authors

On Writing by Larry Archer

With apologies to Stephen King, I would like to outline the basic process I use to create a story suitable for publishing on Amazon or SmashWords. I don’t want to teach you how to write as there are far more qualified authors to do that. I am a lowly engineer and fully appreciate my lack of talents with the English word. But I think what I can help you with is the mechanics of compiling your story and make it ready for publication in the most efficient and time-saving method.

First, my bona fides as it were. I have been writing smut, basically stroke stories for almost seven years now. I’ve published over twenty-five stories, most over 30,000 words and several close to 100,000 words.

I’ve focused the majority of my publishing efforts to Amazon and SmashWords along with several other websites but I write primarily for the two major publishes of Indie writers.

When you publish at SmashWords, and the story is accepted into their Premium Status, SmashWords will automatically send your story to Apple iBooks, Barnes & Noble, Kobo, and others. So publishing at SmashWords will get you into Apple without any additional work. So it’s like repeating the publishing process multiple times.

For me, a great deal of my sales comes from Apple iBooks, and I’ve done nothing besides send the story to SmashWords. Now certainly, when you write erotica, certain topics will get you excluded from Apple and others. This topic is a blog post all on its own, and I’ll tackle that later.

My thought is to create a special section on my blog, LarryArcher.blog, and place all of these posts in one place for easy reference.

First, let’s talk about what makes up a story that will be accepted into SmashWords Premium Status for wide distribution. If you follow the steps I’ve outlined below, your story will be accepted at both Amazon and SmashWords with a minimum of rework.

This is the system I’m currently using, and while I’m working on version 2.0, it does work pretty well for me. If you have your own method and it’s working okay then don’t change a thing.

The parts of my story are as follows:

  • Cover Image, 300 dpi, 1600×2400 pixels
  • Title Page
  • Copyright Page
  • Table of Contents (TOC)
  • Body (the actual story itself)
  • Back Matter (advertising, other stories, etc)
  • About the Author

Now a little bit about storing files.

  • Draft – Folder for stories I’m working on
  • Cover – Cover images
  • Front Matter – Amazon (Title and Copyright for Amazon)
  • Front Matter – SmashWords (Title and Copyright for SW)
  • Table of Contents
  • Body (actual story by itself)
  • Back Matter – Amazon (Ads, etc. for Amazon)
  • Back Matter – SmashWords (Ads, etc. for SmashWords)
  • Full – Amazon (Final full copy for Amazon)
  • Full – SmashWords (Final full copy for SmashWords)

Once I’ve written the story and moved it from Draft to Body, I assemble the finished product as follows.

  1. Let’s assume I’ve written a story called MyStory and storied it in Body after proofreading it. I recommend that you write in Word 2003 DOC format and not DOCX as some publishers do not accept DOCX.
  2. Open MyStory in the Body folder. Let’s assume this is for Amazon.
  3. Immediately do a Save As “MyStory – Full – Amazon.doc” in the Full – Amazon folder.
  4. Open the front matter file “MyStory – Front – Amazon.doc” from the Front Matter – Amazon folder. This will be the title page and copyright page customized for Amazon.
  5. Copy the front matter by selecting it, copying, and paste it to the top of the “MyStory – Full – Amazon.doc” file. If you’re happy save it, just in case. Now the full copy has the front matter plus the body in the Full folder.
  6. Close the front matter file and open the Table of Contents file. Select it all, copy and paste in between the front matter and the body of the story. Now save that.
  7. Open the back matter file, select it all, copy, and paste to the end of the full copy.
  8. At this point, we have a full copy of the MyStory for Amazon. The title page, copyright page, TOC, body, and back matter.
  9. Next check the points where you joined the various sections to be sure there are no extra page breaks or extra space.
  10. Go through the body and back matter and set bookmarks at each chapter and point in the back matter which you need to reference in the TOC. I recommend that you create a standardized set of bookmarks to make it easier to reuse the back matter on other stories.
  11. Once the bookmarks are in place, go to the Table of Contents and create links for each chapter and spot in the back matter.

At this point, we have assembled a complete book yet the individual parts are available for ongoing modifications. For example, in the back matter, you may list all of your other stories.

Then when you add a story, you normally have to go back and re-edit all of your finished stories to add the new material. By keeping the body and the back matter separate, all you have to do is copy and paste.

By the same token, to publish to a different publisher such as SmashWords, you simply create front matter and back matter for SmashWords. Then take the body that you used for Amazon and tack on the front and back for SmashWords.

When you publish a new story, update the back matter file and then rebuild old stories by assembling the new pieces and upload the new copy.

Hopefully, this makes some sense to you and will help to standardize your stories to look consistent and more professional.

I’m going to expand upon this in more detail on my blog and answer any questions that arise. I’ll get into what I use for setting and layout in a later issue.

Thank’s for reading and check out my blog: LarryArcher.blog

See you next month!

