dark erotica

Erotic Horror Music – February Is Women In Horror Month

Elizabeth Black
writes in a wide variety of genres including erotica, erotic romance, horror,
and dark fiction. She lives on the Massachusetts coast with her husband, son,
and her three cats. Visit her web site, her Facebook
page, and her Amazon Author Page.
 

Her new m/m erotic medical thriller Roughing
It is out! This book is a sexy cross between The X Files, The Andromeda
Strain, and Outbreak. Read her short erotic story Babes in Begging For It, published by
Cleis Press. You will also find her new novel No
Restraint at Amazon. Enjoy a good, sexy read today.

___

It’s the last day of Women In Horror Month, and I wanted to
talk a bit more about erotic horror like I did in January’s post.  Last month, I talked about eroticism in
horror. This month, I want to talk about setting a proper mood for writing
erotic horror. There is a lot of music out there that lends itself to both the
spooky and the sensuous.  I didn’t want
to include the usuals like Mussorgsky’s Night
On Bald Mountain
or Bach’s Toccata
and Fugue in D Minor
since they’re a bit overplayed and are very closely
associated with horror, but not erotic horror. There are some classical pieces
that are great accompaniments to writing erotic horror because they are so
majestic.

Stanley Kubrick used Bertok’s Adagio from Music For Strings, Percussion and Celesta in his hit
movie The Shining. Although The
Shining is obviously not erotic, this music can easily set that kind of mood.

 

 Back to Kubrick, he used Ligeti’s Requiem in his movie 2001: A Space Odyssey. This haunting piece is perfect to set a darker mood for your erotica.

 

Sally’s Song from A Nightmare Before Christmas is a haunting and sad tune that will bring tears to your eyes. So when your hero and heroine are far apart, this is the song to listen to that will gain you access to their hearts.

 

Lustmord was one of the first dark ambient artists I discovered over 20 years ago. The music is very atmospheric and perfect for setting a dangerous albeit sexy mood. Lustmord’s Astronomicon sounds like something Emily Brontë or Daphne du Maurier would have liked. It has a Gothic and sensuous feel to it.

Now for something a bit more melodic. Enigma’s The Principles of Lust is perfect for any sexy mood. You’ll crack open the flavored lube listening to Enigma. You’ll have to go to Youtube to watch and listen to this video.

 

 Enigma’s Sadeness (Marquis de Sade?) is another go-to piece. Here are parts 1 through 3. Same as above – you must watch and listen to this video on Youtube.

 

 Now for something with a bit more bite to it. I can see listening to Lords of Acid while writing action-packed dark vampire erotica. Their album Voodoo U is especially sexy. Here’s Special Moments.

 

 How can you resist a song with a name like Dirty Willy, also by Lords of Acid.

 

 Now that you’re in a sinister but sexed up mood, grab a suitable book like Anne Rice’s Sleeping Beauty trilogy or Poppy Z. Brite’s Exquisite Corpse and give your dark side a treat.

The Stanley Hotel – My First Writer's Retreat

Elizabeth Black
writes in a wide variety of genres including erotica, erotic romance, horror, and
dark fiction. She lives on the Massachusetts coast with her husband, son, and
two cats. Visit her
web site, her Facebook page, and her Amazon Author Page.

I’m breathing the crisp, thin air of Estes Park, Colorado
right now. I’m attending the Stanley Hotel Writer’s Retreat, my very first
writer’s retreat. This one is for horror, but since it’s my first retreat I
thought I’d report on it. I bought the short story package, and my two stories will be critiqued after the retreat.

The Stanley Hotel is the hotel Stephen King stayed in that
inspired him to write The Shining. He
stayed in room 217, which is supposedly haunted. We’re in room 319, which is
not haunted. I tried to book room 401, which is also haunted, but someone beat
me to it. The Concert Hall and the fourth floor are haunted as well. I went to
the fourth floor and took pictures, but no ghosts. Yet. Here is a shot of the
haunted fourth floor hallway. I fully expected to see two very creepy little
girls hanging out at the end of the hall. Redrum!

