. But that was clearly a lie. I thought I was creating a better customer experience (kind of like Walter Jon Williams and his TOC placement) when in fact I was unknowingly using a tactic commonly utilized by scammers.

Unfortunately, it’s not the only scammer tactic I unwittingly adopted.

You see, I have a link at the front of my books in my table of contents (I happen to place my TOC up front, so I dodged that particular bullet) that leads to the back and a link to sign up to my mailing list. I incentivize signing up to the list by offering readers five free reads. I’ve been doing this for years.

The thing is, I had no idea that doing this resulted in a full read in Kindle Unlimited. Because Amazon specifically told me directly that “skipping pages” wouldn’t work – that they could count pages read – and linking to the back page would not result in a full read!

I’ve been “cheating” and didn’t even know it was cheating. I wasn’t complicit in a scam but I’ll sure be blamed for it if they shoot first and ask questions later. (And as we know, they usually do…) Especially since I write erotica and I’m Selena Kitt. I’m guilty already by default. 😛

The problem is, Amazon has been throwing the baby out with the bathwater by taking books off sale for having a TOC at the back of the book, or bonus content in the front. As David Gaughran first pointed out, real authors are being hurt by Amazon’s attempts to plug up a leak that shouldn’t have existed in the first place.

And I’m afraid it isn’t going to end there, folks. 

Are links from the front of the book to the very back going to be next in Amazon’s line of fire? Could be.

The irony is, many people do what I do – put a link in the TOC to a mailing list with a free read to sign up. Many of those originally had their TOC at the back of their books – but now Amazon is forcing them to put their TOC at the front. In effect, forcing them to have a link now at the front of their book to their mailing list… which leads the back of their book, and would result in a “full read” if a reader clicks that link.

Doh.

I don’t know how Amazon will plug this particular loophole, but I know what I’m doing this week. *sigh* Time to reformat my Kindle Unlimited books and take out the link to free content at the back and put that content somewhere up front. It’s not “WIN A KINDLE FIRE” click-bait – it’s a legitimate offer – but I’m sure Amazon will see it differently.

It’s better to get out the way of a potential nuclear explosion if you know it’s coming than sit around and wait for it to happen – at least that’s my philosophy. And the best predictor of future behavior is past behavior. So if Amazon’s reaction to this KU 2.0 problem so far is any indication, I’d suggest you follow my lead and clean up those “links to the back of the book” now before they nuke your stuff.

The thing is, all of this cleanup was preventable. There was no reason to implement such a flawed program like Kindle Unlimited in the first place. Amazon certainly could have predicted the original “loophole” in KU 1.0 that they attempted to close with KU 2.0.

Remember when short books were all the rage in KU 1.0? That was because every borrow that was read to 10% paid out around $1.30 each (well, at last count, the amount kept going down every month…) Erotica writers were hit hard when Amazon switched to the “paid per page read” scenario, because erotica authors have always written in short-form. What we were once being paid $2.09 (70% of $2.99) per sale for before Kindle Unlimited came along, then $1.30 per borrow for in KU 1.0, we were then being paid about $0.15 per read-through for in KU 2.0.

Ouch.

But the real scammers in KU 1.0 weren’t erotica authors, who simply benefited from the per-borrow payout by doing what we’d always done (writing short stories) – the real scammers put gibberish inside a book and made them so short that by simply opening the book on your Kindle, that first page would count as 10% of the book and result in a paid borrow.

Cha-ching!

Are you telling me Amazon couldn’t have foreseen that?

If so, I have some swampland in Florida to sell you.

Then KU 2.0 came along to “fix” the issues/loopholes/leaks of the “scamphlets” in KU 1.0. Amazon went to a “pay per pages read” scenario. It’s ironic that their solution to the money they were bleeding in the first Kindle Unlimited version was increased exponentially in the next one.

In KU 2.0, they weren’t paying out $1.30 a borrow to scammers who created their little “scamplets” and borrowed them in their little circles anymore. (Or to those nasty erotica writers who’ve always written shorts stories for readers who want to buy them… they clearly deserved to be punished for their dirty minds and “selling sex” in the first place, right?)

That’s great, but… before the KENPC cap was very recently instituted, the pages you could get paid for per-read were unlimited. Which meant that anyone could release a “book” of unlimited length in KDP Select (these scammers are putting garbage in their books – foreign translations, articles from Wikipedia, just words for words’ sake) then put a link at the front of that book that jumped to the back –  and voila. A $100 download in one click. I’m not kidding. I know authors who have told me they’ve seen these scammers bragging about getting that much per-read before the KENPC cap.

Even when they put the KENPC cap of 3000 on it, with the payout last month at $0.0041 per page read, that meant the maximum payout was $12.30 per download. Still not too shabby. Especially if you have lots of scammer friends to borrow your book and just click a link to read to the end – and push up your rank in the process.

KU 2.0 is far worse, in terms of scamming and money lost, than KU 1.0 ever was.

Guess you should have just continued paying out for those dirty erotica shorts, Amazon… 😛

Amazon’s continued “fix” to these problems are like putting a Band-Aid on a bleeding artery. Because guys like Dave Koziel aren’t just making money off Amazon. He’s making money off selling this method to other scammers and telling them how to make money scamming, too. And the more they scam, the more money they take out of the “pot.”

Check this link out. Apparently a 15-year-old mentee of Dave Koziel made $64,000 in a month. That’s not a typo.