SCAMAZON – Amazon "Kindle Unlimited" Scammers Netting Millions

scamazonHow are scammers making millions off Amazon? (And off any author enrolled in Amazon’s KDP Select program?)

It’s easy. So say digital entrepreneursscammers like Dave Koziel – who admits to outsourcing his material, he’s not an actual writer or anything. You see, all you have to do it just upload “books” stuffed to the gills with anything, even unrelated material (romance books, cookbooks, South Beach diet books, foreign language texts, any and everything you’ve got at your disposal) then use a click-bait link at the front of the book (something like “Click here to win a Kindle Fire!”) to take the reader directly to the very back. A German blog has detailed these tactics as well, although it seems the German Amazon store (much smaller than the U.S. one) is cracking down on this now.

Why does this method result in big bucks? Because of how Amazon has changed the way it pays authors enrolled in KDP Select. Authors know that when Kindle Unlimited was first launched (rather quickly and in direct response to other book subscription services that were just popping up like Scribd and Oyster) we were paid “by the borrow.” It was similar to a sale (on sales, we were paid 70% of list cost) except now we were paid out of a general fund instead of a set percentage. (Like a “pot” or “kitty” – a communal pool of money – except in this case, Amazon was the only contributor and authors the recepients.)

But Amazon changed that payment method from “per borrow” to “pages read.” Not pages written, mind you – but how many pages a reader actually reads.

Except, the problem with this method that’s recently come, shockingly, to light, is that there’s a loophole in the system. Apparently, if you put a link at the beginning of your book to the very back and a reader clicks it – the author is paid for all those pages. A full read. Even though a reader just skipped over them.

Remember when Amazon capped the KENPC count at 3000? This was why.

Except Amazon didn’t want us to know one important thing – they lied to us.

They have no idea how many pages a reader actually reads.

Let me say that again, just so you don’t miss it:

AMAZON HAS NO IDEA HOW MANY PAGES A READER ACTUALLY READS.

Wow. A little bit of karma coming back at you with these scammers, Jeff Bezos?

Because Amazon has been scamming authors in the KDP Select program all along.

They decided to pay us by “pages” read, when in fact, they can’t count actual pages read, and they can’t time how long a reader actually takes to read those pages (last time I checked, no one could read 3000 pages in less than two minutes…)

Oh, they can email me and my publishing company that I’m missing a “page break” at the end of my novel, or threaten to take my book off sale or label it problematic for typos (that may or may not actually be typos), or actually take my book off sale (which they recently did – Bear Necessitiesjust after a great freebie run, too, while it was on sale for $0.99 – thanks, Amazon!) because I provided bonus content in the front of a book instead of at the back – but they can’t actually count how many pages a reader reads in a book.

Yet… this is how they have decided to pay authors. Per page read.

See anything wrong with this picture?

I sure do – and it smells like fraud and class-action lawsuits to me.

How do I know Amazon can’t count how many pages a reader reads?

Because, if Amazon had a way to count how many pages a reader actually reads, a link at the front of the book that took the reader to the very back would result in two pages read.

Just two, not every single page in the book.

But as Dave Koziel and company have proven, that’s not what’s happening. There’s a little loophole in Amazon’s system. When a reader clicks a link at the front of a book that takes them to the end of a 3000 page “book” – it gives that author 3000 “pages read.” Not just two.

If Amazon had a way to count how many pages a reader actually reads, placement of the TOC (table of contents) at the front or back of the document would be irrelevant.

But as this post proves (and man, do I feel awful for author Walter Jon Williams– he’s out a hella lot of money because of Amazon’s knee-jerk reactions and lack of planning and forethought) Amazon has suddenly begun removing books with a TOC at the back of the book from sale. As usual, they decided to shoot first and ask questions later, and damaged legitimate authors in the process, as David Gaughran first pointed out.

If Amazon had a way to count how many pages a reader actually reads, placement of “bonus material” (an extra story or book along with the original source material, which many authors have started to do, including myself in the Kindle Unlimited program) would be irrelevant. You could put it at the front or back of the book, and it wouldn’t matter, because the table of contents tells the reader what’s where, right?

Except the truth is, Amazon is showing us through their actions – their cap on KENPC, their insistence that the TOC needs to be at the front of a book, and their recent email to me about “bonus” content not being allowed at the front of a book – that they have no idea how many pages are being read in any given book.

All they know is where a reader STOPS reading.

That’s all they can actually calculate.

That’s why a TOC needs to be at the front (because TOC defaults as the “start” point of a book, and if it’s at the back and a reader goes to the TOC, an author has just been given credit for a full read even if the reader didn’t read the book) and why they are no longer allowing “bonus” content at the front of a book.