We drove from the northeast coast of Massachusetts (any more
east and you’re in the ocean) to Estes Park, Colorado. It took us four days to
get to Denver, where we stayed overnight and took advantage of pot tourism in
the state. We bought edibles since we don’t want to smoke – Cookies and Cream
Cake Bites and sublingual Energizing Tablets, both infused with marijuana. Recreational marijuana is no longer seeds and twigs in a plastic sandwich baggie. I had no idea it was so fancy! The
tablets were okay but those cake bites are amazing. Pure chocolate decadence and a very mellow high. I
discovered something very important – I cannot write when baked. LOL I drool
when baked, and that’s about it. We’re enjoying the mellow in our hotel room
when things are slow, which isn’t often. We also have Jacuzzi jets in the
bathtub, and I’m taking full advantage tonight after all the events for the day
die down.

We saw elk taking their good old time crossing the road on
the way to the hotel. I understand the elk own the roads out here, so who am I
to complain? LOL

The Opening Scaremonies (after all, this is a horror writer’s
retreat) consisted of our Guests Of Honor horror writers and editors you’ve likely
never heard of since you read and write erotic fiction and romance. In case you
have heard of them, they are Trent Zelazny, Jack Ketchum, Josh Malerman, Chris Morey, and
Daniel Knauf. One of next year’s Guests of Honor is Chuck Palahniuk. He wrote Fight Club. If we can swing it, we’re going. Our host is Dark Regions
Press editor RJ Cavender, and he did a bang-up job putting this behemoth
together. This year’s guests gave a very informative talk about the craft of
writing, editing, playwriting, Hollywood, and their works in general. In two
hours I’m going to a talk by a lake about dialogue and scene construction.
It’ll be given by Daniel Knauf. I do excel at writing dialogue, but I’m always
on the lookout to learn something new. UPDATE: I attended the highly informative lecture by Daniel Knauf, who is one of the writers of the hit TV series The Blacklist. I learned why I’ve been having difficulty working on two short horror stories lately. I don’t know my characters. I’ve done historical research, developed the location, and envisioned most of the plot. I’ve neglected my characters. I won’t be able to work on the story until I know them better. Next step – write character profiles for each character.

I highly recommend you attend as many
planned events as possible even if they cut into your writing time. You will
learn a great deal, and you’ll be in a position to mingle with other writers. You
might even meet someone you’ve admired for years. One of the purposes of a
writer’s retreat is to inspire you to write. This one is doing its job. Not only have I made some fine contacts, Jack Ketchum is interested in being my guest on my radio show The Women Show in early 2016. He’s one of the top horror writers out there. The Girl Next Door was sufficiently upsetting. Based on a true crime, too.

I’ve been asked by darker fiction publisher Rampant Loon
Press to write a new short story based on a small Massachusetts island town
I’ve created for one novel and several short stories. Rampant Loon published
one of those stories – The Oily – and
it has accepted a second one – Unrequited.
Both are horror. I’ve decided to go one better. I’m going to write two new stories. One set in a wooded
location in modern times, and another one set in the same location in
approximately 1830, not long after the Salem witch trials. Salem plays an
important part in my story since it’s not very far away from my island.  I’ve already done all my research including
hiking in the five acre area of woods near my home which provided much
inspiration as well as a nasty twist to my right leg that is still healing.
This wooded area is an abandoned colonial settlement, and you can still see the
ruins. My two horror stories will be very desolate and creepy. I even read some
Stephen King for inspiration, speaking of the Stanley Hotel. I’m using my time
here at the retreat to inspire me to finish at least the modern day story. I need to concentrate on character development before I can begin to write the story, though. I learned that today during a lecture outdoors at a restaurant on a lake where we saw a bald eagle flying around. The eagle even dived into the lake to catch a fish. Knauf talked about getting to know your characters very intimately with important things like what are their dreams? What are they afraid of? Once I write down those notes I can begin writing the stories. There’s no deadline so I’m not in a rush.

There’s nothing like writing undisturbed by children, pets, television, Facebook, Twitter, strange foreign men on Facebook asking me if I’m married, email, the phone ringing, people banging at my door, the upstairs
neighbors screeching at each other, and the latest appliance to stop working in
my apartment. I’m free to be creative here, and I write when I want. I’ve also decided, with the help of discussing the matter with one of the guests, that I need to begin my agent search again. My family saga/thriller novel Secrets and Lies won’t be published in 2016 after all since the publisher is going out of business. I was told about a week ago, and I have my rights back. Lucky for me, the book was never published so I don’t have to worry about trying to sell a reprint. It was recommended to me to begin the agent hunt in earnest and don’t aim for the smaller presses since they can be so unreliable.
Aim high. Good advice.

It’s a long way from home, but
the beautiful Stanley Hotel was well worth the drive. The views of the Rockies
are gorgeous. Although I’m a beach girl at heart, I could see living here
because of the views. I’d have to get used to the altitude – just walking up
and down the stairs gets me winded – but otherwise this is a beautiful location
to write. If you have a chance to go to a writer’s retreat, I highly recommend
one.

Welcome, Darkness

By Lisabet Sarai

It’s early in May. I have just submitted the final manuscript for my latest Excessica book, entitled Fourth World. I’ve been planning this book, a collection of paranormal erotica, for quite a while, so I sent it off with no small sense of satisfaction.

Over the past two days I’ve been immersed in editing the seven tales that comprise this volume. As I read and re-read them, I was startled to realize that not one of them has an unambiguously happy ending. That’s very rare, for me. I generally consider myself an optimist, and I’d definitely label myself as sex-positive. So why am I suddenly publishing a whole book of stories where no character gets exactly what he or she wants? A book in which at least one character actually dies by the story’s conclusion, while others are irrevocably damaged—where the surviving protagonists live with grief, confusion, frustration or profound ennui?

You might surmise that I wrote these tales during a difficult time in my own life, that they mirror some negativity in my own soul. That’s not the case, though. The stories in Fourth World cover more than a decade of my career, a decade, as it happens, of great success and personal satisfaction.

Another theory might be that these stories represent a reaction to the relentless emphasis on happy endings in romance. There’s some truth to that notion. When I wrote “Renfield’s Lament”, about two years ago, I was feeling fed up with HEAs. I deliberately crafted the darkest tale I could imagine, just to see how far I could push the envelope while still arousing my readers (and myself). Some of the earlier stories in the book, though, come from the period before I began writing erotic romance at all, when I was blissfully innocent about the demands of market and genre.

Perhaps the ambiguity in these tales reflects my convictions about magic. Since I was a kid, I’ve loved fairy tales and fantasy, but even back then I understood that power always exacts its price. Miracles occur, but they require sacrifices. Wotan forfeits an eye in his quest for wisdom; Frodo Baggins loses a finger in fulfilling his quest. No one walks through the fires of the supernatural and emerges unscathed. Plus, one has to admit there is something seductive about the shadows, something hypnotic about evil, especially when it clothes itself in exquisite, responsive flesh.

Ultimately the why doesn’t matter. These stories are what they are. Of course, once I’d noticed the dark trend in the book, I started to worry. Should I throw in a couple of lighter tales, to balance the cruelty and violence (physical and emotional) in the ones I’d originally chosen? Would anyone actually buy this book without at least a few happy-for-nows?

I decided against that compromise. The seven stories in Fourth World make an organic whole. They represent some of the most intense erotica I’ve ever written—scalding, twisted, nasty, no-holds-barred lust, triggered and augmented by magic. I personally find the endings satisfying, at least from a literary perspective. They have an inevitability that feels right.

There’s something freeing for me about publishing this book. Readers who want happy endings can pick up some of my erotic romance or romantic erotica, which is mostly what I write. Fourth World is aimed at those of you who are braver, or more curious—people who recognize that when you have blood-sucking demons, someone’s going to get hurt.

To them, I say: come explore the shadows with me. Welcome, darkness.

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