Do I think this kid wrote all those words? Not if he’s following Dave’s advice, he’s not.

I’m posting a screen shot here, just in case the link gets removed. (You never know…)

Quoted on those images, Dave Koziel says: “A screen shot I got earlier from my mentee and coaching student @justin8600 For those of you who don’t know what this is it’s a report from Amazon that shows you your actual royalty payments from the Kindle store. Take a close look at these numbers and you’ll see how much money he is actually getting paid this month from Amazon. Did I mention he’s only 15? A lot of you may look at this and think it’s fake. How can a 15 year old possibly make $70,000+ in a month online from selling ebooks on Amazon? The world is changing and fast. Opportunities are out there to make money and a lot of it! It doesn’t matter how old you are, where you came from, what your circumstances are etc.”

screenshotb

Authors and readers –  does this make you angry? It should. You’ve been lied to and cheated, not just by the scammers, but by Amazon. Primarily Amazon, really. Scammers suck, but we all know they’re exploiting a loophole that was created by Amazon’s short-sightedness and could have been prevented by Amazon in the first place. The scammers are scammers – and they’re providing a poor customer experience to be sure – but Amazon bears the brunt of the blame here, let’s not lose sight of that.

If Amazon’s focus is “customer-centric” then their Kindle Unlimited program is a giant fail. KU 1.0 was called “Kink Unlimited” because authors (many who hadn’t started out writing erotica) jumped on the erotica shorts bandwagon and the market was flooded with them.

But KU 2.0 is now being called “Krap Unlimited” because of all of these crappy scam-books that claim to have great content, but really only contain a bunch of garbage and a click-bait link up front to take readers to the end, so the “author” of the book can get paid for all of those pages.

And when readers find these word-salad books, do they think, “Oh geez, a scammer, what a jerk?” No. They think, “Welp, everything they say about self-publishing and indies is true – their books suck!”

Thanks, Amazon, for perpetuating that myth.

And while the readers have to wade through crap (and boy, do they – I thought keyword stuffed titles weren’t allowed, Amazon?) authors are getting hit the hardest under KU 2.0. Not only are we getting paid less than half a cent per-word-read, these junk-books are forcing legitimate authors to split the “global fund”/pot with them. The rate we’re being paid per page just keeps dropping.

Gee, I wonder why?

Let’s take a look, shall we:

  • -6.32% = December rate decrease
  • -10.72% = January rate decrease

 

We can thank the scammers for that.

And here are some more numbers for you.

Amazon claimed recently that pages read were up by 25%. But I know that didn’t see a pages-read increase of 25%. Did you? I bet you didn’t. Want to know why?

Because those pages read were click-bait scammer reads, that’s why.

I can’t prove it – but other authors have speculated as much, and I believe they’re right.

Take a look at this graph. (Courtesy of my author friend, Michelle Keep – she’s awesome BTW, smart as a whip, and writes great books – and provides amazing services to authors – check her out!)

graph

Before November 2015, the pages-read increased steadily for months by about 100 million-ish a month.

Then, in November 2015, there was a 350 million pages-read increase from the previous month. A pretty sharp increase but we’d seen increases similar to it before from December to January the year before.

Then, between December and January, look at the huge rise. There were 700 million more pages read in that month. How do we explain that? Christmas rush? Hm. Maybe.

Historically speaking, though, the program increases pretty steadily on that graph – but it started spiking in November and continued to climb drastically—far more than it ever had before—in December and January.

Let’s look at the actual numbers.

  • From November 2015 to December 2015, the pages-read increased by 347,751,042. (about 350 million)
  • From December 2015 to January 2016, the pages read increased by 716,220,032. (about 700 million)

Can Kindlemas account for this gigantic rise? Can we just chalk it up to Christmas growth?

Well, let’s look at the year before:

  • December 2014 shows 1,154,321,678 pages read. (1.1 billion)
  • January 2015 shows 1,402,376,812 pages read. (1.4 billion)
  • Between December 2014 and January 2015, that’s an increase of only 248,055,134. (about 250 million)

That’s about 1/3 of the increase we saw between December 2015 and January of 2016 (which was an increase of 716,220,032 – about 700 million)

Historically speaking, this giant increase is suspect.

So let’s go back and look at this year’s dramatic jump.

  • December 2015: 2,929,051,855 pages read (2.9 billion)
  • January 2016: 3,645,271,887 pages read (3.6 billion)
  • If we add those two numbers we get: 6,574,323,742 (6.5 billion) pages read

Now, just for chucks and giggles, let’s subtract the “average” historical Christmas/Kindlemas jump (which last year we saw was about 250 million…) from that total. Or, hell, let’s go a little further, let’s add to that historical average and say we should have historically seen about a 300 million pages-read increase from Dec 2015-Jan 2016…

If we do that, we’re left with a 763,971,074 difference.

 

There’s that shocking, inexplicable 750 million pages-read increase.

For speculation’s sake, let’s say that huge page-read increase is actually the result of scammers. Just for argument’s sake, let’s say they’re the ones who have caused this dramatic rise in pages read.

If you translate those pages-read into dollars (multiplying it by the last known pages-read amount Amazon paid out, which was $0.0041 per page)… that comes to…

About 3.1 million dollars.

