Muse

Oct. 29 is National Cat Day

Tomorrow, October 29, is National Cat Day. I am owned by three cats, two of whom are blind. The 12 year old Maine Coon is a spirit cat – one that needs lots of love and care. He’s blind with FIV. His name is Mister, like Harry Dresden’s cat. His buddy, 8 year old Breena, has been blind since birth. Then there is Meriwether, the kitten. He bounces off walls and drives the other two cats crazy. We call him Meri or Merricat for short. Literature fans will recognize the name Merricat from Shirley Jackson’s “We Have Always Lived In The Castle”.

That brings me to the topic of this month’s post – Famous Cats in Literature.

  1. Crookshanks – Hermione Granger’s magical cat in Harry Potter and the Prisoner of Azkeban by J, K. Rowling. Cats have long been associated with witches as their familiars. Crookshanks in the movies looks like a Maine Coon.
  2. Cheshire cat – Alice’s Adventures in Wonderland by Louis Carroll. The Cheshire cat said the famous line, “We’re all mad here.”
  3. The Cat in the Hat by Dr. Seuss. I grew up reading Dr. Seuss. I’ve always liked this cat’s top hat.
  4. Puss in Boots from Jerry Pinkney. My favorite fairy tale. My erotic fantasy “Trouble In Thigh High Boots” is my smutty retelling of this story. You may find it under Kindle on Amazon.
  5. Tom Kitten from Beatrix Potter’s The Tale of Tom Kitten. Tom Kitten was a very naughty boy! When my son was a child he loved Tom Kitten. I even bought Tom Kitten baby bath products from Crabtree & Evelyn. Sadly, that product line isn’t available anymore.
  6. Church from Stephen King’s Pet Sematary. Cats can be scary, too.
  7. Mog from Mog The Forgetful Cat by Judith Kerr. I discovered Mog in a British commercial for Sainsbury grocery store. These children’s books are very popular in U. K. households.
  8. Koko and Yum Yum from “The Cat Who…” book series by Lilian Jackson Braun. These cats owned reporter Jim Qwilleran. Koko and Yum Yum are two Siamese cats who help Qwilleran solve his cases. The whole concept is adorable.
  9. Mister is Harry Dresden’s cat in “The Dresden Files”.

Cats are wonderful writing muses. They walk across your keyboard and change the names of your files. They want to sit in your lap when you’re trying to write. They want to eat. All. The Time. They want to play as soon as you begin writing that action scene that had been pestering you for hours. They spill your coffee, hopefully not on the computer.

Halloween (aka Samhain) is in three days. Cats, especially black ones, are at the center of this day. Halloween happens to be my favorite holiday. It means decorations, candy, endless horror movies, fall baking, and honoring the dead. The religious aspect of Samhain is similar to our Memorial Day. I always have chocolate on hand for the kids who may stop by the house trick or treating. Although black cats have a reputation for being bad luck (an unfair reputation in my opinion), I have always considered them very lucky. I have been owned by three black cats – Fido, Speedy, and Mulder. Yes, I had another cat named Scully. Mulder and Scully were always together. So fitting. Black cats make wonderful companions.

So, on this National Cat Day, pick up a book that features a cat in some way. Or watch a cat-centered movie like “Bell, Book, and Candle”, which is the perfect romance for this time of year.

———

Elizabeth Black writes in a wide variety of genres including erotica, erotic romance, horror, and dark fiction. She lives on the Massachusetts coast with her husband, son, and her three cats. Her story “The Beautiful Move in Curves” appears in “Dangerous Curves Ahead”, an anthology of sexy stories about plus-sized women. Look for it at Amazon. Her new paranormal erotic shifter romance novel “Full Moon Fever” will be for sale in 2020.

Web site: http://elizabethablack.blogspot.com

Facebook: https://www.facebook.com/elizabethablack

Twitter: http://twitter.com/ElizabethABlack

Amazon Author Page: https://www.amazon.com/author/elizabethblack

Newsletter: http://eepurl.com/b76GWD

Preparing For The Publication Of A New Novel

Elizabeth Black
writes in a wide variety of genres including erotica, erotic romance, horror, and
dark fiction. She lives on the Massachusetts coast with her husband, son, and
her tuxedo cat, Lucky. Lucky needs playmates, so two kittens are in her near future. Visit her
web site, her Facebook page, and her Amazon Author Page.