Oh, and in case you’re wondering, there are legitimate, non-scammy reasons to put a TOC at the back or bonus material at the front. The TOC (especially if a book is long or a boxed set) takes up valuable real estate in the “Look Inside” feature or “Sample” on Amazon. Placing it at the back avoids that issue.

And the logic behind putting “bonus” material at the front?

Well, this is how I explained it to Amazon in my letter to them:

I had a very legitimate reason for putting the bonus book/content at the front of this title.

The last time I put a bonus book at the end of the book, I had reviews complaining that the original title ended at “50%” – and they thought it was much longer, because the bonus book was taking up real estate at the back of the original text.

In this case, I put the bonus book up front (and labeled it clearly on the title page and in the table of contents) so that when the reader finished the main book, it would be near 100% and they would understand they’d reached the end, and wouldn’t feel “cheated” or “ripped off.”

It’s easy to look at a Table of Contents (TOC) and navigate to the book they purchased.

You see, I was under the assumption that, since Amazon is paying us by PAGES READ, that you, at Amazon, actually had a way of knowing HOW MANY PAGES A READER ACTUALLY READ.

I assumed, since it would be fraudulent otherwise, per our contract in publishing with you, that since you were paying us by pages read, if a reader skipped over a book in the table of contents, we wouldn’t actually be paid for those pages. So that putting bonus content at the beginning of a book would be no big deal, no harm, no foul.

Apparently, that isn’t the case. And you never told us that. As a matter of fact, you, personally, (rep’s name redacted), lied to me and said that skipping to the end of a book would NOT result in a full-read. We emailed about this and talked about it on the phone when KU 1.0 was originally rolled out, and you assured me that yes, Amazon had a way of tracking the pages a reader actually read, with time spent on each page.

Turns out, Amazon hasn’t been able to correctly count pages read since the very beginning, even though that’s exactly how you’re paying us. 

If you think this isn’t fraud, and that there aren’t authors out there already talking about a class action lawsuit, you’d be very, very wrong. There are a lot of wealthy authors out there who are beyond furious about this new information. 

I suggest you plug this leak as fast as you can and make some apologies and remuneration for it. 

And restore my book to published status immediately – and its rank as well, since you took it off-sale for a reason that shouldn’t have been a problem or caused an issue if you hadn’t lied to authors about your ability to actually count the pages you were oh-so-generously paying us less than half-a-penny for. 

On my part, it was completely unintentional. I was directly told that skipping over content in a book would not result in pages read. But that was clearly a lie. I thought I was creating a better customer experience (kind of like Walter Jon Williams and his TOC placement) when in fact I was unknowingly using a tactic commonly utilized by scammers.

Unfortunately, it’s not the only scammer tactic I unwittingly adopted.

You see, I have a link at the front of my books in my table of contents (I happen to place my TOC up front, so I dodged that particular bullet) that leads to the back and a link to sign up to my mailing list. I incentivize signing up to the list by offering readers five free reads. I’ve been doing this for years.

The thing is, I had no idea that doing this resulted in a full read in Kindle Unlimited. Because Amazon specifically told me directly that “skipping pages” wouldn’t work – that they could count pages read – and linking to the back page would not result in a full read!

I’ve been “cheating” and didn’t even know it was cheating. I wasn’t complicit in a scam but I’ll sure be blamed for it if they shoot first and ask questions later. (And as we know, they usually do…) Especially since I write erotica and I’m Selena Kitt. I’m guilty already by default. 😛

The problem is, Amazon has been throwing the baby out with the bathwater by taking books off sale for having a TOC at the back of the book, or bonus content in the front. As David Gaughran first pointed out, real authors are being hurt by Amazon’s attempts to plug up a leak that shouldn’t have existed in the first place.

And I’m afraid it isn’t going to end there, folks. 

Are links from the front of the book to the very back going to be next in Amazon’s line of fire? Could be.

The irony is, many people do what I do – put a link in the TOC to a mailing list with a free read to sign up. Many of those originally had their TOC at the back of their books – but now Amazon is forcing them to put their TOC at the front. In effect, forcing them to have a link now at the front of their book to their mailing list… which leads the back of their book, and would result in a “full read” if a reader clicks that link.

Doh.

I don’t know how Amazon will plug this particular loophole, but I know what I’m doing this week. *sigh* Time to reformat my Kindle Unlimited books and take out the link to free content at the back and put that content somewhere up front. It’s not “WIN A KINDLE FIRE” click-bait – it’s a legitimate offer – but I’m sure Amazon will see it differently.

It’s better to get out the way of a potential nuclear explosion if you know it’s coming than sit around and wait for it to happen – at least that’s my philosophy. And the best predictor of future behavior is past behavior. So if Amazon’s reaction to this KU 2.0 problem so far is any indication, I’d suggest you follow my lead and clean up those “links to the back of the book” now before they nuke your stuff.