That’s a lot of money. 😮

Okay, I get it, I hear you – that maybe it’s an exaggeration. Maybe Amazon did have a big jump in program growth this year, because they were pushing Kindle Unlimited around Christmas time and offering discounts. Okay, that’s possible.

So let’s account for that. Even if natural growth increased enormously this year – what if scammers accounted for just 1/3 of that 750 million increase in pages-read?

That’s still a million dollars out of the pot.

But that’s not all, folks.

No, because not only are these scammers stealing money out of my pocket and every author’s pocket who participates in the KDP Select program, they are getting “All-Star” bonuses on top of it. Just to add a little insult to injury and rub some salt in those wounds.

Amazon awards All -Star Bonuses to its top-sellers in the KDP Select program. Some of those bonuses are $25,000. Scammers most definitely got bonuses last month – and legitimate authors who have gotten them all along for being top-sellers discovered that their usual pages-read didn’t qualify. The bar had been set suddenly higher, and not by real authors, but by scammers.

And Amazon could have prevented all of this. They could have anticipated all of these issues – just as they could have anticipated the problem of erotica surfacing on children’s Kindles and done something proactive and preemptive about that. But Amazon works like the pharmaceutical companies. They make a lot more money ignoring root causes and treating symptoms.

The question now is – what are they going to do about it? And is it going to hurt?

I’m afraid the answer to the latter question is “yes.” As to the former one? Well, they’ll treat the symptoms again, I’m sure. They’ve already screwed over legitimate authors claiming they now have TOC and bonus content issues in their books, whether Amazon was aiming at the scammers or not. We’re collateral damage, as usual.

And frankly, I’m beyond angry. I’m appalled. I’ve become an unwitting participant in this “scam,” because Amazon lied to me. Amazon informed me in no uncertain terms that skipping over content in book would not result in pages-read, but they lied.

How can I ever trust them again? How can you?

Whatever trust I did have (ha) has been completely decimated. I don’t even trust their royalty reports at this point.

And you know what really sucks? Thanks to Amazon’s deception, I’ve been cheating other authors without realizing it. I suppose, if I were in the Hunger Games (which is exactly what this whole thing feels like) I’d just end up dead. I don’t have the stomach for this sort of zero-sum competition they’ve set up in KDP Select between authors. But like Katniss, I don’t have a lot of choice, if I want to feed my family.

In the end, the worst thing of all, at least for me, is Amazon’s stranglehold on the market. They’ve forced me into this horrible, socialist program of theirs where it is a zero-sum game – and I have to fight or die.

If you want to make a living at this, Amazon has created an environment where we’re all getting in the same bread line and fighting each other for crumbs. We’re all hungry. And getting skinnier every day.

(And OMG if one person in the comments says, “You’re not ‘forced’ into the program! You have a ‘choice!'” I will delete you so fast it will make your head spin like Linda Blair. We’ll talk about Amazon’s algorithms and how they weigh the visibility of KDP Select and the decreasing ability to make a living on any other vendor some other time, okay?)

Authors – when we were actually selling books, did we feel we were “cheating” each other out of dollars? Nope. Because we knew there was (arguably) an unlimited amount of dollars to be had. Competition in the marketplace is great – that’s good for the ecosystem. But competition for a “pot” of something?

That way lies… this madness.

And that’s all on Amazon.

They created this KDP Select monster. And remember that their whole company is run at a loss. In effect, Amazon is being subsidized by their shareholders. Authors keep complaining about Nook and Apple and Kobo and want to know why no other retailer is challenging Amazon for marketshare?

The real answer is, because they can’t afford to – they aren’t being subsidized.

And we, as a culture, have created the monster that is Amazon.

That, unfortunately, is on us.

selenasigsmalltrans

Pornocalypse 2015 is Upon Us!

psaPSA: For those authors who have yet to discover it – Amazon is currently going through and classifying a great deal of romance books as erotica.

Pornocalypse 2015 has begun…

How do I know this? Because they shunted nearly 3/4 of Excessica’s catalog into erotica. All of a sudden my author rank rose to #2 in erotica – sounds great, doesn’t it? What’s the problem? I mean, doesn’t erotica belong in erotica?

Yes. And no. It’s a lot more complicated than that.

Anyone who publishes erotica and/or erotic romance knows that the line can be unclear between what is considered “erotica” and what is considered “erotic romance.” Generally, longer books with a romance focus (i.e. two people falling in love, overcoming obstacle(s) and ending up with their happy ever after, or at least happy for now) even if they have explicit sex in them, are considered romance. Shorter works are a little more dicey, but even short stories can be erotic romance if they have all of those elements I listed above. So who determines what belongs in erotica and what belongs in romance?

Amazon. Their store, their rules, right? The problem is – we all know how inconsistent Amazon is when applying their “guidelines.” Case in point, when they decided that most of our catalog belonged in erotica, they decided to place Hunting Season in erotica. There’s zero sex in that story. None. Nada. Zip. Zilch. It’s horror, not erotica, and that’s where we placed it. But Amazon, in their infinite wisdom, decided to place it in erotica.

huntingseasonLARGE

Does this look like erotica to you?

That alone tells me that Amazon clearly painted us with one brush, without any regard to actual content. If your catalog is primarily erotic romance and/or erotica – they may have done that with yours as well. If I were you, I’d check.

CHECKING YOUR BOOK’S CATEGORIES

Unfortunately, I don’t know an easier way to do this, except to check one book at a time. To check what categories your book is in, go to the Kindle book page, and scroll all the way to the bottom of the page. You will see a list of categories your book is in there. If you only see “erotica” listings, your book is in erotica.

