the writing process

When Characters Talk To You

How alive are your characters for you? Do you have conversations with them? Do they tell you what they want to do in a story, even if it’s not something you had in mind for them?

Do you hear your characters when they talk?

I recently read an article that talked about how many authors in fact do hear their characters speak to them. According to researchers at Durham University who teamed up with the Guardian and the Edinburgh international book festival, sixty-three per cent [of respondents] said they heard their characters speak while writing, with 61% reporting characters were capable of acting independently.”181 authors were interviewed.

This finding was of great interest to me since I hear my characters voices when they talk to me. Some are quiet while others are quite loud. As my readers know, I write sexy retellings of fairy tales. Tita, my Puss In Boots in my novella “Trouble In Thigh High Boots” has a deep, sonorous voice. She purrs. Obviously, she does. She’s a cat shifter. Rapunzel in my novella “Climbing Her Tower” has a higher, wispier voice. She also speaks quicker than Tita. Both of these characters have told me when they were unhappy with the direction of a plot. They also told me what turns them on the most so I could give them the best experiences. These two are very open, honest, and straightforward – qualities I admire.

I asked writers on Facebook their experiences with their characters voices. Everyone’s experience is different, but all have a camaraderie with their characters. Some fight. Some don’t. Some take the plot in a direction the author had not originally considered. Some play the “You should be writing” card. Here are a few responses.

Christiane Knight – “Mine talk to me and occasionally have taken the plot in very different directions than I’d planned.”

Terri Bruce – “LOL – I not only hear them, but it’s kind of like they take me over at times. I’ll be in the shower or driving and realize suddenly that I’m talking OUT LOUD, saying the dialog I’m picturing in my head (the scene starts playing like a little movie in my head but it’s always in first person – I’m the characters (lol all of them) in the scene/seeing the scene from their POV – rather than third person). My husband often catches me doing this (it’s happened in a restaurant while sitting across from him a few times) and he’s like “um, honey, your lips are moving. You’re talking to yourself. What is happening?????” LOLOLOL!”

Phoenix Johnson – “Some of mine are total arseholes lol they try to fight me, can be exhausting!”

Colleen Markley – “My protagonist is sitting on my newly cleaned counter now, swinging her feet against the cabinet. Her heels bang the wood. “You need to stop playing house and get serious,” she tells me. “You can’t finish a novel if you’re not serious. You’re just shy of 90,000 words and you still need to finish act two. Your pacing is off and you need to fix it.” She pauses her feet and stops speaking for a moment as she looks at me. “You’re so close.”

Jenise Aminoff – “My characters all have distinct voices, and some of them ARGUE with me.”

Jacques Gerard – ” Yes, I do hear my character’s voices and would love to be included in your blog. I just finished an erotic short story. It has a lady DJ doing a podcast. Her voice is low and velvety. Her male lover who calls into her show has a deep baritone voice and sounds like Barry White.”

So writers, do your characters talk to you? Boss you around? Plead with you? If so, know you’re not alone.

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Elizabeth Black writes in a wide variety of genres including erotica, erotic romance, horror, and dark fiction. She lives on the Massachusetts coast with her husband, son, and her two cats. Her LGBTQ paranormal erotic shifter romance novel “Full Moon Fever” is now available for purchase at Amazon and other book distributors. Her collection of erotic fairy tales, “Happily Ever After: Twisted Versions of Your Favorite Fairy Tales”, is also available at Amazon.

Web site: http://elizabethablack.blogspot.com

Facebook: https://www.facebook.com/elizabethablack

Twitter: http://twitter.com/ElizabethABlack

Amazon Author Page: https://www.amazon.com/author/elizabethblack

Newsletter: http://eepurl.com/b76GWD

Writing Rituals

Do you have writing rituals? Are there things you do that may be considered superstitious that help you keep the muse happy? I have theater experience, and the theater is chock full of superstitious. Don’t whistle on stage. Beware performances of “Macbeth” because they are bad luck. Wish an actor to “break a leg” before a performance.

Writers are not much different. I have a few writing rituals I follow regularly. I own a talisman for poets and writers that I wear when I’m writing. It gives me confidence. I also enjoy a glass of champagne after I finish a work. When I get an acceptance, I enjoy a glass of champagne. When I get a rejection, I also enjoy a glass of champagne to stay inspired. Maybe I just like drinking champagne.

I knew of famous writers who had writing rituals. The article, “Writing Rituals: Superstition or Productivity”, published at Neiman Storyboard, detailed some of these peculiar rituals. Here are examples:

Gay Talese – According to legend, he pinned his pages to the wall of his office, and then he’d study them through binoculars to study them.