This picture above is of me, doing the Happy Dance.

After two years of submitting, one of my erotic romance
novels has finally been accepted by an excellent small press. This press has
already published four of my short stories in four anthologies, so we weren’t
strangers to each other. I don’t feel comfortable naming the publisher or the
title of the book yet since the deal isn’t finalized. I need to get my
contract, sign it, and return it. I will say that I’m over the moon about this
acceptance. I sent this book to over 70 agents and all the good erotic romance
publishers. Everyone rejected it. If this particular publisher hadn’t accepted
the book, I was going to shelve it. I had nowhere else to send it, and I loathe
self-publishing. So to say I’m very thrilled is an understatement.

Now for the real work – preparing the book for publication
and preparing myself for publicizing it. I know the title has to change. Any
book with the word “Threesome” in the title will be slapped with the
“Adult” label by Amazon and other distributors and relegated to the
“Erotica” category where it will die a quick and lonely death. If any
of that sort of censorship happens, my book won’t sell because the publishers
would have hidden it from searches. My current and potential readers won’t be
able to find it.  So I need a new title.

I want my cover to be sexy but not tacky. I’m not sure I want
any oiled male torsos on the cover. I like the cover of “Fifty Shades of
Grey”. It’s subtle and hot. I’ll talk to the publisher, but I’ll trust the
pub’s suggestions as to what kind of cover will sell the book.

I’ve already decided who I’d like to write the forward for
my book, but I need to ask her first. I hope she accepts. She’s an excellent,
award-winning erotic fiction writer who’s a great seller. She’d be perfect. I
also have a list of writers I’d like to contact to write blurbs for my book.
I’ll send an ARC of the book if they need it, or I could send a PDF of several
short stories in the likely event they want to read my works first but want
something shorter.

I’ll write a press release to send out to the local
newspapers. I’ve done this before for a charity anthology, so I know how to write
it. Now to get newspapers to write about me and/or the book.

I need to set up a list of reviewers to review the book.
I’ll send it to Night Owl Romance, Manic Readers, Dawn’s Reading Nook, and The
Romance Reviews, to start. I’m not sure where else to send it at this point,
but I do have a list of review sites buried on my computer somewhere. I’m also
going to get the book set up with NetGalley. I’m a member of Broad Universe, a
networking group for women writers. Broad Universe has a very good deal set up
where I can submit my book to NetGalley for a reduced price. I’m definitely
taking advantage of that. I’ll submit the book to Publisher’s Daily anyway. You
never know. I may get a review.

I also need to set up a newsletter. I plan on sending
newsletters out monthly and at times when something unique is going on, like
the release or special sales. I need to create or pay someone to create a
newsletter header. If I can’t do it myself, I’ll ask the woman who made my
excellent covers for my two erotic fairy tales, Trouble In Thigh High Boots (erotic Puss In Boots) and Climbing Her Tower (erotic Rapunzel). I’ve
subscribed to MailChimp awhile ago, but I’m not comfortable using it yet. Then
I need to get subscribers. How do I create a “sign up for my
newsletter” link on my web site and on my Facebook timeline? I need to
figure that out. If there are easier and better newsletter programs out there,
please let me know!

I need to plan live readings. I can go to Broad Universe for
this, since that group does group readings. I need to find the local erotic
fiction audiences and give readings to them. I could go to conventions like I
do every year, but the ones I go to are for science fiction, fantasy, and
horror. Smut wouldn’t fit in, although some local SF/F cons do include erotic
works. I need to find the romance and erotica conventions. Hopefully some of
them will be nearby.

I’d like to pay for some advertising, but I’d like the
advertising to give me results. I don’t want to throw away my money. I may buy
a spot on Night Owl Reviews’ web site and magazine. The Romance Reviews has
reasonable rates for advertising. I’ve had good results there when I advertised
my two erotic fairy tales. Is GoodReads advertising a good idea? What about
Facebook sponsored ads? Any other suggestions for good places for book
advertisements?

I need to set up one or two blog tours. I’ve done these in
the past on my own and while they’re a lot of work, I liked the results. I have
my old list of contacts and I’ll contact those people again for my blog tours.