So far books have been moved without much rhyme, reason, consistency or transparency. And definitely without any warning. Some authors have had their erotic romance sent into the erotica categories – along with their children’s books and cookbooks!

Oopsie.

Hello? Amazon? You in there?

Excessica is a small press – we have 450+ authors in house and about 1000 books. Amazon deciding to put 3/4 of our content into erotica without any warning, and then offering us little or no recourse, is just an unacceptable and unprofessional way to treat content providers. But we all know that while Amazon likes to be known as customer-centric, they don’t treat their workers very well. Or their white-collar employees either, for that matter. Now that Amazon has decided to pay their content providers half-a-cent a page, I’m starting to feel like I’m working in some sort of digital sweatshop. They expect all sorts of exclusivity from us, and put all sorts of restrictions on us, and then pay us a half-penny per page read? Just how long do they thing indies are going to tolerate this kind of treatment?

 

HOW TO GET YOUR BOOKS OUT OF THE EROTICA CATEGORY

 In my conversation with the Amazon customer service representative about this situation, I was told, “We are improving our ability to identify erotic content, so you’ll see more books put into erotica going forward.”

Me: Just going forward?

CS: No, we’ll also be identifying other content and moving it into the erotica categories.

Me: How will you be identifying this content?

CS: I can’t tell you that.

Me: How can we get our books out of erotica?

CS: You can change the content and resubmit it.

Me: How would we know what to change?

CS: ….

What… the…?

PORNOCALYPSE 2015

If you find your book(s) in the erotica category and you didn’t place them there, and you believe your book(s) belongs in romance or another category, you can email [email protected] to ask them to review the book(s).

Why don’t you want your book to stay in erotica? Well, there are a few reasons. But the main one is VISIBILITY. If your book has a tame cover and blurb, it has a clear story, two characters who fall in love, overcome an obstacle, and end up together in the end? Put it in romance. Because by definition, it is romance. Erotic romance, to be sure – but Sylvia Day and E.L. James are in romance, and they write erotic romance. I don’t see them being forced into erotica-only!

What’s so bad about EROTICA as a category? First of all, if your book is put into erotica by Amazon (rather than you choosing the category on your own – and yes, there are some books that do belong there!) you will never be able to change it again without their permission. If your book gets forced into erotica, your KDP dashboard will show the categories you initially chose. But the book page will show “erotica” – and ONLY erotica.

The other problem is, if a book is in erotica, it can’t be in any other secondary category outside of it. It can’t, for example, be in both “romance” and “erotica.” (Not to be confused with erotica>romance, which is still inside the erotica category). It can’t be in both “erotica” and “sci-fi,” for example. Erotica does finally have some sub-categories, but they are definitely located in a red-light district of Amazon’s store. They aren’t searchable from the main book page, until you drill all the way down (pun intended?) to the erotica category itself. So romance as a category has way more eyes on it – your book will be seen by far more readers in romance. And there is plenty of crossover between romance readers and “erotic romance” readers. I would venture to say, except for those who specifically seek out “sweet” (i.e. no-sex or fade-to-black sex) romances, most romance readers expect some sexual content in books in the romance category.

There’s also another problem with Amazon shoving books into erotica, aside from visibility. One of the biggest trends this year has been stepbrother romances. Amazon allowed the first one in romance, and erotica authors were shocked. Up until that moment, we’d been shown that using “familial” words (Daddy, Mom, Brother, Sister, Step-anything) was a blockable offense. Books would be blocked (even if step-father erotica was allowed – and it is) if authors used those words. So we came up with a whole lexicon of words, like “man of the house” for Daddy and “princess” or “brat” for daughter.

Once the stepbrother craze began, erotica authors began trying to put those words in titles again. Some stepbrother books were blocked in erotica – but they sailed through in romance just fine. Clearly the message was “familial” words are fine in romance, but not in erotica. (And I’m calling the “Daddy” craze coming in romance right now… here we go again…!) But check out the list of “bad words” on Amazon in erotica and see if you don’t see the issue here!

So I asked the customer service representative about these kinds of books. I told them that they’d just put books that would be considered blockable by their reviewers into erotica. What happened if I went to make changes on that book a couple weeks from now and new-reviewer Viper from India decided to block it based on the unwritten rules they refuse to tell us? Or if notoriously ham-fisted Carlos F happened to be reviewing and blocked it?

I was told they wouldn’t block books they’d placed in a category.

I laughed.

How would they know??

CS: Oh we keep records on changes to each book.

Me: Uh huh. But how do I know your reviewer is going to read and pay attention to them, given your incredible amount of employee turnover? I could be penalized for having that book in an erotica category when you’re the one who put it there!

CS: Oh that wouldn’t happen.

Me: Oh you mean like the last time I had to fight to get a book out of the erotica category, you told me personally none of our catalog would be forced there without notifying us as a publisher…?

CS: Oh. I didn’t… Did I? I don’t believe…

Me: Oh yes you did. So in other words “we wouldn’t do that” until you decide to do that anyway and to hell with whatever you said at the time because technically you don’t have any clear or consistent policies or guidelines, do you? So you can say whatever the hell you want. And you want me to believe you now?