John Steinbeck – When working on “East of Eden”, he wrote daily to his editor. He also sharpened 12 pencils through an electric pencil sharpener, with one point lasting one page.

James Joyce – He wrote in bed while wearing a long white coat. He also marked up his notebooks with crayon for “Ulysses”.

Truman Capote – Left three and only three cigarette butts in his ashtray.

Honoré de Balzac – Drank lots of coffee to stay alert and keep writing.

Colette – Picked fleas off her cat before she wrote.

Robert Frost – Wrote only at night.

Marcel Proust – Lined his bedroom where he wrote with corkboard to dull sound. He also blocked light with heavy curtains so he wouldn’t be distracted.

J. D. Salinger – As a teen, he wrote beneath his bedsheets at night using a flashlight.

Charles Dickens, Henry James, and Virginia Woolf – hiked in the countryside as inspiration.

Alexandre Dumas – Wrote poetry on yellow paper, articles on pink paper, and novels on blue paper.

Langston Hughes – Wrote letters in bright green ink.

Margaret Atwood – Liked writing on planes.

Why would writers engage in such superstitious behavior? Maybe because every little bit helps. I take notes with a special pen. It’s soothing to me. Rituals are important in creative endeavors. They help to keep one focused. They help give confidence. They relieve anxiety. They make you feel at one with other writers as you learn about their own idiosyncrasies. Writers – and creative people in general – often display odd behavior, but there’s nothing bad or weird about it. If lighting incense and sharpening a dozen pencils help writers write, more power to them.

———

Elizabeth Black writes in a wide variety of genres including erotica, erotic romance, horror, and dark fiction. She lives on the Massachusetts coast with her husband, son, and her three cats. Her LGBTQ paranormal erotic shifter romance novel “Full Moon Fever” is now available for purchase at Amazon and other book distributors. Her collection of erotic fairy tales, “Happily Ever After: Twisted Versions of Your Favorite Fairy Tales”, is also available at Amazon.

Web site: http://elizabethablack.blogspot.com

Facebook: https://www.facebook.com/elizabethablack

Twitter: http://twitter.com/ElizabethABlack

Amazon Author Page: https://www.amazon.com/author/elizabethblack

Newsletter: http://eepurl.com/b76GWD

 

 

 

 

The Elephant In The Living Room – COVID-19

It’s been hard to write with the elephant standing in the living room, staring me down.

I’m talking about COVID-19.

I’m fortunate in that not much has changed in my household. My husband and son are both essential workers so abject fear from unemployment is not an issue for us. Although my husband was moved from 3rd to 2nd shift and he has a lower pay rate because of it, we aren’t hurting for money. We have very little debt – a car payment and that’s it. The credit cards are paid off. There is money in the bank. We are healthy. I know how fortunate we are.

Even though not much has changed for us, I still feel the stress of the pandemic. There are lines at the grocery store. The marijuana dispensaries were closed until this week. We must wear masks in the common areas of the apartment complex and outdoors. Everyone is social distancing, although my husband thinks more accurate wordage is physical distancing. Social distancing implies something like shutting down your Facebook account temporarily because you’re stressing out from all the depressing political and pandemic talk. Physical distancing is more accurate and descriptive, but everyone knows what social distancing means.

I haven’t been able to write much of anything except for some blog posts for my blog tour for my new LGBTQ paranormal romance novel “Full Moon Fever”. I need to work on my horror novel “Hell Time”, but the desire simply isn’t there. I’m having very strange dreams. Not nightmares. Just dreams. I’m having trouble sleeping. I’m sure other people including writers are experiencing much the same. It helps to have someone to talk to about all of it.

While I haven’t been writing, I’ve been reading. I just finished the first book in J. R. Ward’s Black Dagger Brotherhood series. It was good, but I thought the names of the vampires were silly. Rhage? Wrath? Zsadist? Seriously? The book held my attention, though, and I did enjoy it. I wanted to read the top best seller in the paranormal romance category, and that’s the book series that came up first. Now I’m reading a non-fiction book about feminism by Dr. Phyllis Chesler. I want escapism. So do some readers. Readers I’ve talked to aren’t interested in dystopian stories, especially those about pandemics. I do know of some people reading Stephen King’s “The Stand”, but most want something a bit more cheerful and uplifting. I had thought about rereleasing my novelette “Roughing It”. but it’s about a pandemic so I’ve decided against it. I also need to rewrite that story, and lengthen it to novel length. It’s too short.