The thing is, all of this cleanup was preventable. There was no reason to implement such a flawed program like Kindle Unlimited in the first place. Amazon certainly could have predicted the original “loophole” in KU 1.0 that they attempted to close with KU 2.0.

Remember when short books were all the rage in KU 1.0? That was because every borrow that was read to 10% paid out around $1.30 each (well, at last count, the amount kept going down every month…) Erotica writers were hit hard when Amazon switched to the “paid per page read” scenario, because erotica authors have always written in short-form. What we were once being paid $2.09 (70% of $2.99) per sale for before Kindle Unlimited came along, then $1.30 per borrow for in KU 1.0, we were then being paid about $0.15 per read-through for in KU 2.0.

Ouch.

But the real scammers in KU 1.0 weren’t erotica authors, who simply benefited from the per-borrow payout by doing what we’d always done (writing short stories) – the real scammers put gibberish inside a book and made them so short that by simply opening the book on your Kindle, that first page would count as 10% of the book and result in a paid borrow.

Cha-ching!

Are you telling me Amazon couldn’t have foreseen that?

If so, I have some swampland in Florida to sell you.

Then KU 2.0 came along to “fix” the issues/loopholes/leaks of the “scamphlets” in KU 1.0. Amazon went to a “pay per pages read” scenario. It’s ironic that their solution to the money they were bleeding in the first Kindle Unlimited version was increased exponentially in the next one.

In KU 2.0, they weren’t paying out $1.30 a borrow to scammers who created their little “scamplets” and borrowed them in their little circles anymore. (Or to those nasty erotica writers who’ve always written shorts stories for readers who want to buy them… they clearly deserved to be punished for their dirty minds and “selling sex” in the first place, right?)

That’s great, but… before the KENPC cap was very recently instituted, the pages you could get paid for per-read were unlimited. Which meant that anyone could release a “book” of unlimited length in KDP Select (these scammers are putting garbage in their books – foreign translations, articles from Wikipedia, just words for words’ sake) then put a link at the front of that book that jumped to the back –  and voila. A $100 download in one click. I’m not kidding. I know authors who have told me they’ve seen these scammers bragging about getting that much per-read before the KENPC cap.

Even when they put the KENPC cap of 3000 on it, with the payout last month at $0.0041 per page read, that meant the maximum payout was $12.30 per download. Still not too shabby. Especially if you have lots of scammer friends to borrow your book and just click a link to read to the end – and push up your rank in the process.

KU 2.0 is far worse, in terms of scamming and money lost, than KU 1.0 ever was.

Guess you should have just continued paying out for those dirty erotica shorts, Amazon… 😛

Amazon’s continued “fix” to these problems are like putting a Band-Aid on a bleeding artery. Because guys like Dave Koziel aren’t just making money off Amazon. He’s making money off selling this method to other scammers and telling them how to make money scamming, too. And the more they scam, the more money they take out of the “pot.”

Check this link out. Apparently a 15-year-old mentee of Dave Koziel made $64,000 in a month. That’s not a typo.

Do I think this kid wrote all those words? Not if he’s following Dave’s advice, he’s not.

I’m posting a screen shot here, just in case the link gets removed. (You never know…)

Quoted on those images, Dave Koziel says: “A screen shot I got earlier from my mentee and coaching student @justin8600 For those of you who don’t know what this is it’s a report from Amazon that shows you your actual royalty payments from the Kindle store. Take a close look at these numbers and you’ll see how much money he is actually getting paid this month from Amazon. Did I mention he’s only 15? A lot of you may look at this and think it’s fake. How can a 15 year old possibly make $70,000+ in a month online from selling ebooks on Amazon? The world is changing and fast. Opportunities are out there to make money and a lot of it! It doesn’t matter how old you are, where you came from, what your circumstances are etc.”

screenshotb

Authors and readers –  does this make you angry? It should. You’ve been lied to and cheated, not just by the scammers, but by Amazon. Primarily Amazon, really. Scammers suck, but we all know they’re exploiting a loophole that was created by Amazon’s short-sightedness and could have been prevented by Amazon in the first place. The scammers are scammers – and they’re providing a poor customer experience to be sure – but Amazon bears the brunt of the blame here, let’s not lose sight of that.

If Amazon’s focus is “customer-centric” then their Kindle Unlimited program is a giant fail. KU 1.0 was called “Kink Unlimited” because authors (many who hadn’t started out writing erotica) jumped on the erotica shorts bandwagon and the market was flooded with them.

But KU 2.0 is now being called “Krap Unlimited” because of all of these crappy scam-books that claim to have great content, but really only contain a bunch of garbage and a click-bait link up front to take readers to the end, so the “author” of the book can get paid for all of those pages.

And when readers find these word-salad books, do they think, “Oh geez, a scammer, what a jerk?” No. They think, “Welp, everything they say about self-publishing and indies is true – their books suck!”

Thanks, Amazon, for perpetuating that myth.