I have been fighting with Amazon for the past week to get many of our books (which belong in romance) back into romance. For example, they put my top 50 bestseller with over 400 reviews, Step Beast, into erotica. Yes, it has sex in it. But it’s not erotica. It’s romance. It belongs (with all the rest of the stepbrother romance) back in the romance category.

They also put my gay romance, One Second Chance, into erotica. It’s most definitely a romance – with a plot. In fact, it was an Epic award winner.

And then this happened. As I was emailing ASINS (Amazon’s book identifiers) back and forth with them, they sent me a list of books that weren’t ours, saying they’d removed the “erotica” restrictions from them. This was their exact email (sic):

After further review, we have decided to remove the search restrictions so your book(s) will now be found in our general product search results. The change takes up to 24 hours to process. Bellow you will find the ASINs and the links showing the books in the Kindle Store with the correct categories.

That was followed by a large list of ASIN identifiers. I started going through the ASINs. None of them were published by Excessica. And they were all extremely explicit! I don’t mean, they might or might not be romance. I mean, they have keyword stuffed titles with explicit descriptions and they are all clearly erotica. 

But Amazon decided to put these books back into romance? While refusing to put books like the ones I listed above back into romance?

Here’s one of the books Amazon decided should go back into romance (where it still is, as of this writing, although I don’t expect it to stay there long) but my award-winning gay male romance? Nope.

Hard Men All Over Me

HARD MEN – ALL OVER ME (GAY TABOO EROTIC COLLECTION)
MEN ARE SO HARD – THEY’RE THROBBING! AND THEY’RE GOING DEEP INTO THEIR FORBIDDEN TWINK PARTNERS! THIS IS A HIGHLY EXPLICIT BOX SET – A HUGE VALUE WITH HUGE GUYS! DON’T MISS OUT!

In ROMANCE

WHAAAAAAAT????

Then there’s this one. It’s in romance – Amazon put it back into romance, and it’s there as of this writing. But they won’t put my lesbian romance, Stay, which definitely has a plot and a relationship, back into romance.

Lesbian Tattoo: My Sexy Roommate

LESBIAN TABOO: MY SEXY ROOMMATE (A LESBIAN EROTIC ROMANCE)

WE SHARED EVERYTHING… A ROOM, CLOTHES – AND EACH OTHER! MY ROOMMATE IS SO DAMN SEXY… AND I WANT HER! I WANT MY SOFT SKIN ON HERS, MY LIPS PRESSED AGAINST HER LIPS… MY MOUTH ON HER WETNESS. MY FIST INSIDE OF HER!

In ROMANCE 

 Wait… what??

And one more example. My book, Surrender of Persephone, a Greek god romance – Amazon has shoved it into erotica. But this book? This book was put back into romance – even with its warning at the end! It’s currently there as of this writing.

Leaking Diapers

 

LEAKING DIAPERS – A FOUR BOOK ABDL COLLECTION
SO FULL… SO READY TO BE CHANGED! TOGETHER IN ONE PLACE – A FOURSOME OF DIAPER BOOKS THAT’LL SATISFY YOUR EVERY NEED! These girls are ready – ready to be changed! Once the diapers are off – anything can happen! THIS COLLECTION CONTAINS STRONG LANGUAGE AND IS NOT SUITABLE FOR EVERYONE!

In ROMANCE

And this is only a fraction of the list of titles I have that Amazon put back into the romance categories. I won’t list all of them (and I was reluctant to list the ones I have already, given that I’m sure Amazon will target them now) but I thought it was necessary to list a few to prove a point.

Given Amazon’s actions, I can only conclude that:

a) Since they have no real guidelines about erotica – they tell us “it’s about what you would expect”

and

b) We have to read between the lines and figure out what Amazon allows, based on what is currently in the category, what they let through, and what they block, ban and adult filter…

It seems, given this list of titles and their descriptions?

Amazon apparently “expects” adult diapers, twinks and fisting belong in romance. 

Look, I have no problem with Amazon deciding what is or isn’t “erotica” in their store – if they do so with some consistency and transparency. But as it stands, their slash-and-burn tactics (and I seem to have to write at least one of those pornocalypse posts a year) when it comes to erotica, instead of developing a real solution to the “erotica problem,” only creates more of a mess. Like Smashwords or other retailers, they could solve this problem by allowing customers to decide whether or not they wanted to see “adult” material. It’s as simple as installing a button or toggle switch. But that would mean Amazon would have to admit to selling erotica! *gasp*

The reality is, without clear guidelines, self-published authors and publishers can’t really follow them – and how can Amazon expect dishonest content providers not to take advantage when they provide no structure whatsoever? But instead of being clear, consistent and transparent (why oh why isn’t Amazon run by this guy??) Amazon continues to stick their heads in the sand, pretending nothing is wrong – until they’re forced (for example, when they launch a new Etsy competitor like Handmade or maybe just because Kindlemas is coming!) to clean up the storefront. Then they run around like crazy, targeting the most visible books (like mine and Excessica’s) like a 13-year-old shoving Playboy between his mattress.

I bet Jeff Bezos did that a lot when he was a kid.

Once again. Amazon FAIL.

Selena Kitt
Erotic Fiction You Won’t Forget
www.selenakitt.com
LATEST RELEASE: A Modern Wicked Fairy Tale: Peter and the Wolf

High Anxiety

By Lisabet Sarai

I guess I must be really out of the loop, because it was only this month that I first encountered the term “30 day cliff”. That was in a discussion on the Excessica authors’ forum. Some of my colleagues were lamenting about the difficulty of bringing out releases frequently enough to keep them from “falling off the thirty day cliff”. From context I surmised that people believed you had to get a new book out every month in order to retain readers’ attention.