I’m also watching TV. My husband and I are binge-watching “House M. D.”. I’ve never seen the show before. All I knew about it was that Hugh Laurie, who plays Dr. Gregory House, is British and can do a mean American accent. I also knew it was a medical drama. This show is damned good! We’re also binge-watching “Midsomer Murders”. I love that show. It’s whimsical and funny – just what I need to cheer up my somber mood.

I’m not going to pressure myself to write before I’m ready. I may reread “Hell Time” and see where I stand. The book is almost finished. I need to finish it. I also have an idea for a new contemporary romance/women’s fiction story. It’ll be a bit of a fish-out-of-water story about a woman who moves from the Big City (Boston) to my small island community Caleb’s Woe for the summer while researching a set of old photographs she found from film in a very old camera. She wants to locate the heirs and return the photos to the proper family. That’s as far as I got. I need to flesh out the characters and plot before I may begin writing. When I will write is up for debate. I simply don’t want to. Yes, I’ve been busy with book promotion but that’s really an excuse. I’m too distracted to write at the moment, but I know I will begin again soon. COVID-19 is stressful and I’m sure other writers feel the same way. I guess this is the new normal.

———

Elizabeth Black writes in a wide variety of genres including erotica, erotic romance, horror, and dark fiction. She lives on the Massachusetts coast with her husband, son, and her three cats. Her new LGBTQ paranormal erotic shifter romance novel “Full Moon Fever” is now available for purchase at Amazon and other book distributors..

Web site: http://elizabethablack.blogspot.com

Facebook: https://www.facebook.com/elizabethablack

Twitter: http://twitter.com/ElizabethABlack

Amazon Author Page: https://www.amazon.com/author/elizabethblack

Newsletter: http://eepurl.com/b76GWD

 

 

 

Five Realities Of Being A Writer

Let’s say you’ve been bitten by the Writing Bug and you want to be the next J. K. Rowling or Stephen King. You bought a writing program, took a couple of classes – or even majored in English or Creative Writing – and you’ve attended a writer’s conference or two. Or three. Those things can be addictive. You’ve joined a writers group. Your mom loves your stories although she wishes they were less violent or didn’t have so much smut in them. So now you are ready to take the literary world by storm. You are on a high like you’ve never experienced before.

I’m about to burst your bubble. Are you ready for the facts about your chosen career?

Rather than take the literary world by storm, you’re more likely to run into a very unpleasant drought. Here are five realities of being a writer.

  1. Book publishing is about sales, not about how great a writer you are. Getting a publisher or agent won’t guarantee you a best seller.

I read a depressing article about actress Sophie Turner, who plays Sansa Stark on the hit HBO series Game Of Thrones. She was auditioning for a new role and it was between her and a woman she described as a much better actress. Turner got the part, not because she was a better fit for the role but because she had a much stronger social media presence. She has thousands of followers on Twitter whereas this unknown woman couldn’t match that. Turner’s fame could help bring in an audience – and that translates to sales and big box office. So although she was not the better actress – and the other woman likely would have been a much better fit – the studio went with Turner because she had pull.

You may be the most talented writer in the world, but if you don’t have a following, it will be harder for you to make your way in the writing world than it is for George R. R. Martin to not kill his characters. Agents and especially big publishers are reluctant today to take on unknown talent. They are in the business of making money and they don’t like to take risks. That’s why you see so many Harry Potter knock offs. That’s why 50 Shades of Grey became so famous. Yes, that should piss you off. The writing in 50 Shades is atrocious, but E. L. James had a built-in following when she wrote her Twilight fanfic Master of the Universe. That alone made an agent’s job easier. In order to make it big-time as a writer you already need to have made the big-time as a writer. It’s the ultimate Catch-22. An agent and big publisher will help such a writer make bigger time. That said, there is no guarantee landing an agent will result in a best seller. The average U.S. book is now selling less than 250 copies per year and less than 3,000 copies over its lifetime.

  1. You need a good editor and a good cover artist.

There is an old saying that goes, “you can’t judge a book by its cover.”

Whoever said that has never published a book. The cover matters. The cover is the first thing a potential reader sees when looking for a new book to read. If it looks like a 3 year old pasted clip art all over your dust jacket, that will sink your book. If you are not a master of Photoshop, it is vital you pay an expert to create a kick-ass cover for your book. No, you are not an exception. Put up the cash for a good book cover artist. Look at the covers that person has designed. Choose someone who has won awards. Know your book inside-out so you know what to stress to the artist when creating your book cover. Look at book covers in your chosen genre to see what they may have in common. Common styles, common themes. You don’t want heaving bosoms or oiled male bodies on a horror novel cover. You don’t want blood and guts on a romance novel cover. Know your readers, and give them what they want. Catch your reader’s attention and make him or her grab your book. That’s what the cover does. It catches the reader’s attention and leads to a sale. Make that cover count.