And while the readers have to wade through crap (and boy, do they – I thought keyword stuffed titles weren’t allowed, Amazon?) authors are getting hit the hardest under KU 2.0. Not only are we getting paid less than half a cent per-word-read, these junk-books are forcing legitimate authors to split the “global fund”/pot with them. The rate we’re being paid per page just keeps dropping.

Gee, I wonder why?

Let’s take a look, shall we:

  • -6.32% = December rate decrease
  • -10.72% = January rate decrease

 

We can thank the scammers for that.

And here are some more numbers for you.

Amazon claimed recently that pages read were up by 25%. But I know that didn’t see a pages-read increase of 25%. Did you? I bet you didn’t. Want to know why?

Because those pages read were click-bait scammer reads, that’s why.

I can’t prove it – but other authors have speculated as much, and I believe they’re right.

Take a look at this graph. (Courtesy of my author friend, Michelle Keep – she’s awesome BTW, smart as a whip, and writes great books – and provides amazing services to authors – check her out!)

graph

Before November 2015, the pages-read increased steadily for months by about 100 million-ish a month.

Then, in November 2015, there was a 350 million pages-read increase from the previous month. A pretty sharp increase but we’d seen increases similar to it before from December to January the year before.

Then, between December and January, look at the huge rise. There were 700 million more pages read in that month. How do we explain that? Christmas rush? Hm. Maybe.

Historically speaking, though, the program increases pretty steadily on that graph – but it started spiking in November and continued to climb drastically—far more than it ever had before—in December and January.

Let’s look at the actual numbers.

  • From November 2015 to December 2015, the pages-read increased by 347,751,042. (about 350 million)
  • From December 2015 to January 2016, the pages read increased by 716,220,032. (about 700 million)

Can Kindlemas account for this gigantic rise? Can we just chalk it up to Christmas growth?

Well, let’s look at the year before:

  • December 2014 shows 1,154,321,678 pages read. (1.1 billion)
  • January 2015 shows 1,402,376,812 pages read. (1.4 billion)
  • Between December 2014 and January 2015, that’s an increase of only 248,055,134. (about 250 million)

That’s about 1/3 of the increase we saw between December 2015 and January of 2016 (which was an increase of 716,220,032 – about 700 million)

Historically speaking, this giant increase is suspect.

So let’s go back and look at this year’s dramatic jump.

  • December 2015: 2,929,051,855 pages read (2.9 billion)
  • January 2016: 3,645,271,887 pages read (3.6 billion)
  • If we add those two numbers we get: 6,574,323,742 (6.5 billion) pages read

Now, just for chucks and giggles, let’s subtract the “average” historical Christmas/Kindlemas jump (which last year we saw was about 250 million…) from that total. Or, hell, let’s go a little further, let’s add to that historical average and say we should have historically seen about a 300 million pages-read increase from Dec 2015-Jan 2016…

If we do that, we’re left with a 763,971,074 difference.

 

There’s that shocking, inexplicable 750 million pages-read increase.

For speculation’s sake, let’s say that huge page-read increase is actually the result of scammers. Just for argument’s sake, let’s say they’re the ones who have caused this dramatic rise in pages read.

If you translate those pages-read into dollars (multiplying it by the last known pages-read amount Amazon paid out, which was $0.0041 per page)… that comes to…

About 3.1 million dollars.

That’s a lot of money. 😮

Okay, I get it, I hear you – that maybe it’s an exaggeration. Maybe Amazon did have a big jump in program growth this year, because they were pushing Kindle Unlimited around Christmas time and offering discounts. Okay, that’s possible.

So let’s account for that. Even if natural growth increased enormously this year – what if scammers accounted for just 1/3 of that 750 million increase in pages-read?

That’s still a million dollars out of the pot.

But that’s not all, folks.

No, because not only are these scammers stealing money out of my pocket and every author’s pocket who participates in the KDP Select program, they are getting “All-Star” bonuses on top of it. Just to add a little insult to injury and rub some salt in those wounds.

Amazon awards All -Star Bonuses to its top-sellers in the KDP Select program. Some of those bonuses are $25,000. Scammers most definitely got bonuses last month – and legitimate authors who have gotten them all along for being top-sellers discovered that their usual pages-read didn’t qualify. The bar had been set suddenly higher, and not by real authors, but by scammers.

And Amazon could have prevented all of this. They could have anticipated all of these issues – just as they could have anticipated the problem of erotica surfacing on children’s Kindles and done something proactive and preemptive about that. But Amazon works like the pharmaceutical companies. They make a lot more money ignoring root causes and treating symptoms.

The question now is – what are they going to do about it? And is it going to hurt?

I’m afraid the answer to the latter question is “yes.” As to the former one? Well, they’ll treat the symptoms again, I’m sure. They’ve already screwed over legitimate authors claiming they now have TOC and bonus content issues in their books, whether Amazon was aiming at the scammers or not. We’re collateral damage, as usual.