Any other suggestions of promotions I left out? I don’t want
to miss anything!

I’m very excited about this acceptance. It comes on the
heels of one of my publishers closing its doors. That pub was supposed to
publish my first family saga/thriller novel in 2016, and now I have to start
from scratch again to find it a new home. More agent queries and small press
submissions. Sigh. That closing really discouraged me as have the usual
rejections I’ve received during this period. I haven’t written a novel in over
two years. I’ve had a handful of short stories published in anthologies though,
in both erotic fiction and horror categories. So my work is out there. Just not
my long work. I have several unfinished erotic novels sitting on my computer
that I haven’t felt like touching in all this time. I was very discouraged with
my writing career, so I haven’t had the desire to write much.  Now, my mojo is back. I have a m/m erotic
werewolf novel to finish. That one is loads of fun. A food porn erotic novel
needs me.  That one has a touch of magic
in it. Then there is the m/m erotic romance set in an exotic location. It also
has a touch of food porn. The novel I sold has food porn in it. I like food
porn.  🙂

So my writing career is looking up for 2016. Here’s hoping
the publisher treats the book well (I don’t doubt it will), and my promotions
give me lots of sales. That’s what I want and need – readers to buy and read
the book. I don’t want to lose my mojo. Not now, when everything looks so good.
What a great present for the holiday season. I’m psyched!

Don't Forget the Love…

by Lucy Felthouse


There’s been a lot of negativity in the erotica/erotic romance writing world just lately. What with discussions on how “that book” has affected the industry and the market, publishers going under, sales dropping, the affect of Kindle Unlimited… the list goes on.

Because of this, I decided a positive post was in order. Yes, bad stuff is happening (and yes, some of it has affected me, and continues to do so), but I’m doing my best to stay positive and rise above it. I’m not letting it drag me down. Some people’s muses have understandably deserted them, leaving a whole bunch of writers with no output, hopefully temporarily. But it seems to have had the opposite affect on me. I’ve been driven to write more, write faster, experiment more, research other publishers, put more eggs in my self-publishing basket. Because there’s no way I’m giving up. Want to know why?

I love it.

Simple as that. I love it, and have loved it for years. I don’t make an awful lot of money from my writing. It’s increasing as I get more books out, of course, but it’s not my full-time job. Maybe it never will be. But I still won’t stop. I have tons of new stories left in me waiting to be told, characters to revisit, and, most importantly, readers that enjoy my books and look forward to reading new ones. That’s what keeps me going. That drive to write more, and those frankly awesome people that buy my books. Yes, I wish I could have a million-selling book, hit the USA Today and New York Times bestseller lists, of course I do. But in the meantime I’m going back to basics. Instead of worrying too much about what’s going to sell and what isn’t – because, let’s be honest, it’s nigh on impossible to predict, anyway – I’m just writing what I want to write, telling stories I want to tell. I just finished a novella recently, and adored every moment of writing it. It might not sell and may get awful reviews – but I’ll take it on the chin. I always do. Equally, it could be a runaway success. Only time will tell.

Either way, I won’t forget the love. So please, everyone, remember that. Remember why you write, why you’re involved in this genre and industry. Keep creating, keep going, keep loving.

We always need more positivity in this world, after all.

Lucy 


*****


Author Bio:


Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over 100
publications to her name, with many more in the pipeline. These include several
editions of Best Bondage Erotica, Best Women’s Erotica 2013 and Best Erotic
Romance 2014. Another string to her bow is editing, and she has edited and
co-edited a number of anthologies, and also edits for a small publishing house.
She owns Erotica For All, is book
editor for Cliterati, and is one eighth
of The Brit Babes. Find out more
at http://www.lucyfelthouse.co.uk.
Join her on Facebook
and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

The Cat As Muse

Elizabeth Black
writes in a wide variety of genres including erotica, erotic romance, and dark
fiction. She lives on the Massachusetts coast with her husband, son, and three
cats. Visit her web site, her Facebook
page, and her Amazon Author Page.