At first I shrugged off the whole topic. A book a month? Preposterous! And what was so magical about 30 days, anyway? I figured this must be one of those marketing rules that get bandied about the Internet with no real support from the data at all.

When I did a bit of research, however, I discovered that the 30 day limit apparently has its source in Amazon’s all powerful algorithms. The article below, for example, provides quite graphic evidence for this sales precipice.

http://evahudson.com/amazon-30-day-cliff-omg-its-alive/

Just what authors need. Something else to worry about.

Writing well is hard work. Heck, even writing poorly takes time. Then there’s the editing (for those of us who care about that step), cover art, penning the blurb, and formatting for different publishing platforms (if you’re self-publishing or working with a co-op like Excessica). Updating your website and blog. Sending out tweets or posting your news on Facebook. Begging your author friends to feature your newly birthed literary baby on their blogs, Facebook pages or Twitter feeds. Submitting the manuscript to review sites. Arranging blog tours. Running contests to attract readers. Running around like the proverbial decapitated fowl, waving your arms and shouting, “Look, look, I’ve got a new book! Buy my great new book!” until you’re exhausted and hoarse.

Do that every single month? Are you nuts?

Sure, I know some authors who do this, and more. I have one or two colleagues who send me media kits for their latest titles pretty much monthly, for posting on my blog. Some of them are quite well-known—certainly compared to me. Many of them write well, too, although I have noticed that their excerpts all sound similar. I guess if you’ve found a formula that’s successful, it’s crazy not to stick with it.

Doesn’t work for me, though. I have limited time to devote to my writing career, such as it is. Marketing already takes a serious bite out of that allocation. I’d love to have more people buy my books, not just because I’d like to make more money but because I want to share my erotic visions with a wider audience. However, pressure dries up the creative flow, at least for me. If I have to force myself to write, I know I won’t be satisfied with the results.

I’m pretty confident I could turn out a new 30K book every month—especially if I quit my day job—but I’m also certain these books wouldn’t be very original, or surprising, or memorable. Probably I’d write yet another BDSM initiation story, with a self-assured, ironic, slightly distant hero and an intelligent, feisty heroine who’s aroused and appalled at her own desire to surrender. That’s my Ur-story, one I’ve already written dozens of times, one I love but try to escape for the sake of novelty and exploring new territory. That story sells. I know it does. I could change the names, the location, the initial scenario, the sexual actions and the kinky implements, and sell it again and again.

The notion makes me slightly nauseous.

So despite the clamor by my colleagues—in defiance of the current market wisdom—I choose to turn my back on the precipice. I reject the anxiety whipped up by the pundits and claim my right to define for myself what it means to be a successful author. For me, the criteria include quality, diversity, originality and authenticity. Frequency just doesn’t enter into the equation.

8 Tips for Writing a Juicy Book Review

There was a time, not so long ago, when only critics wrote book reviews. The advent of online and ebook sales and the rating and commenting capacity of sites like Amazon, Kobo, iBooks, etc., as well as the book-focused social media sites like Goodreads have fundamentally changed the way we not only buy books, but the way we choose them.

There are positive and negative aspects to this. One of the most useful being that, since few critics lowered themselves to write reviews of non-literary texts, only the most notable of genre writers could ever hope to have their books reviewed. Julian Barnes, Ian McEwan or Sarah Waters are very likely to get a review somewhere worthy. Even first novels within the literary genre are often graced with critical attention. But only the star quarterbacks of the detective fiction, sci-fi, horror or thriller genres could expect any attention. P.D. James, John Le Carre, Iain M. Banks, William Peter Blatty, Stephen King et al sell so many books that any newspaper or magazine with a book review section who ignored them courted the ire of its readers.

Most critics did not review ‘The Exorcist’ until after the film was made. Pity – because ‘The Exorcist’ wasn’t just a good horror novel; it was an excellently crafted piece of prose, as complex, nuanced, layered and description rich as many literary works. Similarly, it took the social recognition of William Gibson’s influence on the emerging information society to force critics to evaluate his works in any depth. And, when they grudgingly complied – for Pattern Recognition, published in 2003 – what they found was not only a novel of insightful cultural critique, but a rich creator of enigmatic characters. Indeed, the first line of his novel ‘Neuromancer’ is widely agreed to be one of the best opening lines in a novel: “The sky above the port was the color of television, tuned to a dead channel.”

When online platforms allowed book readers to rate and review the books they’d read, it seemed like a wonderful day for readers of genre fiction, and it could have been. Years of the expectation of a critique forced writers in the literary genre to be mindful to use language well. Literary novels will often sag horribly in plot, feature characters who are mind-numbingly boring and offer readers little in the way of escapism, but they are expected to be, at the very least, artfully written. Sadly, those same literary critics have often been, in my view, woefully lenient on shabbily constructed stories.

Conversely, some genre fiction may feature compelling characters, exciting plots and far less attention may be given to the style of the prose. Sometimes, in fact, the writing is very quotidian.

So, it seemed that the stampede of new and willing critics, in the guise of reader reviews and ratings, might offer us all a wonderful way to not only choose our next genre read, but encourage genre writers to a higher standard of prose writing.