And frankly, I’m beyond angry. I’m appalled. I’ve become an unwitting participant in this “scam,” because Amazon lied to me. Amazon informed me in no uncertain terms that skipping over content in book would not result in pages-read, but they lied.

How can I ever trust them again? How can you?

Whatever trust I did have (ha) has been completely decimated. I don’t even trust their royalty reports at this point.

And you know what really sucks? Thanks to Amazon’s deception, I’ve been cheating other authors without realizing it. I suppose, if I were in the Hunger Games (which is exactly what this whole thing feels like) I’d just end up dead. I don’t have the stomach for this sort of zero-sum competition they’ve set up in KDP Select between authors. But like Katniss, I don’t have a lot of choice, if I want to feed my family.

In the end, the worst thing of all, at least for me, is Amazon’s stranglehold on the market. They’ve forced me into this horrible, socialist program of theirs where it is a zero-sum game – and I have to fight or die.

If you want to make a living at this, Amazon has created an environment where we’re all getting in the same bread line and fighting each other for crumbs. We’re all hungry. And getting skinnier every day.

(And OMG if one person in the comments says, “You’re not ‘forced’ into the program! You have a ‘choice!'” I will delete you so fast it will make your head spin like Linda Blair. We’ll talk about Amazon’s algorithms and how they weigh the visibility of KDP Select and the decreasing ability to make a living on any other vendor some other time, okay?)

Authors – when we were actually selling books, did we feel we were “cheating” each other out of dollars? Nope. Because we knew there was (arguably) an unlimited amount of dollars to be had. Competition in the marketplace is great – that’s good for the ecosystem. But competition for a “pot” of something?

That way lies… this madness.

And that’s all on Amazon.

They created this KDP Select monster. And remember that their whole company is run at a loss. In effect, Amazon is being subsidized by their shareholders. Authors keep complaining about Nook and Apple and Kobo and want to know why no other retailer is challenging Amazon for marketshare?

The real answer is, because they can’t afford to – they aren’t being subsidized.

And we, as a culture, have created the monster that is Amazon.

That, unfortunately, is on us.

selenasigsmalltrans

Erotica Readers & Writers Association: Changing of the Guard

The Erotica Readers and Writers Association has been around since 1996. It pre-dates my foray into the erotica genre by ten years, and is coming up on its twentieth anniversary. Adrienne Benedicks has run it from the beginning, and I remember finding my very first publisher (Stardust, now defunct) on their Author Resources page. Adrienne is now retiring – and moving to greener pastures and a warmer climate! She felt it was time to pass the baton, and I was honored that she thought of me.

In recent years, as Amazon (and other retailers) have pushed back against erotica authors, I have seriously considered giving up on the genre altogether. But in the end, I simply can’t walk away from something I’ve invested nearly ten years of my own time and energy into. Besides, I love erotica as a genre. And I love erotica authors. I have never met a more fun-loving, open-minded, good-hearted crowd of people. Erotica authors are the first line in the defenders of the freedom of expression. They go places others are often afraid to venture, and tackle topics that far too many shy away from.

I have some great ideas about how to develop the Erotica Readers and Writers Association into an even stronger community and resource for both readers and authors that I’m sure I will be implementing in the future, but truthfully, what’s in place right now is a gold mine that, I’m afraid, too many people don’t know about!

For instance, did you know that the Erotic Readers and Writers Association has a lively discussion list? In fact, they have several! The Parlor is a place where everyone can discuss whatever’s on their mind, Storytime is where authors can offer their work for critique, and the Writers’ List is a place where authors can network and talk about all things writing related. I’ve been a part of those discussion lists for the past year, and it’s been a great experience to connect with new erotica authors and erotica lovers.

For readers, there’s a huge library of erotic fiction available for free in the Treasure Chest! There’s straight erotic fictionqueer fictionkinky eroticathe softer sidequickiesflashers, and even poetry. It’s not just erotic books, either. There are a wide array of articles in the archives, plus adult moviessex toys, even suggestions for erotic music to set the mood. It’s an erotica lovers dream!

You can also follow ERWA on Twitter, we have a brand new ERWA Facebook page, and you can sign up for the ERWA newsletter to keep up on what we’re doing next.

For those who are already a part of the ERWA, I want to assure you that I have no intention of dismantling the site or bringing a bunch of new changes in too quickly. The site has grown and changed organically over the past twenty years, and I imagine it will continue to do so over the next twenty years.

Self-publishing and the rise of ebooks have given erotica a newfound freedom of expression that was unheard of twenty years ago. If I look into my crystal ball to see what the next twenty-years holds for erotica, I have to admit, it’s a bit cloudy. But I do know one thing – as a genre, erotica isn’t going anywhere. As long as there are humans, the expression human sexuality in all its forms will be explored by the most daring and adventurous of writers, and read by the most curious and open-minded readers. That much I do know.

