psychology

Filtering Our Lives

By K D Grace

I’ve been thinking about filters lately, going through one of my periodic stages of resenting smart phones, social

networking and all things techno. That may well be in part because I’ve only ever managed to master what it takes to survive in that online world. I’m a klutz on my best days. But sometimes I’m an angry luddite wannabe, who grumbles incessantly while I bury my nose in my kindle to lose myself in a good book … Oh the neuroses of my life!

When I’m lost in the world of navel gazing and trying to connect to what matters without losing myself in the detritus and the trivia of a world online, I often find myself thinking about the filters we live our lives through, and what being once removed from everything, while at the same time up close and personal with the whole world and all the information in it means to us as a civilization – to me as an individual.

I can go online and hear the background microwaves that are the remnants of the Big Bang, the beginning of the universe. I have done, have listened over and over with goose bumps crawling up my arms.

I can go to FaceBook or Twitter and have meaningful conversations with friends all over the world, people I’ve never met physically and yet I’ve connected with  and feel somehow a kin to.

I can keep up on films and stars and gossip, I can join any group, be a fan girl, talk trash, be a part of any organisation with any cause imaginable – political, religious, medical, physical, magical, practical, any hobby, any sport, any obsession. It’s all there. All I have to do is log on. Easy.  

When we were in Dubrovnik over Christmas last year, we found ourselves in a random café for lunch one day. The cafes that were open in the dead of winter were happy for customers, and when we arrived, we were the only ones there. About halfway through the meal a young man came in, eyes glued to his smart phone. He asked us if we’d read the reviews for this particular café. We said no, we’d just dropped in. The food was lovely. We had a local beer, local specialties, and the owners of the restaurant were friendly, and patient with us as we practiced our rusty Croatian on them. Meanwhile the man ordered without looking at the waitress, ate without looking at the food, all the time lost in communion with his phone. We left him that way.

Back out on the streets, after a wonderful walk in the sunshine around the medieval city wall, we stopped for coffee and once again were astounded by the number of tourists gripped by their phones even as they walked, obliviously, down the main street of the Jewel of the Adriatic, the sea the colour of sapphire and the sky a shade darker still, contrasting with the red tile roofs.

A few weeks ago we went out for lunch and observed three very lovely young women who came in and sat down at a near-by table, again completely caught up in whatever was happening on their phones. They barely spoke to each other during the course of their meal and never put their devices down.

I recently received an email from a friend of mine in the States, and I was saddened when the rather extensive epistle was all about what series she was now watching on telly. I know for a fact this woman used to be a librarian. We used to spend our time talking about books.

All of these events, and lots of others leave me slightly queasy, even as I sit here writing this blog post, hoping that a lot of people will go online to the ERWA blog and read it. It’s the filters that leave me feeling this way. They leave me wondering about our connection with the real world, about MY connections with the real world. I wonder if we’re now more connected, and I just don’t ‘get it’, or are we less connected because we’re joined at the hip with our devices. I’m guessing it’s probably a combination of the two.

The world I live in is totally dominated by the technology my profession depends upon. The first thing I do in the morning is get up my laptop and see what I missed over night. I do what I need to do for PR on twitter and facebook, I see what I need to do for the rest of the day, and some days that involves a good deal of being online and interacting with social media. Don’t get me wrong, I’m very happy that I have some control over the promotion and sales of my books, no matter how little that may be. The feel that I’m at least doing something is worth a lot, even if it is at times only the placebo affect. In a time when publishing is entering the strange new world of self-pub, when the gatekeepers are no longer the guardians of all things literary, when the gates are quite literally wide open, I see how important it is to be present online. But I fear very much that being present online often costs me the simple pleasure of just being present.

On the 21st, I launched the latest of my novels as Grace Marshall, Interviewing Wade. That meant a great deal of my time the last two weeks and through the weekend was spent online or if not online at least writing blog posts and preparing for the launch. In the glorious sunshine of Sunday, the 22nd, my head was full of reviews and posts and tweets and status updates. When I realized, at last, that it was dinnertime, I went into the darkened kitchen to reheat the pasta from lunch and discovered something truly amazing. Through the kitchen window, I had the most exquisite view of the thinnest sliver of a new moon in conjunction with brilliant Venus, and for a few minutes there was the added pleasure of red Mars just about to sink below the rooftops of the neighboring houses. I was stunned. I couldn’t take my eyes off what I saw. I reached for the binoculars for a closer look

The moon was illuminated with earthshine and, through the binoculars, the darkened areas were visible with the brilliance of the sunlit crescent making the whole look almost dark purple, huge and 3D. As I tried to focus on the bright smudge of Venus, my heart beat kept jarring the binoculars, so I couldn’t resolve the phase, but I’m sure it was as close to full as Venus ever gets.

