intimacy

The Intimacy of Editing

Want to discover an author’s most cherished fantasies?

Edit a collection of his or her erotic stories.

At this point, I’ve edited books featuring the erotica of seven different authors: C. Sanchez-Garcia, Amanda Earl, Bob Buckley, Teresa Wymore, Remittance Girl, M. Christian, and Daddy X. And I can tell you (if you were to ask), quite specifically, what turns each of them on. There are few activities as intimate as working with an author to sharpen the emotional focus and heighten the erotic intensity of his or her tales.

Of course, in editing a multi-author erotic anthology (which I’ve also done a few times) you’re also exposed to the contributors’ erotic visions. However, a single story might not tell you much about what personally pushes an author’s buttons. The best erotic authors, indeed, learn to mask their own kinks and preferences to some extent, in order to avoid being too repetitive. For instance, I like to push myself to create stories that do not include any BDSM content, both to prove I can and so my readers don’t get bored.

Still, I have a reputation for writing a lot of D/s, because that’s one of areas of sexuality that I find most arousing myself. A reader was recently astonished by my Asian Adventures series, which (so far) does not include any sort of power exchange. “For all the scary BDSM all over your author pages,” she wrote, “I had no idea you had such sweet lipstick in you!”

When you’re confronted with 50-60K of an author’s work, the patterns become obvious. Of course I’m not going to embarrass my former collaborators by telling you what they like, from an erotic perspective. You’ll have to buy their books, if you are curious. Even so, you might not appreciate the common themes or activities as much as I did, serving as their editor. This is because an editor reads each story many times, in many versions. Furthermore, as an editor I got to see the author’s reactions to my suggested modifications, which tells me a lot about what is and is not important to him or her.

I’ve spent a lot of time in my authors’ heads. I’ve waded through their imaginary sexual worlds, tweaking a clause here, clarifying a construction there, all the while watching their characters deal with love and lust. Sometimes I feel as though an author and I have actually been lovers. That’s not true of any of the individuals above, but it could be without too much of a stretch. I have to confess I have had erotic dreams about some of them. My unconscious reacts to the intimacy of the editor-author relationship, even if I consciously distance myself.

It’s funny, because my authors’ fantasies don’t always align with my own. Nevertheless, the close interactions involved in editing give me enough insight that I can vicariously appreciate the erotic charge in their stories, despite the fact that the themes or stimuli don’t push my personal buttons.

I wonder whether all editors experience this sense of intimate connection with their authors. Perhaps my experience has been closer and more intense because I too write erotic fiction. Or maybe it’s because I’m editing stories about sex. Perhaps editors of non-sexual genres remain more distanced from their clients.

Somehow I doubt it, though. We authors expose ourselves through our fiction, regardless of genre. We reveal what makes us tick. And editors need to get up close and personal with those revelations in order to do a good job.

What Was Lost

By Lisabet Sarai

A few days ago I finished reading The Sweetest Thing, a new short story collection by fellow ERWA member Julius Addlesee (and edited by another ERWA member, Nan Andrews). This isn’t a review – that will be coming at the beginning of next month, over at Erotica Revealed – but rather a reflection on the contrast between the sex in this book and the sex we tend to see today, both in the real world and in a lot of erotica.

The book is unabashedly vanilla. Although the characters and situations in The Sweetest Thing vary, all the tales focus on mutual heterosexual lust, seasoned by serendipity, affection, and, in many cases, lingerie. The stories feel a bit old-fashioned because the characters experience desire in such an enthusiastic, uncomplicated way. No one takes sexual pleasure for granted, but no one questions it, either – no guilt, no angst.

There’s an innocence about these stories. The narrators (all male) display a sense of wonder when confronted with the glory of women. The characters linger over foreplay, delighting in the tastes, smells, textures of their partners, who tend not to be model-thin or movie-star handsome but who are nevertheless almost unbearably desirable. Sex is special, a delicious mystery to decipher, a gift waiting to be opened.

I remember when sex was like that – powerful and intimate. To a heart-breaking extent, I feel like that kind of sex has been lost. When I was in my teens and twenties, stores hid magazines like Playboy and Penthouse under the counter. Porn movies arrived by mail in plain brown wrappers. A nude photo shoot like the one I did with the friend of a friend would be considered outrageous and daring. BDSM was shockingly perverse. To discover my own inclinations in that direction was a life-changing revelation.

In today’s mobile-obsessed, painfully public world, nude photos are commonplace. Teenagers broadcast them to their friends – kids who are not even their lovers. Porn is never more than click or two away. Sex is everywhere: in movies, in video games, in rock music, in advertising, in popular best sellers. I remember the thrill of reading James Bond in study hall, passing around a volume that marked the spot where the virile spy stroked his hand across the smooth, flat belly of his bikini clad partner. That was all – imagination filled in the rest – but oh, how that made me yearn!

What would Ian Fleming have thought of Fifty Shades of Gray?

I wouldn’t complain, if more sex meant better sex. However, I get the impression that many people find sexual satisfaction as elusive as ever – perhaps more. Casual sex has become more accepted and more available, but close, mutually enjoyable sex is another story. Divorce rates have soared. Rape occurs at least as frequently as when sex was rationed and forbidden, and my observations suggest that it is actually more likely to be tolerated in our sexually-desensitized world.

As I discussed in a previous post on this blog, an explosion of information on sexual technique has stolen the spontaneity from sexual encounters. When I was in my sexual prime, I never worried whether I was good in bed. All I knew was that being in bed with a lover felt good.

Even “deviant” behavior like BDSM has become ordinary and accepted rather than shocking. Fetishism influences popular culture. I can’t count the number of fashion ads I’ve seen where the model is wearing a leather corset and wielding a whip. These days everyone seems interested in kink. My master grumbles that everybody gets spanked now, or tied up. We’re not special anymore.

It’s not surprising that today’s erotica and erotic romance reflect the same trends. Authors include ever more extreme sexual activities in their tales, trying to get noticed. Voyeurism, exhibitionism, age play, infantilism, blood and water sports, body modification, bondage, threesomes, foursomes, orgies, gang bangs – you’ll find it all and more, not just in self-identified stroke fiction but also in anthologies released by publishers of “literary erotica”, and indeed, even in romance, once the bastion of coyness and traditionalism.

One of my readers complains that she can’t find any vanilla erotica anymore.

Don’t get me wrong. I have nothing against outrageous sexual acts. I’ve written a few myself. My concern is that these acts have come to have no meaning. They don’t feel dangerous or brave or transgressive anymore. They scarcely influence my emotions or my physical reactions, unless they’re extremely well written. Meanwhile, warm, bawdy stories of straight sexual pleasure – like Julius’ tales – have become as rare as penny candy.

I know I sound like a curmudgeon – like my mother, railing against “the new generation” and praising the good old days. This change isn’t even generational, though. It encompasses a mere decade or so. When I wrote my first novel, the acts I portrayed were unusual, scary, and exciting. Now they’re ho hum.

You can’t stop time, nor control cultural change. You have to learn to live with the world as it is today, without pining for yesterday. I’m glad the market for erotica has expanded, offering more opportunities for us all. Still, I mourn the loss of sexual innocence, and the corresponding incandescence of sexual experience – in life and in fiction.

[The title for this post was stolen from a story by Robert Buckley, which features an aged bootlegger from 1920’s. Thanks, Bob! That tale is included in his charitable anthology, Coming Together Presents Robert Buckley, which I had the privilege of editing.]

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