Sadly, this has not been the case. Most reader-critics have never grown past the level of an elementary school ‘book report’. Some can’t even manage that. It’s not really all that surprising: it takes skill to write a good book review and practice to do it well. Most people have never learned how to organize and communicate their response to a reading in a way that might be helpful to others. We are all of us, without a little discipline, narcissistic beasts who believe that our opinion, our feelings, our impressions are the only ones that matter. But a good review (not a positive review) is generous – not to the writer, but to prospective readers.

For those of you who would like to evolve past the ‘book report’ phase of book reviewing, I’d like to offer a few things to help you construct a review that will offer a prospective reader a more informed way to purchase, or not purchase, a novel you’ve read. This is not a complete how-to-review guide, and it doesn’t address basics like setting, character, plot, voice, pace, etc. I’m offering a few approaches you might not yet have considered.

1. Who is speaking? Orient the Readers of Your Reviews

The first, most honest and often most helpful thing to do in a review is let readers know what your personal starting position is. If you’ve never read anything in this genre before, say so! There is nothing wrong with admitting this. You’ve come into the novel with far fewer expectations. That can be a very useful point of view. You can offer people a fresh way to look at the novel outside the known assumptions made about a novel in a certain genre.

If you are extensively read within the genre, then point that out. You have a sense of the genre-specific context that other readers may not have. You possess a level of authority that allows you to compare the book you are reviewing to similar ones in the genre, other books by the same author. You can offer the reader a context for how they approach the novel. You can offer insight into the ways in which a novel conforms or breaks with the conventions of the genre.

2. Skip the Synopsis

A book review is not like the book report you had to write in fifth grade, where you have to give a synopsis of the story to prove to your teacher that you actually did read it over the holidays. The writer and her/his publisher have already constructed and provided, via the marketing material, a synopsis they feel will adequately intrigue the reader without spoiling his or her experience of discovery. Additionally, the book probably already has a Wikipedia page with a summary of the plot – link to that if you must –  or be a good net citizen and create or edit the Wiki page. Finally, there is always going to be someone who is still stuck in fifth grade and has already written one.

One thing that has rendered Goodreads almost useless to me is the unending number of story summaries masquerading as reviews. I don’t even read the end of the review (which might be informative) because I just don’t want to read yet another damn précis.

3. There’s No Such Thing as a Completely Objective Review, but that Doesn’t Mean You Shouldn’t Aim to Produce One

Fiction is written to both excite the mind and the emotions. The concrete facts of a book (i.e. this is the author’s sixth novel in the series and continues the story of ***; the narrative is presented as a series of diary entries; it is set in Paris at the end of the war; the plot is tightly woven and the ending is unexpected; the narrator is a loud-mouthed and unreliable adolescent who, although endearing, manages to completely undermine my suspension of disbelief; please don’t let the genre fool you, this should be in the Young Adult section; etc.) will resonate with everyone.

How the book made you feel is probably most important to you, but that information is probably the least reliably universal. If you focus only on how the book made you feel, don’t fool yourself that you’re writing a review; you’re performing emotional masturbation in a public place.

It is perfectly fine to say you were left devastated by the ending, or that it kept you up all night, or that your heart soared when the heroine triumphed, or that the violence in the novel ruined all your memories of your nice holiday in the Caribbean, but that should not be the bulk of your review. Otherwise, you are just indulging in hyper-subjective exhibitionism, and I will conclude that you are using Goodreads as a way to suppress your deep-seated desire to take pictures of yourself naked with a dildo and post them on the net, but you don’t have the balls to do it.

4. Read Preceding Reviews

‘Me too’ reviews are uninformative. If you have nothing new to bring to the discussion, just leave a star rating. If you really want to communicate something valuable to other readers instead of using the platform as a way to stroke your own ego, you will read the other reviews first and take note of what they have covered and what they have overlooked. A helpful review provides new insights.

I’ve often gone to Amazon all fired up to write a review only to find that other reviewers have gotten their first and made all the points I wanted to make. That’s when I use the little star button to give the book a rating and move on. It is also very helpful to comment on previous reviews. Yes, people ARE entitled to THEIR opinion of a book, but they are not entitled to an UNCONTESTED opinion. If you read a review that you feel is unbalanced, say so!

If you find that none of the reviews deal with your particular insights into the book, then go ahead and write! You really are offering fellow readers something valuable.

5. Pick Four Things

There have been whole books written on books. Literature can be so open-texted and nuanced that readers can read the same book and yet have virtually read a different one. A review doesn’t have to cover everything and, in fact, the best reviews limit themselves to a few strong critiques. Pick the four or five things that you feel are most important about the book and focus on them. There’s nothing wrong with headings and point form! You’re not expected to write a novel on the novel. Be as brief or in-depth as you like, but always explain why you have come to the conclusions you’re offering.

6. Contextualize But Don’t Re-Shelve

Novels always contain a certain amount of commentary on reality. Whether it is the libertarian ethos lurking beneath a survivalist thriller, or the possible underlying conservativism of a dominatrix who decides to marry her accountant, good novels offer us ways of looking at our own world and the best ones do it by offering rather than preaching a viewpoint. It is very helpful to other readers to construct a review that links some topic or aspect of the novel to our everyday lives or real environment. Thinking about books this way often give you an insight into what the writer ‘wants you to think’ and a contextualized review invites other readers to consider that aspect of the reading they might have missed.