Venus is always in phase. How amazing is that! We never see the full face of Venus because it’s in between us and the sun, and it’s only full when it’s on the far side of the sun from us – something that’s only true with the inner two planets. Mars dipped quickly and was gone, but I stood for ages, trying to hold my breath and brace my elbows so I could look. But no matter how hard I tried, Venus constantly quivered through the binoculars with the steady beat, beat, beat of my pulse. I shifted back and forth between the shiver of Venus and the pock marked darkened surface of the moon with its crescent of brilliance at the bottom edge. When my arms got tired of holding the binoculars, still I stood.

It was one of those rare moments of being in focus, of standing with nothing in between me and my little sliver of the universe; experiencing a moment, one raw, naked, aching moment without anything in between me and my heart. That tiny shred of time felt like skin freshly formed over an abrasion.  And I wanted to stay there forever in that little sliver of the present with nothing in between.

I couldn’t, of course. The moon set, and I had work to do. It occurred to me as I nuked dinner, that even that incredible few minutes of focus were filtered, brought closer through the lens of my binoculars. We’ve been filtering our world for probably as long as we’ve walked upright. Perhaps we can only be safe in – and from our little slice of the universe when we filter it, analyze it, look at it through eyes – and heart — well protected.

 The next morning, online, there were more images of Venus and the New Moon in conjunction than I had time to look at. I was far from the only one bringing that moment into myself through filters that helped make sense of it, helped make it personal and, clearly, I was far from the only person needing to share it. Somehow that makes the world community seem just a little bit smaller, just a little bit closer. Somehow that makes the filtering of my universe and all the contradictions that involves set just a little bit easier in my mind. That and the knowing at least for a little while that earthshine, that sliver of moonlight, that conjunction with bright Venus was mine. All mine.

Billionaire Lurve

K D Grace

I’m guessing no one reading this blog has any doubt whatsoever why I’ve been writing a lot about billionaires the past two weeks. I’ve written a billionaire post for the Brit Babes blog and for my own and, since the Big B is a timely subject right now, I thought that for my monthly ERWA post, I would try to summarise why I think billionaire romance is so appealing.

The billionaire romance is loved and loathed far and wide. Though it’s always been a huge part of the romance cannon, it burst onto center stage in all its glitz and glam with Fifty Shades of Grey, and since 50SoG, the number of novels, novellas and stories available with the word ‘billionaire’ in the title is boggling.

It’s safe to expect the number of billionaire novels to skyrocket yet again with the Fifty Shades of Grey film due out on Valentine’s Day. That being the case, I found myself wondering the other day while I was doing the ironing just what it is about billionaires that we find so appealing.

OK, I suppose that sounds like a stupid question. People are always curious about how the other half (or in this case less than 1%) live. That’s only natural. And who hasn’t fantasized about how their lives would be different if they won the lottery or a long lost relative died and left them with a fortune? So here are just a few of the reasons I think billionaire romances appeal to readers so much.

THE MYTHOLOGY: BILLIONAIRES AS GODS:

In the secular modern world where the belief in magic, monsters, demons and gods is pretty much reserved for us paranormal fans, I would like to suggest that the realm of the billionaire romance is mythology and magic for contemporary romance readers.

As with the gods of mythology, the rules don’t apply to billionaires. Wealth and power allow billionaires to do the seemingly impossible, wining and dining the objects of their lust and sweeping them away to the proverbial Mount Olympus in their helicopter or private jet. Zeus seduced Leda in the form of a swan. Eros rescued the bound Psyche and swept her away to his glorious palace to live in incredible splendor. All sorts of magic and miracles can be performed with wealth and power, and who better to perform such feats than a sexy, brooding billionaire?

The general theme in billionaire stories is that the billionaire, like the gods of old, becomes obsessed by a mere mortal, an ordinary person living an ordinary life. The billionaire then sets about seducing the object of his or her obsession with whatever magic or miracle money and power can buy. In billionaire romances, the billionaire is no more willing to take ‘no’ for an answer than Zeus himself was.

THE PARANORMAL BILLIONAIRE

I would like to suggest that the reverse is also true. Money and power are the billionaire’s equivalent to fangs, claws and magic. Our love of vampires, werewolves, angels and demons and all things paranormal is just a different twist on the billionaire romance. With fangs and claws and magic, the rules no longer apply, and when the rules no longer apply, the situation changes drastically.