One big mistake many self-published writers make is that they do not hire an editor to edit their works. They think since they aced English 101 they don’t need to spend roughly one hundred (or more) dollars for a professional editor. Take my word for it – you do. One of the biggest gripes readers have outside ugly covers is poorly edited books. If your book is full of misspellings and grammatical errors, you won’t sell another book. Pony up the cash for a good editor. Get referrals from writer friends online or talk to people in a local writers group for recommendations. A good editor will save your life and that person will come in handy for future books. Look into asking writer friends to be a beta reader for your book. Beta readers are not substitutes for good editors, but it’s a great idea to have a second or third pair of eyes look at your work. Do an exchange – you’ll beta read a book for them if they beta read yours. The key is to get outside opinions to improve your book. After a long period of time you could write entire passages in Greek and you wouldn’t notice since you’re too close to your own book. Get an editor. It’s an investment in your future.

  1. Promotions don’t guarantee sales. In fact, most of your promo work is for naught. Sell your persona, not your book.

Face it. You must engage your audience to promote your books. That sentence probably scared the piss out of you because if you are like many writers you are a social klutz. Writers are often insecure, awkward and anti-social – and that’s on a good day. You must carry on conversations with potential readers on social media like Facebook and Twitter. And by “engage your audience” I do not mean spam everyone within earshot with book promo. That is a huge way to turn off people. No one will buy your books if you dup book spam in their mail boxes. Instead, talk to them like they are right there in the room with you. Treat them like people and not potential sales. Give people something worth seeing and reading. Keep in mind that due to Facebook’s algorithm, you are really reaching about only 1 or 2% of the people on your friend’s list. Make your posts clever and worthwhile so people will talk to you.

  1. Your friends and family may not support your endeavors and when they do they may expect free books from you.

Your Catholic family may take umbrage to you writing erotic dinosaur porn. Don’t look for praise and acceptance there. Look to other writers who write erotic dinosaur porn. Even if you write something as innocuous as romance, there will be critics and those critics may be your friends and family. They may expect you to give it up and get a “real” job. They may treat your writing work as a hobby and not take you seriously. Let them. Find others in writers groups and online in places like Facebook and Twitter who support your chosen field. Do you write fantasy? Find other fantasy writers and make connections. The same applies to all other genres. If you do have support from your friends and family, more power to you and consider yourself fortunate.

On the other hand, when you do get support, some friends and relatives may expect you to give your books to them for free. Don’t do it no matter how much pressure you feel. They are not entitled to a freebie just because you share the cranberry sauce at Thanksgiving every year. A truly supportive friend or family member will buy your book from you. Now, if you want to give your book away for free, be my guest. I’m talking about those who expect a freebie from you and have a hissy fit if you refuse. Don’t feel guilty for wanting to make money from your books. Grandma likely can afford a couple of bucks for a paperback or Kindle version. Just don’t tell her about the dino porn.

  1. You probably won’t make much money.

Chances are, you won’t make millions. You may have already accepted that realistic scenario but also realize you likely won’t make enough money in quarterly royalties to buy gas for your beat up old Honda. Most publishers, especially indie publishers, do not offer an advance against royalties. For the most part, you are on your own. According to an article at Publishing Perspectives, “a survey [of over 9,000 writers in the 2014 Digital Book World and Writer’s Digest Author Survey] revealed that 54% of “traditionally-published” authors (and nearly 80% of self-published authors) earn less than $1,000 a year.” Let that sink in.

Now that I have thoroughly depressed you, here is some good news.

While according to that survey most traditionally-published writers barely break even, nearly half are able to earn enough money to satisfy themselves and even live off their earnings. Self-publishing is a much harder route to take, but a 20% success rate is rather high considering the hurdles you must pass in order to publish your own books.

If your family and friends don’t support you, find people who do. Join a local writers group. Not only will you gain much needed valuable support and criticism, you will make new friends. Turn yourself into a social butterfly on Facebook, Twitter, and the like. Engage your audience. Post items designed to get a response such as asking people what they are reading at the moment or ask what books influenced them the most when they were children. Ask their opinions of current movies, TV, and music. Are you a fan of Game Of Thrones or Preacher? Let everyone know and find other fans. Just don’t bring up spoilers without warning (don’t do it at all) or you will make enemies. Talk about stuff other than your books. Nothing turns off potential readers more than a Facebook page full of nothing but book promo. Screaming “Buy My Book!” guarantees no one will touch it.