My last few ERWA
posts have been quite serious, so I wanted to keep things light this month.
Writers often talk about their muses, including writers whose works have
inspired them. I’ve long been inspired by Shirley Jackson, Stephen King, Joe
Lansdale, Edgar Allan Poe, Dorothy Parker, and Oscar Wilde. Writers also talk
about the support they get from their family and friends. Some have a mentor or
two. I’m fortunate enough to have a great deal of support from my husband and
my writer friends, especially on Facebook. I know that plenty of writers are
shunned by their parents, siblings, and spouses who especially don’t take
erotic fiction seriously. They want to support the writers in their midst, but
they wish they wrote “real” books. I can’t count the number of times
I’ve been looked down upon because I erotic fiction and romance. The genres get
a lot of grief they don’t deserve, especially when it comes to romance. Romance
is the most successful genre out there. It deserves more respect.

I consider pets to
be an unusual muse. Our pets are part of our families, and they give us
unconditional love. We feed them and give then a safe place to live and they
repay us by doting on us, curling into our laps, and displaying cute behavior
that turns us into puddles of delighted goo. Cats and writers seem to go
together like, well, cats and writers. Probably the most famous literary cat
lover is Ernest Hemingway, whose polydactyl cats are the stuff of legend. Edgar
Allan Poe had trained the family cat to sleep on his wife Virginia’s chest to
keep her warm since she suffered from tuberculosis. Mark Twain said “Some
people scorn a cat and think it not an essential; but the Clemens tribe are not
of these.”

Joyce Carol Oates
described the soothing calm she feels from her cat. “I
write so much because my cat sits on my lap. She purrs so I don’t want to get
up. She’s so much more calming than my husband.” Science fiction writer
Philip K. Dick wrote the following of his cat, Willis:  “Willis, my tomcat, strides silently
over the pages of that book, being important as he is, with his long golden
twitching tail. Make them understand, he says to me, that animals are really
that important right now. He says this, and then eats up all the food we had
been warming for our baby. Some cats are far too pushy. The next thing he’ll
want to do is write SF novels. I hope he does. None of them will sell.”

Neil
Gaiman, Ray Bradbury, and William S. Burroughs were owned by cats.  T. S. Elliot loved cats so much he wrote
poems about them that were turned into an award-winning, long-running
musical. 

I have
long been a cat lover, and their antics have inspired me so much I’ve included
some of my own in my fiction. Below is a picture of (from top to bottom)
Beowulf, Domino, and Scully. Domino is the matriarch. She was the first kitten
born to Oreo, whom I will talk about below. Yes, I have a cat named Scully. I
used to have a cat named Mulder but she died several years ago from kidney
failure. I like to tell people she was abducted by aliens.

My cats have
appeared in many of my stories. It’s my way of keeping them with me at all
times and making them immortal. Beowulf appeared in my short story The Party Crasher, which was published
by Scarlet Magazine in the U. K. It was one of my first published stories. One
of Beowulf’s nicknames was Mr. Fuzzyboy. Sadly, he died suddenly in January,
2015. I still miss him. This is Beowulf, showing off.

Here is the scene in
The Party Crasher when Beowulf made
his appearance. It’s Olivia’s birthday, and a man she’d been seeing (Fred) who
does not awaken her passions invited a medium to her surprise birthday party.
Madame Persephone quickly homes in on Jeremy, a friend of Olivia’s Olivia lusts
after. The resulting séance becomes quite comical.

The Party Crasher – Excerpt

Madame Persephone laced her thick
fingers together and looked around the room. She pointed to three guests,
including Fred, and asked them to take a seat at the table. She then asked
Olivia to take the seat next to her. That left one seat open.

She sniffed the air again. She
held out her hands, and her fingers danced on the air. She turned slowly, and
faced the kitchen.

“You, young man,” She
pointed to Jeremy. “I need you here. I have a strong feeling about you,
that you are especially sensitive.”

So Jeremy is “especially
sensitive” and Olivia is as thick as a rock. That made her feel just
wonderful. She doubted anything would happen during this silly séance, but she
couldn’t tell Fred to make the woman leave. Besides, the silliness could be
fun. At least the argument over Sir Paul’s divorce had finally subsided. Olivia
was afraid she was going to have to break it up, it got so heated.

“Sir –” Madame
Persephone pointed to Jeremy. “Please sit next to Olivia.” Fred
looked put out that he was not seated next to Olivia. He was between two of her
coworkers who were unable to stifle their giggling.

Madame Persephone lit the white
candles. She picked up the white sage incense, lit it, blew it out, and waved
the smoke around the table. She muttered some kind of prayer under her breath.

“We are ready,” she
said. “Someone please turn out the lights.”

One of the guests obliged. Olivia
let her eyes adjust to the dim light. Candlelight flickered on the table,
walls, and ceiling. Someone snickered in the quiet.

“All of us must be silent. I
will try to contact the spirits I sense lurking in this house. Everyone around
the table, please hold hands. Don’t break contact during the séance. That’s
very dangerous. You may trap a spirit here who doesn’t want to be here. I can’t
stress that enough.” Madame Persephone said. “Is everyone
ready?”

Olivia saw heads nod around the
table. A ripple flowed up her spine. She was a little excited about this
silliness after all. While she didn’t believe for a second that Madame
Persephone would contact any spirits, deep down she had hoped she would.

“I call to you, oh restless
spirits that may occupy this house. Speak to us,” Madame Persephone said.
She trembled, and lowered her head to her chest. She moaned. It was quite a
good show. The woman knew her stuff.

“Meeeeeeeeoooowwwww!!!!!”
Madame Persephone’s eyes bugged open. “Oh, now, Mr. Fuzzyboy, you behave
yourself.” She looked at Olivia. “My apologies. That was my spirit
guide, Mr. Fuzzyboy, making an ass of himself. He likes to show up at my
séances just to get noisy. He demands a lot of attention, and wants to talk
through me. He probably wants a treat.” Olivia realized that Mr. Fuzzyboy
sounded a lot like Fred, who was just as demanding and wanted treats for his
performances as well.

Madame Persephone closed her
eyes, and continued speaking. “Mr. Fuzzyboy, now is not the time. We can
play later.” She giggled. “Yes, I’ll get your catnip toy when I get
home.”

She rocked back and forth in her
chair, and hummed in a low voice. Glenda, one of Olivia’s coworkers, giggled.
Olivia heard someone kick Glenda under the table.

Madame Persephone bolted upright
in her chair, and stared at Olivia.

“My dear, there is someone
here who wants to speak to you.”

Olivia stared back. “Me?
Who?”

“It’s a man – definitely a
man, but he won’t tell me his name. He’s asking… what, sir?” She jerked in
her seat as if offended. “I most certainly will not ask her that, sir, not in mixed company.”

What on earth could this be about, Olivia wondered.

“How rude! Seriously, sir,
do you take me for a fool?”

“What does he want to ask
me?” Olivia asked.

“I can’t repeat what he
said. It’s… crude.”

“This sounds like fun,”
Jeremy said. Olivia pinched his hand.

“Say it anyway. I’m
curious.” Olivia insisted.

Madame Persephone squirmed in her
seat. “He wants to know if he can stick his finger in your bellybutton and
tickle you.”

Everyone laughed.

Olivia could do nothing but sit
there with her mouth hanging open. A flush rose from her chest and warmed her
face. She thanked God that in the candlelight, no one could see her blushing.

“You are ticklish in your
belly button, Olivia.”

“Shut up, Fred.” Olivia
said. To Madame Persephone, she said: “Please tell him I said ‘no.'”

“That’s what I thought you’d
say.” Madame Persephone was silent for a few seconds. “Sir, if she
won’t let you stick your finger in her belly button, I seriously doubt she
would let you do that.”

I don’t want to know, thought Olivia. Her heart jumped in her chest. She glanced
at Jeremy, who fought off laughter by biting his lower lip. Olivia felt
mortified.

Who the heck is that woman talking to?

Below is a picture of Lucky, our tuxedo cat. He’s about 12 years
old now and still acts like a kitten. He’s the most personable cat I’ve ever
met. He made a brief appearance in my short story The Wandering Cat.

Below is an excerpt
from my short erotic story The Wandering
Cat
, which was originally published by eXcessica. It’s out of print now.
Oreo the cat is based on my late cat also named Oreo, who had a penchant for
clawing her way out of the house. She loved to wander around Rockport,
Massachusetts, where I live. She looked like Sylvester from the Loony Tunes cartoons.
The picture is of Oreo with her tongue sticking out, as it often did. I swear
that cat’s tongue was too big for her head. As you can see, Beowulf made an
appearance in this story, too. He got around. So did Lucky, who is also in the
story.