THE RULES DON’T APPLY

If money is no issue, then the rules that apply to most of us can be bent and broken. And who doesn’t fantasize from time to time about being able to break the rules without consequence? While money may not be able to buy love, it can certainly buy sexual satisfaction in more than fifty shades and way more colours than gray. There’s something very edgy and exciting about the idea of buying sexual control over another person. It’s a Dom/sub relationship based on wealth. When we live in an age when money is power and money is control, it’s not surprising that money is also very sexy. Neither is it surprising that many of our fantasies involve ‘being bought’ in some way.

THE FREEDOM

Billionaires don’t have the financial constraints the rest of us constantly live with. If a billionaire can buy it, he or she can have it. Helicopters, jets, palatial mansions in south France, yachts the size of the QE2, a private island in the Med — all just an afternoon’s shopping spree. There’s something very appealing about the freedom that money buys, which leads me to my next point.

LIVING THE LIFE

The typical billionaire story involves a billionaire loving or at least lusting for someone who is very average. Again

the connection between the contemporary billionaire romance and the myths of gods seducing mortals is strong. And while we read that story, we fantasize ourselves right into that role. We become the character who is wined and dined, whisked away in the private jet and shopped for by a very exclusive personal shopper. In essence, we get one helluva makeover, readying us to walk in the rarified air of the billionaire’s world. It’s the luxury and adventure of our fantasies along with the hot nasty steamy sex of said fantasies.

THE LOOK

In billionaire novels the polished, airbrushed look of wealth is associated with the look or our dream guy or girl. We want our billionaires to conform to our personal fantasies of what sexy and rich look like, and it’s amazing, though not surprising, how often the two go hand in hand. If we’re going to have a fantasy man, he might as well look good AND be rich. And of course, he will lust obsessively after US! It’s gods and mortals getting nasty all over again.

SUFFERING BILLIONAIRES

Perhaps one of the big differences between the gods and mortals and the billionaires analogy is that our billionaire must suffer. No silver spoons in these stories. Our billionaires must have suffered tragedy and loss, been raised by crack whores, lost a loved one, had an abusive childhood, secretly suffer from self-doubt, self-loathing, horrible nightmares, think themselves unworthy of love. In the eyes of readers, there has to be a cost for wealth. Most of us can’t really imagine what it’s like to have that much money and power. If we’re being honest, we resent the hell out of people we feel have it but don’t deserve it. We find it gratifying to know that, yes, the wealthy really do put their pants on the same way the rest of us do, and they don’t get off without suffering. We need to see that suffering to make that love connection.

SALVATION IS AT HAND

Enter the love interest, just your ordinary girl/guy (insert your own name here) whose soul purpose in the story, as in all love stories, is to rescue the hero from himself, lift him above his self-doubts and heal him. The heroine’s job is to aid the wounded hero, even if he’s a surly billionaire, in becoming a better person, and lead him/her to a shared HEA. There’s something very satisfying about a billionaire who has everything, but is totally lost and impoverished until the love of his life saves him and brings him true love.

BALANCE OF POWER

It’s essential to the story that the love interest has something to offer to the billionaire that he needs, craves, can’t buy with his money. No one really wants to read a story about two perfect billionaires falling in love with each other in their perfect billionaire world. I’m convinced the billionaire story works because if offers the non-billionaire reader a balance of power. There’s something outrageously satisfying about an ordinary person having exactly what a billionaire needs, but can’t buy, what a billionaire is willing to give up all his/her wealth to have. The HEA in a billionaire story is the balance of power that happens when the billionaire and the ordinary heroine come to a state of equilibrium that allows love. Because the contrast in the beginning is so great, the achievement of this

balance of power can be spectacular to watch. And the HEA can be very satisfying because of that contrast.

In mythology, I’ve always been particularly fond of the stories in which the mortals, one way or another, infiltrate the realm of the gods. These days the distance between the very wealthy and the average person seems as great as the distance between the shepherd in his field and the heights of Mount Olympus. Divinity and magical powers are replaced with all things money can buy, which is a helluva lot if you have enough of it.

The billionaire romance affords the reader a visit to heaven, or to Mount Olympus or to paradise – chose one. We are transported to a place, which we can only otherwise go in our fantasies. We go to the penthouse and the palatial mansion right along with the billionaire’s lover. We become the billionaire’s lover – his Psyche, his Leda, his Persephone, his Anastasia Steele, and we visit the realm of the gods – a place where we don’t belong, but we want to. So, along with the heroine of the story, we have to find a way to stay there in paradise with our billionaire.

The moral of the story may well be that billionaires need love too, but I think it’s more likely that the moral of the story is the gods are alive and well and living in their penthouse apartments. Just ask Christian Grey and Anastasia Steele.

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