A silly young woman
called Alice
Used live dynamite for a phallus
It blew her vagina
To North Carolina
And her ass to a ranch up in Dallas
I’ve mentioned limericks before but I’m mentioning them
again as a writing exercise for one very important reason: they’re fun.
Note the rhyme scheme: a-a-b-b-a.
This is consistent for the majority of limericks.
A very good friend of
mine, Paul
Has got a hexagonal ball
The result of its weight
Plus his dick’s length times eight
Is his phone number: give him a call
Note the metre/syllable count. In
this one it’s 8/8/6/6/9. Commonly, each
limerick is 8/8/5/5/8 although they can go a couple of syllables either side
depending on how they’re being performed.
Please remember that the most important thing about the
limerick is that the form lends itself to fun.
One morning a
nobleman, Andy
Woke up feeling properly randy.
He said to his aide,
“Please fetch in my maid,
Or the dog, or whatever is handy.”
As always, I look forward to seeing your limericks in the
comments box below.
After the fun of last month’s blog post on cinquains, I wanted to stay
with poetry again this month and look at one of my all-time favourite poetic
forms: the limerick.
There once was a man from
Nantucket
Who kept all his cash in a
bucket.
His daughter, called Nan
Ran off with a man
And as for the bucket, Nan took
it.
I recite this version in classes because it’s more acceptable than the ribald
version. I’ve reprinted the ruder version below
with the offending language carefully censored.
There once was a man from
Nantucket
Whose c**k was so long he could
suck it.
He said with a grin
As he wiped off his chin,
“If my ear was a c**t I could f**k
it.”
Why do I like the limerick? It’s fun and it’s ribald. It’s also a
legitimate form of poetry exemplifying balanced meter and disciplined rhyme
schemes. The limerick is characterised by the a-a-b-b-a rhyme scheme and it’s
fairly easy for anyone to attempt.
1 A
vice both obscene and unsavoury a
2 Kept the Bishop of Barking in
slavery a
3 With horrible howls b
4 He deflowered young owls b
5 That he lured to his
underground aviary. a
Personally, I think the sophisticated rhyme scheme in this limerick is
quite remarkable. The three syllable
rhyme (ay-var-ee) at the end of lines 1, 2 and 5 is a powerful reminder of the
poem’s strong construction. The same can be said for the rhyme in lines 3 and 4
(ow-uls). Not bad for a throwaway verse based on the idea of a bishop
having sex with owls.
There was a young woman from
Leeds
Who swallowed a packet of seeds
Within half an hour
Her **** grew a flower
And her **** was a bundle of
weeds.
I could talk here about the syllable weight in this poem. Instead I’ll
simply say that it’s effective because it remains true to the form and it’s
still funny because of the ridiculous images it suggests. The same can be said
for the final example below.
There once was a young man called
Paul
Who had a hexagonal ball
The square of its weight
And his c**k’s length (plus eight)
Is his phone number – give him a
call.
The usual rules apply to this blog post. If you can come up with a
limerick that you want to share, please post it in the comments box below. Obviously
no one wants to read anything defamatory or libellous but saucy and ribald are
the lifeblood of the limerick so I’ll be happy to see your risqué rhymes there.
From Adam & Eve - Based on the Book by New York Times Bestselling Authors Selena Kitt
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