My hope is that erotica’s future is so bright, we’ll all have to wear shades.

Portrait of sensual brunette woman in red hot lingerie.

But wherever the future of erotica as a genre may lead, I intend to be a part of that for a long time to come.

selenasigsmalltrans

Selena Kitt
www.selenakitt.com

Do You Stick With Authors, or Genres? by Lucy Felthouse

By Lucy Felthouse

This post was originally on the Dirty Birdies blog.

I have a question: what are your thoughts on authors that write in multiple genres and pairings under the same pen name? Does it bother you? Will you still read that author? Will you just pick and choose what genres/pairings from that particular author that you like? Or do you read anything and everything from your favourite authors, no matter what they write?

I’d really love your opinion on this. I’m asking because there seems to be no standard in the publishing industry. I “know” lots of authors because of the wonder that is social media, and some of them (myself included) write lots of different things under the same pen name, whereas others create new pen names when they branch out into something new.

I wouldn’t say I write different genres, exactly, because so far I’ve only written erotica and erotic romance. Though I write in lots of subgenres; contemporary, paranormal, femdom, maledom, BDSM, etc, etc… but I do write different pairings. It’s waaay too late for me to start splitting those up now, and I wouldn’t, anyway, because it’s hard enough work maintaining various websites and social media accounts for a single author name, let alone adding more to the equation. I just make sure to emphasise genres and pairings when promoting new releases, and I always put that information on my website. I can’t control what details my publishers put on their websites and third party retailers, but wherever I can, I make the information available. So hopefully I’m providing my readers with the details they need to ensure they’re only buying books they’re interested in.

So, what are your thoughts on this? Do you wish authors would use different aliases, or doesn’t it bother you?

Also, just for the record, if I moved into something like crime fiction or mainstream romance, I would start a new pen name. But while it’s remotely smutty, I’m sticking with this one 🙂

Happy Reading,

Lucy x

*****

Author Bio:


Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over 100
publications to her name, with many more in the pipeline. These include several
editions of Best Bondage Erotica, Best Women’s Erotica 2013 and Best Erotic
Romance 2014. Another string to her bow is editing, and she has edited and
co-edited a number of anthologies, and also edits for a small publishing house.
She owns Erotica For All, is book
editor for Cliterati, and is one eighth
of The Brit Babes. Find out more
at http://www.lucyfelthouse.co.uk.
Join her on Facebook
and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

Author Behavior And Its Effect On Readers

Elizabeth Black writes erotica, erotic romance, dark fiction, and horror. She lives on the Massachusetts coast with her husband, son, and four cats.

—–

Have you ever quit
reading an author because of the way that author acted on social media?

This question was
posed on Facebook by several authors. I saw it on author Rachel Thompson’s
timeline, and I wanted to know if my readers and other authors had ever done
it. I had read about allegations of child sexual abuse against Marion Zimmer
Bradley and I was already familiar with charges of homophobia against Orson
Scott Card. As I saw on Facebook and elsewhere, the news turned off many
readers as well as writers. After all, writers are readers, too.

I asked the same
question on m Facebook timeline and I received some fascinating answers.

In many cases,
yes, an author’s behavior may affect a person’s desire to get to know their
works. Diana Perrine noted that it’s “sometimes it is hard
to separate the Art from the Artist. Actors, Musicians, Authors, Painters and
Poets. If I like the art, but if I find the artist to be particularly loathsome,
I may not patronize him/her.” Tess MacKall found certain criminal acts a
deal-breaker. “If an author has committed a crime—and I’m not talking
about income tax evasion or getting caught with a prostitute—but a real crime
such as sexual abuse, murder, rape, etc., I’m never going to read anything by
that author again.” She said. “And I don’t care how talented the
author is. I will not put money in the pockets of a person like that.” Darren
Madigan brought up the career damage misbehavior can cause for an author or
celebrity: “If you’re really offended by some kind of behavior, then it
will doubtless make you not want to have anything to do with the person associated
with the behavior….  which is why
celebrities lose endorsement deals when they get caught misbehaving. ” He
said. “It’s normal and natural for people to feel alienated from
everything they associate with a person when that person behaves in a way that
offends them.”

Some authors named specific
writers. Karen Pokras Toz pointed out a fellow author had forwarded to her an
interview by Nicholas Sparks where he puts down women authors. She said
“Buh-bye.” I’ve never read Sparks either, and now I definitely won’t
touch his books since I feel insulted. Jeanne Evans has never read, and will
never read, anything by L. Ron Hubbard.