While many of your books may bomb, you may be surprised to find one or two you didn’t expected to be a hit take off. Take full advantage of that. Write another book in the same genre (or write a series) and get the new book out there as soon as possible. Then, offer the hit book for a sale price temporarily as a promotion for the new book. You’ll draw in new readers that way. Try to write one or two books per year if you can. The more works you have out there, the more you’ll be in the minds of readers and authors alike.

Create a newsletter and send it out no more than once per month. Get to the point in it and keep it brief. Readers like updates from their favorite writers.

While you will likely not be the next George R. R. Martin, there are ways to be happy as a writer. Relish the positive reviews and fan letters. Don’t respond to negative comments or reviews. That’s unprofessional. Don’t let rejections get you down. Everyone gets them. Even J. K. Rowling was rejected numerous times before her Harry Potter series found a home. Have a realistic view of the writing world and you won’t let yourself down.

Editing … Was it Good for You?

K D Grace

I love editing. Always have. I know many writers don’t share the love, but I think editing is one of the sexiest parts of the writing process. In fact, I’ll go so far as to say that, for me, if the editing process doesn’t feel like good sex, then I’m not doing it right.

Take it off!

Since I’m not precious with my words, one of the first, and probably easiest parts, of editing is taking it off. What I mean by that is stripping my WIP, undressing it, getting rid of unnecessary paragraphs, sentences, phrases, even whole chapters — anything superfluous or repetitive. I need to be sure I don’t repeat what’s already been said or what doesn’t need to be said. I need to trust my readers’ intelligence. They’ll get it the first time. Readers are as anxious as I am to get on with it, to get to the good stuff. That means I need to pop the story’s cherry and move on to the main act. So my first editing goal is to undress my work, get it down to the story beneath, to what really matters, what will turn my readers on. My job, at this point, is to expose that story and then let it seduce me. If it can’t seduce me, then it’s not very likely to seduce my readers.

Tweak, Touch and Play

Once I can see what’s underneath, what’s really there, then I can begin tweaking, touching-up and playing. This is the time-consuming part. This is the point at which every single word matters. I learned how important each word is by writing shorter stories. When you have only 2K, every word has to matter – even more so with something as precise and boiled-down as poetry. Writers of novels – myself included sometimes forget this because we have a whole novel’s worth of words to play with. This is the point at which I remind myself that I’m making love to the story, and I want my readers to be seduced by what I’ve written. Every word is an erogenous zone. Every phrase can be stimulated and heightened and engorged until it literally bursts with meaning, with intrigue, with seduction for the reader.

Beware of Distractions  

I don’t want phones ringing or knocks on the door from the mailman when I’m having sex or when I’m editing. I don’t want anything that will pull me out of the moment. I especially don’t want anything that will pull my readers out of my story. That includes distracting words, actions that are out of character or excessive use of words and phrases. (My inner goddess definitely frowns on that sort of thing.) That also includes replacement words. I’m far less likely to be pulled out of the story by multiple uses of breast, and tits than I am by globes, orbs, mounds, hillocks. Fingers, fingers, fingers, please! Digits are for numbers and for anatomy lessons. If I can’t find a word that won’t distract the reader from the seduction, then I’ll try to rephrase.

Exploration

While exploration is a part of the tweak, touch, and play process, it’s also the place where I discover hidden meanings, hidden tidbits, sometimes whole bits of story that need to be teased and written or rewritten and brought into focus. I can’t count the number of times I’ve discovered depth in my characters, secrets, quirks, emotions I wouldn’t have known if I hadn’t made the effort to make love to my story during the editing process. Exploration is searching out the little moles, the scars, the sensitive spots that turn the story – and the reader — on.

Bring it to Climax

All of this effort is heading for the big climax, the pay-off — the story version of the Big O. While that’s true, the story is also about the journey, making it last, sustaining the pleasure and building it. The biggest part of editing, for me, is making sure that the journey, the tweak and touch and play are so gripping to readers that they’ll want it to last just a little longer, just a few more pages. I don’t know about you, but on a great read, I find myself slowing down near the end because I don’t want it to end. I want to make it last, even as I can’t wait for the pay-off. I need to have that experience while editing my own work or how can I ever expect the reader to have it? I need to feel that journey to the very end, right down to the blaze and fireworks of the climax. After it’s over, when I’m basking in the afterglow, I need to feel slightly bereft as the experience lingers in my mind, hopefully, long after the fact.

If I feel that way at the end of the editing process, then I’m confident I’ve done my job as a writer, and it’s now time to lean back on the pillow, have the imaginary cigarette and ask my readers, ