ellora’s cave

When Your Press Goes Belly Up

Elizabeth Black writes in a wide variety of genres including erotica, erotic romance, horror, and dark fiction. She lives on the Massachusetts coast with her husband, son, and her three cats. Visit her web site, her Facebook page, and her Amazon Author Page. 

Her new m/m erotic medical thriller Roughing It is out! This book is a sexy cross between The X Files, The Andromeda Strain, and Outbreak. Read her short erotic story Babes in Begging For It, published by Cleis Press. You will also find her new novel No Restraint at Amazon. Enjoy a good, sexy read today.

 ___

Yet another publisher suddenly announced it’s going under. DarkFuse, a horror imprint, sent a generic form letter to everyone who either had outstanding submissions or contracts with them. DarkFuse always struck me as being a market to get into, but from what I’m hearing from those affected by the Chapter 7 filing, DF isn’t handling the whole mess in a professional manner. I had submitted a short story to DF and I did not hear anything until SEVEN MONTHS LATER when DF announced it was in hiatus. Suffice to say I was pissed. Granted, I knew DF could take up to 8 months to respond to submissions, but to finally get word and to know the press didn’t even open my file left me quite miffed. I could have sent the story out to other markets during that long period of time and may even have found a home for it. Now I have to start the entire process all over again – seven months late.

Remember when Samhain closed? Samhain was best known for publishing romances but it had delved into horror. This one was another market to aim for, and even it wasn’t immune to the changing publishing landscape. Everyone knows of the disaster that was Ellora’s Cave. EC did not do right by its authors. There are signs that a pub is going under. Here are a few:

  1. Does not respond to emails in a timely fashion or at all.
  2. Sudden non-communication.
  3. Publisher email bouncing or phone calls not going through.
  4. Dragging out the publication date for weeks or months on end.
  5. Press threatens writers who protest poor treatment.
  6. Royalties not being paid on time or at all.
  7. Web site is not updated.

If you run into any of these issues, beware. The pub may be in trouble. I don’t know what to do if you request your rights back when you get wind the pub is actually closing and it refuses to release them or you hear crickets. Some writers have hired lawyers to fix the problem but most writers I know do not have money coming out of their ears. After all, they are writers. Most don’t earn a living wage. Eventually the rights have reverted back but it may take awhile.

Here are some tips I’ve learned from watching one small press after another close:

*Don’t put all your eggs in one basket.

Submit to several publishers so you have works in more than one. This is to protect yourself. You don’t want to see all your works dissolve once your only publisher goes belly up.

*Have as many as a dozen short stories out there in circulation as submissions to numerous publishers.

I was told this trick from a writer who has had many short stories published. Submit to as many markets as you can. Look up Duotrope, Ralan’s, and of course the ERWA submissions page for submission calls. Go to your favorite publishers and see if there are any themed or non-themed anthologies calls. If you like the theme, write something and submit it. Don’t write one or two stories and hope for the best. Submit as many as a dozen stories. You’ll hear back more often and you may see more acceptances. The more irons you have in the fire, the more likely you are to see some good results.

*Think of yourself as blessed if your book was under consideration by a publisher yet it wasn’t published before the press closed.

My first indie press closed before it published my book. Twilight Fantasies was one of several publishers that closed one right after the other in 2007. At first I was angry that the press had been stringing me along insisting my book was coming out in a month or two and then later not responding to my emails at all. When the pub folded, I was told it was a good thing my book was never published because if it had been, to resell it would have been quite difficult since it would have been considered a reprint even if it had been available for purchase for only a month or two. Or less. Once the pub closed my rights reverted back to me and I sent the book off to Dark Eden Press only to see that press fold. I then send it to a third press whose name I can’t recall anymore – and it (you guess it) promptly folded. Talk about a string of rotten luck! So I was able to show my rights had reverted back to me via an email TF sent me and finally Fanny Press later published the book. That book is my paranormal erotic romance An Unexpected Guest and you may buy it at Amazon. This was my first novel and the experience gave me a sour taste in my mouth that I never really recovered from.

*Get your rights back and send the work out again. Find it a new home.

Don’t be dismayed that your book isn’t going to see the light of day with a publisher that went belly-up. That doesn’t mean no one else will want it. Research other viable markets and resubmit. If you wish to do some further editing by all means do so but get that book back out there as quickly as possible lest you lose your nerve. I research several markets and I send my works to each one in order until one accepts my work. You can’t give up or get depressed about it. If you do, you’ll never see your books published.

The best bet when dealing with questionable publisher is to be wary and be informed. Research Ellora’s Cave, Twilight Fantasies, Dark Eden Press, Samhain and DarkFuse to see what all the closings had in common and what writers did to protect themselves. That way, you hopefully won’t be caught up in disaster should one of your pubs deep six itself.

My NaNoWriMo Novel by Lucy Felthouse (@cw1985)

by Lucy Felthouse


This post has been reblogged from my website, but I thought it was incredibly fitting given the month we’re in 🙂

If you’d have said to me two years ago—maybe even just a
year ago—that I would “win” NaNoWriMo, I’d have laughed at you. For those of
you that don’t know, NaNoWriMo, or National Novel Writing Month, is a yearly
challenge which takes place in November. Writers sign up via the website and
challenge themselves to write 50,000 words in a month—in order words, a novel.
Or at least a good chunk of one. Sadly, I haven’t been able to take part this year.

I’m not a fast writer, but then nor am I a slow one. I sit
comfortably somewhere in the middle. But for some reason, last year I decided I
was going to give NaNoWriMo a go. I’d already done a ton of research for the
novel I intended to work on next, all I needed to do was getting the planning
done and I’d be ready to go. And so, having worked out that I’d have to write
2,500 per day for twenty days (I don’t work weekends, so I had to remove
weekend days from the equation), I figured it was still achievable.

Come the 1st of November I was signed up, had
everything planned out and once I opened that Word document, I quickly started
to fill it with words. I’m a bit of a word count watcher when I write, anyway,
so the only difference was, rather than simply updating the widget in my
website’s sidebar, I would also update on the NaNoWriMo website. I started off
really well, and was achieving my target each day. Of course, I dropped behind
my “buddies” at weekends, but soon caught up again on weekdays.

I have to admit, it was addictive. Granted, I’d already done
an awful lot of hard work before opening
that Word document, but it didn’t mean the writing was easy, especially as it
was the most complex piece of work I’d written to date. But somehow, come the
29th November (the 30th was a Saturday, and so the 29th
was my finish date), I did it. I hopped over that 50,000 word mark, copied and
pasted the text into the NaNoWriMo site to get it validated, and received my
winner’s certificate and badge. It was a fantastic feeling—I’d done it!

However, the novel was far from finished. The challenge had
really broken the back of it, but I knew I still had a long way to go. I didn’t
stop writing, but I admit from the 50k mark until the end was a lot slower
going because I didn’t have that urgency pushing me to write faster. Not to
mention during November, I’d rejigged my days to make writing my priority.

Finally, in the New Year of 2014, I finished the book. It
was almost twice the length it had been at the end of November—95,000 words. So
personally, I still think I did pretty damn well to write it in that period of
time, and I’m delighted to see it out there for people to read and hopefully
enjoy.

The book has been incredibly well received so far, with lots
of four and five star reviews—so if you’re a paranormal romance fan, I hope
you’ll check out Pack of Lies.

*****


Author Bio:


Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over 100
publications to her name, with many more in the pipeline. These include several
editions of Best Bondage Erotica, Best Women’s Erotica 2013 and Best Erotic
Romance 2014. Another string to her bow is editing, and she has edited and
co-edited a number of anthologies, and also edits for a small publishing house.
She owns Erotica For All, is book
editor for Cliterati, and is one eighth
of The Brit Babes. Find out more
at http://www.lucyfelthouse.co.uk.
Join her on Facebook
and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

On Co-Authoring

By Lucy Felthouse

I’ve been published for a few years now, mainly in the short story arena, though I have novellas available and others contracted, as well as a novel out on submission. I always keep my eye on what’s out there, what’s coming soon, how people are working, their achievements, and so on. And one thing that’s caught my eye several times has been co-authoring. To me, it looked like a brilliant way to work on a project with someone, have fun and then end up with a piece of work at the end of it. But I admit I didn’t really understand how it worked, so it just bubbled away in the back of my mind, and I didn’t do anything about it.

However, towards the back end of 2012, my good friend and fellow writer Lily Harlem suggested co-authoring something together. I explained I had a few projects on, so I couldn’t start right away, but I would definitely be interested. She was busy too, so we said we’d start in the early part of 2013, when all the New Year festivities were over and done with, and life was back to normal.

The writing bug bit Lily, however, and in December she sent me a chapter that had just come to her, so she’d written it down. I managed to read it quickly, but knew I still wouldn’t be able to do anything with it until January. I was eager to try out co-authoring, but other commitments had to take priority.

Then 2013 arrived. I’d cleared my commitments and was free to start something new – hurrah! I read the chapter again and then bombarded Lily with a million and one questions about the process of co-authoring, how she thought it would work, our intended publisher, and so on. I was very lucky in that a) Lily had co-authored many times before so knew how it worked b) she was very, very patient with me and answered all my questions c) that our writing styles are quite similar, so that although we wrote from separate character viewpoints, our respective sections would still fit together well and d) we know each other well enough to give constructive and honest feedback that will be truly helpful, rather than trying to sugar coat anything for the sake of being nice.

And so we began. The chapter Lily had written back in December was from the female perspective and I was happy to write from the male perspective. I’ve done it many times before and enjoy it very much. We’d already agreed that if things didn’t work out, we wouldn’t worry too much about it, so I opened the document and began to write without thinking too hard. We had no plan, no idea what on earth the book was going to be about, really, just that it would be an erotic romance. Despite this, the words came. Fast.

After writing a chapter of roughly the same length as Lily’s, I skim read it and sent it back to her. And thus the mad email exchange began. Prior to this project I’d only written one full-length novel by myself and found it a learning curve, albeit it a fun and very satisfying project, but often I had to force myself to carry on and not procrastinate. With this book, however, it was totally different. It was full of surprises – because we hadn’t planned it, the chapters we sent back to one another were a total surprise, and we both had to think on our feet to work out where the plot would go next. We’d agreed not to rush one another for chapters as we both had other things on, too, and although we didn’t pressure one another, we still produced the words at lightning speed (for me, anyway!). I grew eager to read Lily’s next chapter, to see where the characters – which I’d quickly grown very fond of – would go next, what they would do. There was very, very little procrastination!

The only thing we’d really planned was that the book would be longer than 50,000 words – to make it novel length. We did discuss how it would end, but never made a set decision, we just decided to keep writing and hope it came to a natural conclusion. We agreed that because Lily had written the first chapter, that I would write the last. That was the only time throughout the project that I felt pressure – and it was from myself, not my co-author. I had to write the last chapter, therefore the ending, therefore it had to be good, and satisfying! I put my fingers to the keys of my laptop and hoped that what came out would be good. When I finished the final chapter I read it again and made tweaks, then decided that no benefit would come of me staring at it – so I sent it to Lily. And waited with baited breath for her reply.

She loved it!! She even said that it made her cry. Naturally, I was incredibly relieved that she liked it – and the fact it made her cry was a huge bonus. Poor Lily was suffering with a bad cold at the time so she wasn’t feeling her best, but I decided to take the compliment anyway. And voilĂ  – our novel, which had been through what felt like a bazillion title changes throughout the writing process, was finished. We smashed our 50k minimum and ended up with 70,000 words, roughly. In five weeks (with me even doing two chapters in one day – one in the morning, then one in the late afternoon as Lily sent hers back in the early afternoon) we penned a novel that we were both absolutely delighted with, and characters we adored.

Next, we made ourselves leave it alone for a while. We both agreed that jumping in with edits and polishing too soon wouldn’t help. We’d made comments on each other’s chapters as we went along, asking for clarification of certain points or even just saying parts had made us “LOL” and that helped immensely. So much so that after our waiting period, we didn’t change very much at all.

Then came the discussion on submission. We’d had a publisher in mind all along – Ellora’s Cave – and we submitted to them. Thankfully, they said yes. Cue much happy dancing from Lily and I! As we waited for news, we had a bit of a debrief and agreed we’d both loved the process and were amazed at how quickly the book had come together – and even discussed making it into a series.

Now we have contracts, a cover and are waiting for edits. As the book is themed around tennis, we’re hoping to see our novel – titled Grand Slam – release in August, in time for the US Open. I don’t want to say too much more and give the game away (no pun intended), but the novel is an erotic romance with a sports theme and some BDSM and seriously hot sex in there, too.

I totally adored the process of co-authoring with Lily. It was genuinely fun and we just seemed to work really well – and quickly – together. We’ve already got some time carved out to write another book in the series – and who knows what will happen after that?

So if you’ve been thinking about co-authoring, I would say go for it. If you know someone that you can work well with, and you will be honest with one another and complement one another, then it’s a great way to write a book. You’ll have to ask lots of questions to make sure you’re both on the right wavelength, but it’s worth it in the end.

Keep an eye on my website and social networks for news of my first co-authored novel and a peek at the cover, and I’ll see you again next month.

Happy Reading!
Lucy x

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over seventy
publications to her name, with many more in the pipeline. These include Best
Bondage Erotica 2012 and 2013, and Best Women’s Erotica 2013. Another string to
her bow is editing, and she has edited and co-edited a number of anthologies.
She owns Erotica For All, and is book
editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join
her on Facebook and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

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