Not everyone agrees with these
assessments, however, and these disagreements make some authors controversial. Still,
It is helpful to separate the artist from his or her work. Devon Marshall said,
“For me it’s a case of don’t confuse the house with the inhabitant. What
an author (or an actor, director, or any creative person) does is create a
fiction, whether within a novel or a role or a painting, or whatever. What they
do with their creative fiction is not always who they are in reality. Liking a
person’s work doesn’t obligate me to like that person in reality. And vice
versa, I can like a person but dislike their work! It should also be borne in
mind that what we read about people on social media (be they celebrities or not)
may not always be either the whole story or even the truth.”

Raye Roeske has had personal experience with
poorly-acting or speaking authors. She said, “It’s mostly been authors/artists/whatever who have
personally been dickish to me or one of my loved ones.” More personal
experience from a reader: “I had an author follow me on twitter,
then not long after they chatted/commented on tweets, even gave me a snippet of
their book and once I said I’d bought the book they un followed me (keeping up
their follower vs followed numbers) it irritated me so unfollowed them.”
Xenia Smith said. “They then commented on the fact I’d unfollowed them.
Not really the way to keep new readers.
”

This distaste isn’t isolated to authors. Dave Gammon
said he was “very turned off a specific director that shall remain
anonymous. This individual seems to relish in correcting other people who are
simply stating their opinions and impressions and retaliating with his own
opinions as abstract as they are as facts. I think its a sign of emotional
insecurity to have to railroad someone else’s opinion because it differs from
their own. I think this individual has definitely tarnished my enthusiasm of
seeing anymore of their films.”

James Gummer was enjoying one particular author’s
works, but was turned off later. “I bought all of his books and
listened regularly to his podcast,” he said. “He acts and talks like
he wants to interact with people. But he never responded to any of my emails or
tweets when I had questions I wanted to ask.” Authors really do need to
keep up with their readers. It may be hard, but it’s necessary. One key to
success is friendly interaction.

One of the worst examples of author behavior I’ve ever
seen was described by John Hancock, who pointed out a possible explanation for
some of this behavior. He said: “I think the thing is that SOME
authors are very solitary, lacking in social skills, so when they enter social
media, they either think they can control or retaliate against fans or readers
whose reviews they don’t appreciate, or they simply come off as obnoxious
jerks.
” He described a rather horrific personal experience: “I once
wrote a negative review, in which I pointed out the misogynistic parts of the
book I found repulsive (threats of cutting off a woman’s breasts, and making
her eat them, for example). The author, and a group of his friends hounded me
and down voted all my reviews (even those for products unrelated to books) and
bragged about targeting me. Eventually I told him enough, I’d remove the review
if they’d stop harassing me. Simply not worth it. The sad thing is, everyone
once in a while, due to his robo social media campaign, I get requests to
follow him on Facebook or twitter. I would never read another book from this
person. I wouldn’t anyways, due to his repugnant attitudes towards women, but
also because he’s a bully to bad reviewers. God only knows how many bad reviews
he forced to retract, like mine.”

Some aren’t affected by an author’s actions or
statements. “I feel missing a good book or movie because of that
would just mean I can’t keep my thoughts separated and distinct in my
head,” John Paradiso said. The
opposite side would be readers who have picked up an author’s books because of
their pleasant social media personas. I doubt I would have read Trent Zelazny,
Douglas Clegg, KD Grace, or Tom Piccirilli if I hadn’t been exposed to them on
Facebook. I’d never heard of them before social media, and due to my exposure
to them and liking them as people, I discovered their works. John Ross Barnes
said much the same thing: “I have bought quite a few books by
authors I have discovered to be nice people on social media, and will continue
to do so.”

Some authors were exposed to new writers via different
formats. Christine Morgan said, “I’ve picked up books I might not have
otherwise just because the author seemed cool on a talk show or at a con or
something, yes. And I’ve avoided books for the reverse reason.” I recall
about several decades ago hearing a show on NPR in which Donald Westlake
discussed his new book “The Ax”. Westlake was such a delight and the
book sounded like such great fun that I soon after went to a bookstore and
bought it. I later devoured his Dortmunder books with great delight. Some
aren’t greatly influenced by what they read online or hear elsewhere. Jenifer Baldwin Stubbs may “try an
author because of social media…either I saw something I liked or someone I
like recommends, but I don’t let news, reviews or public behaviour really
influence my reading or watching.
”

Author radio interviews, book reviews,
and author profiles in newspapers and magazines are designed to sell books, but
they bring the author into your living room in a very comfortable and
easy-going way. You feel as if you’re right there with the author. If the book
sounds good, you’re more likely to buy it if you get a feel for the author.

And finally, Shar
Azade made the best point of all: “A lot of the authors I like are
dead. So if they suddenly got active on social media … I’d be a little
weirded out, yes.”

—–

Here’s where to find me on the web:

Elizabeth Black – Facebook

https://www.facebook.com/elizabethablack

Elizabeth Black – Twitter

http://twitter.com/ElizabethABlack

Elizabeth Black – Amazon Author Page

https://www.amazon.com/author/elizabethblack

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