Indeed, a really exciting way into reviewing a novel, now that you have enjoyed it, is to ask the same question of the text that you have, at the onset of your review, asked yourself. Who is speaking? Do you suspect the writer and the narrator overlap? Is the writer attempting to explore the world from a standpoint other than her own by narrating the story via someone very different to herself? If the story is in third person, past tense and no obvious narrator is present, consider how adjectives and adverbs, descriptive passages are used to put a spin on the story. How immediate does the storytelling feel? Does it feel like the story is being told in a distanced retrospect? This can affect how real the story feels to you – how immanent the characters and events.

However, fiction is fiction. It is fine for you to point out that something in the novel might be untenable in real life, but if you go on and on about it, what you are now complaining about is that the novel is not a non-fiction handbook. And that’s not helpful when you found it in the Romance genre.  A case in point is the critiques of Fifty Shades of Grey which repeatedly point out how abusive the relationship is, and how little it resembles a healthy BDSM relationship. Had E.L. James written a guidebook on how to conduct a healthy BDSM relationship, critics would have every right to nail her to the wall, but that’s not what she set out to do. The book is a fiction of one relationship. It’s fine to point out that it portrays a very unhealthy fictional BDSM relationship, but it’s unfair and unhelpful to criticize it for failing to be the self-help handbook it never intended to be. It would have been just as valid and probably more informative to simply point out that the novel portrays an unhealthy form of D/s and should not be read as a lifestyle guide.

7. Consumer Choice Confirmation

No one ever had his or her life ruined by a bad book. No one ever went broke reading one. No one ever died from a poorly written novel (with the exception of the writer, perhaps). Moreover, it is unforgivably arrogant to tell someone not to ‘bother’ reading something simply because you didn’t like it. You may have gotten nothing from a book, but you can’t assume another reader will feel the same. You are not responsible for other people’s reading choices. Make your critique – make it scathing if you feel it merits it – but telling another reader not to buy it is rude and bossy.

Meanwhile, one of the most disturbing trends revealed in the consumer review sphere is also the reason why online bookstores like Amazon and iTunes provide space for reviews and why Goodreads exists. Behavioural scientists have noticed something interesting: consumers exhibit a desire to have their ‘good purchase judgments’ confirmed. They do this by encouraging others to make the same purchase.  Platforms like Amazon know this and they harness it as a way to encourage purchases.  It’s important to recognize that almost all of us have a desire to have ‘our good taste’ confirmed, and that this often unconscious desire is being manipulated to someone else’s profit.

As a good reviewer, your job in neither to encourage nor discourage people from buying a book, but simply giving them more information for their consideration. I’ve watched reviewers unconsciously turn themselves into book agents. They love a book or an author, and they take on the job of making sure everyone they know buys it. At the point you do this, you cease to be offering a review. You’ve become a member of the sales team, pitching the product.

We all want to encourage other people to read a book we’ve enjoyed, but the best way to do this is by offering a review that gives people both factual and emotional reasons why you found it so compelling. The moment you step over that line, you become an unreliable reviewer and an untrustworthy informant because it is not longer the book you are praising, but your own wise choice in purchasing it.

8. Find One Good Thing; Find One Bad Thing

No matter how much you hated or loved the book, pointing out one aspect that contradicts your overall impression is the single most effective way to make your review credible. It also happens to be a very good intellectual exercise.

For example, I gave Sylvia Day’s ‘Bared To You’ a predominantly poor review. In truth, I found it aggravating for a whole host of reasons, but the prose, although purple in places, is constructed with far more skill than ‘Fifty Shades of Grey’ or most of the subsequent copycat novels. Conversely, my review of ‘Those Rosy Hours at Mazandaran’ by Marion Grace Wooley is almost wholly positive and I was so taken with the novel that I was reluctant to say anything negative about it at all. Nonetheless, made myself do it. The pacing in the second half does drag a little.

Do, Do, Do Review!

In the age of e-books and an avalanche of self-published and small imprint published novels, there is a lot of crap out there. But there are also gems we are all likely to miss unless someone takes the time and has the generosity of spirit to review them.

Many of you are extensive readers and, as a fellow reader, I value your informed opinion. Well-constructed reviews don’t spoil a novel for me. They often tempt me to read genres I wouldn’t normally read and loosen up my expectations and assumptions. This affords me a more adventurous reading experience. Some reviews have called my attention to underlying themes and aspects of a novel I might have missed and contributed greatly to my reading experience. I’ve even chosen to buy a novel based on a well-written negative review because I realized the reviewer was put off by exactly the things I found most delicious in a novel. In fact, it was this very negative review of ‘Those Rosy Hours At Mazandaran’ that prompted me to read it:

“…If you enjoy stories about psychopaths who discover each other’s love for toying with their human prey before brutally murdering them, then this book is the perfect one for you.” (excerpt from ‘Psychopath Filled “Prequel” to the Phantom of the Opera’, one star review by The Reading Wench, Amazon.com, Feb 25, 2015)

I read that and thought, “Whoa, that sounds perfect to me!”

No one is obligated to review every book they read; none of us have the time. But when you find yourself brimming with opinions about a book, when it has offered you insight, or a disappointing experience you feel you can put your finger on, please take the time to write a review. Readers everywhere are depending on it.

Hot Chilli Erotica

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