The Wandering Cat – Excerpt

“Oreo! It’s chow time!”

Cat refilled the cat food bowl and the water
bowl. Beowulf and Lucky ran to see their new chow, but Oreo was nowhere to be
seen. That was unlike her.

Worried, Cat turned the house upside down.
She looked behind the bed, in the closets, and under the couch. No cat. There
was only one other place where Oreo could be, and that was sitting on her
window bench.

The large Gothic window was open. No cat sat
on the plush window bench. Cat took a closer look at the window, and saw that
the screen had been clawed. There was a hole in the screen big enough for a cat
to climb through.

Great. Oreo got out again.

Cat put on her sandals and walked outside.
She saw cat paw prints in the damp earth, and followed them through her back
yard. They ended at the fence marking Lance Hendry’s back yard.

Her heart raced. Would Oreo give her an
excuse to say something to Lance other than “Hello, how’s the
weather?” She fantasized about his scrumptious body every night. What
would his arms feel like as they wrapped around her? She wished she could
summon up the courage to say more to him than a few quick words.

Oreo gave her that chance.

She walked into his back yard. Peter
Gabriel’s music played from somewhere inside, making Cat’s heart beat all the
faster. Not only was Lance home, he was another Peter Gabriel fan.

She knocked on the back door. Her fingers
sounded muffled against the hard wood. How could he hear her over the music?
After a minute of knocking on the door, she backed up.

A Gothic window was open on the second floor.
She hoped he was up there. She felt like the rebuttal to Rapunzel. The damsel
stood below the enchanted window, and wished her man would appear in it.

“Lance? Are you there?”

No answer.

“Lance!”

A head with rumpled hair and a broad set of
shoulders leaned out of the window. He wasn’t wearing a shirt. Cat took a good
look at his muscular chest and the black hair that covered it. She didn’t know
when she would get a gorgeous sight like that again.

“Hi. What’s up?”

“Have you seen my cat? Oreo? The little
black and white one?”

“The one that always gets out? No,
haven’t seen her.”

“Oh. Thanks.” She was too shy to
ask him any more questions. Muscle up
some courage, girl! Ask him how he’s doing. Something. Anything! Talk to him!

“Would you like some help looking for
her?”

“I’d love it!” Cat was so excited
over getting to spend some time with Lance that her knees knocked. What would
she say to him? For once in her life, she was speechless. Would she be able to
make enough small talk to keep him interested in her?

“Stay put. I’ll be down in a
minute.”

He came outside wearing a button-down
short-sleeved shirt, shorts, and sandals. His shock of black hair looked as if
he hadn’t combed it in several days. That was the new fashion for young men
these days. Cat was ten years Lance’s senior, but she didn’t care. Maybe today
she’s win on two counts – they’d find her cat, and she’d gain a lover.

“What’s your name again?”

“It’s Cat. Short for Catherine.”

“Cat is looking for her cat?”

She laughed. “Yes, she sure is.”

“How long has Oreo been missing?”

“I don’t know. She didn’t come when I
refilled the food bowl, and she clawed through the screen window again. I’m
scared. I hope she’s okay.”

“I’m sure she is. She gets out often
enough. Have you looked around outside yet?”

“I’m just starting now. Want to come
with me?” Please say yes! Please say
yes!

“I’d love to. I’ve wanted to get to know
you better anyway.”

Cat’s stomach did The Happy Dance. She felt
light-headed and giddy. Lance wants to
get to know me better! All thanks to Oreo.

Below is an excerpt
from my upcoming family saga/thriller novel Secrets
and Lies
, which will be published by Eldritch Press in 2016. Kate Stanwood
is my main character. Her cat Koala is based on a Snowshoe cat that owned me,
also named Koala. Snowshoes are a mix between Siamese and domestic shorthairs.
They have white paws called “boots”,  hence the name. Koala was so smart he was
scary. My husband Bill (at the time we were dating) used to live next door to
me. Sometimes Koala would sometimes get himself locked out of the house at night.
So, he’d go over to Bill’s house. Bill often stayed up late. Koala would meow
loudly until Bill came outside, and the cat would then run to my front door and
meow to be let in.  Bill would let him
in, and all would be well in the world. Koala used to do the exact same thing
to me that he is doing to Kate at stupid o’clock in the morning. The picture is
of Koala on the left and Oreo on the right. They were inseparable.

Secrets and Lies – Excerpt

Meow!!!

Kate snapped awake. She always snapped awake
at the slightest sound. She was lying on her back. Koala stared at her from his
perch on the headboard, which was designed like a bookcase.  She glared at him. He stared back and mewed.

I am
not getting up just to top off your food bowl,
she thought. Koala meowed at her again. He
looked at her with that “Get up and feed me now
expression on his cherubic little Snowshoe face. He stood and stretched. He
looked at all the books stacked in a pile next to him.  The stack teetered precariously over Kate’s
head. She knew what was coming.

She slowly reached for the water bottle
behind her on the bookcase. Koala froze, one paw touching the spine of a thick
hardback that was already threatening to tip over onto her face. She held the
bottle between forefinger and thumb in full view of the cat. He knew what was
coming, too. As if that would stop the little furball.

You
knock that book over on my head, cat, and you’re Vietnamese food in a few
hours.
Koala tapped the book. Kate shook the bottle.
The cat’s eyes widened. He jumped off of the headboard and landed between Kate
and Ian, who slept through it all. He always slept through the nighttime
follies. The bed could fall through the floor and he’d sleep through it.

Koala used Ian’s shoulders as a springboard
and vaulted off of the bed. Ian said “Oof!” and rolled onto his back.
The snoring started almost immediately. Kate sighed and pushed him onto his
side. His snoring rivaled the foghorn at the end of the Cove.

She glanced at the clock: 4:51 a.m. She was
wide awake. She hated it when she woke up too early, which had always been a
bad habit of hers. Thank God she didn’t have to go to work, even though it was
a Tuesday. She could sleep through late morning once she became tired again.

She rolled out of bed and walked into the
upstairs kitchen. Koala followed her, mewing at her ankles, until she picked up
his food bowl, shook it, and placed it back onto the floor. That cat hated
eating anything that he knew had another cat’s spit on it, so she shook the
bowl until fresher contents reached the surface. Satisfied, he ate with gusto.
What a pain in the butt, but she’d never give him up for anything.

I don’t know what I
would do if I didn’t have my cats to keep me company and inspire me while I
write. They’re so important to me they’ve become a part of my fiction. Do you
have pets that inspire you to write? Do you cater to your dogs, or are you
owned by cats? Do you have unusual animals around you, like Flannery O’Connor
and her peacocks? I believe animals make some of the best muses, and they don’t
ask for anything in return but attention, food, and a place to sleep (often on
you). They are the ultimate givers of unconditional love. I wouldn’t part with
my cats for anything in the world, and I’ve immortalized them in my fiction.

If you’d like to
read my erotic fiction, feel free to visit my Elizabeth Black Amazon
Author Page
. If you’d like to take a look at my darker stuff, visit my E. A. Black Amazon Author Page.

Summoning the Muse

 

Hesiod et la Muse by Gustave Moreau (1891)

By Lisabet Sarai

When I was younger, I was bound to Erato, the muse of erotic poetry —and occasionally Polyhymnia, who governs sacred verse. Producing poetry was as natural as breathing. Any powerful emotion could trigger the urge to set pen to paper and capture the moment, but most of my poems dealt with love and sex.

I didn’t think about them. I would simply sit down, and they happened. Here’s an example, from 1979:

Lemming
Is is tides, stars?
This wordless urge
timed to the night,
cyclic surge
like circadian clocks?
Ages old,
pure and irrational—
whiskers twitch,
eyes widen,
skin quivers,
shadow caress
materialized
out of telephone wires
and strange desires
crystallize
over two thousand miles.
Volatile,
visceral,
ancient, amoral,
crazy chemicals
burning and blind,
making me wild.
My mind
protests.
The wires whisper
“mine”
“no choice”
and reasons whither,
helpless, limp
as I hurl myself
from the Santa Cruz cliffs.

In general, these poems didn’t follow any rules. They had no formal structure, though they chime with alliteration and internal rhyme. They were pure expressions of the need, lust, confusion and joy that swirled inside me.

After I married, the flood of poems mostly dried up. I think this was largely due to a deficit of erotic angst. I was fulfilled, happy, busy with real world adventures. I had neither the leisure nor the motivation for poetic introspection.

In the last few years, though, I’ve started creating new poems, in response to Ashley Lister’s monthly writing exercise on this blog. In case you’re not aware of this feature, on the 6th of each month, Ash explains and gives examples of a different poetic form, then challenges readers to produce their own instances. Curious to see if I still had Erato’s attention, I’ve tried my hand.

Here’s a piece from 2013, a form called a quatern.

The Line

The line between delight and pain
you’re teaching me to tread. Again
your leather licks along my spine,
your fingers in my hair entwine,

your blades their bloody trails incise;
the line between delight and pain
grows blurry as you kiss my eyes
and dive for pearls between my thighs,

splayed and shackled. Now your cane
paints ruddy stripes across my flesh,
the line between delight and pain:
ecstatic, luminous, insane.

With blood and tears, with spunk and sweat
you baptize me. Appalled and wet
I teeter on the edge again,
the line between delight and pain.

Very different, indeed, though I’m still dealing with the same themes. The experience of writing these new poems is radically different as well. This verse doesn’t well up naturally. It must be coaxed, massaged, manipulated. Craft dominates inspiration. And yet, the final results still surprise me with their ability to evoke emotion.

A similar transition has occurred in my prose. I’ve written in the past about losing my innocence as I gained experience as an author. Like many first erotic novels, my Raw Silk represented an outpouring of very personal fantasies. My characters’ passions closely mirrored my own. Blissfully unaware of genre constraints, I let my imagination flow uncensored onto the page. I wrote to arouse myself, first and foremost, not for an audience. Yet that novel remains my most popular, largely, I believe, because of its authenticity.

Certainly it’s not the writing that’s responsible for its five star reviews. I cringe a bit when I reread the book, noticing the excess adverbs, the overly long sentences, the repetition and the stilted dialogue. Nevertheless, readers respond (I believe) to the erotic energy in the tale, the confessional tone and the realistic emotions (realistic because they were my own).

Over the years (sixteen now!), my work has become less naive, more conscious, and more polished. Though it’s abundantly clear that most readers couldn’t care less about style and craft, I get personal satisfaction knowing that my recent books are far better written than my early ones. I’m still wistful, though, remembering the days when I wrote without thinking about markets, reader expectations and word count—when I wrote whatever turned me on, regardless of how raw or transgressive or over-the-top it might be. These days it’s nearly impossible for me muster that electric thrill that propelled me through 80K+ words in six months.

Perhaps in compensation for lost spontaneity, however, I’ve gained a measure of control. At this point in my career, I can decide when I start how I want a story to unfold, and much of the time, the results will closely match my intentions. I’m not waiting for the muse to tap me on the shoulder. Lately, I find I can often summon her at will. I can place my order with her—a story of roughly N words, with such-and-such a tone, aimed at a specific theme, with a desired level of sexual intensity—then let her take over.

Some of my favorite stories in recent years—“Fleshpot”, “The First Stone”, and “The Last Amanuensis” in particular come to mind—so perfectly fit the images I had for them before I began that it feels like magic. They are exactly the stories I wanted to write. And despite my comments above about writing being a more conscious and deliberate process now, I’m really not sure how that happened. Of course, that’s the nature of expertise; you internalize the skills until they are more or less automatic. You set yourself a goal, then let your inner knowledge move you in that direction.

With poetry or prose, I am no longer the mad, magic-inspired oracle I used to be. Perhaps, though, I am more of an artist.

Now I’m facing a fascinating dilemma. I’ve agreed to edit and expand Raw Silk for re-release. At last I’ll be able to fix all the awkwardness in the prose, all the overwriting. But in the process of editing, will I lose the spark? I’m not the same person I was when I wrote the novel. For better or worse, I’ve changed. Can I preserve the heat and authenticity, especially in the new chapters?

I’ll summon the muse to work with me. I expect to need all the help I can get.

Hot Chilli Erotica

Hot Chilli Erotica

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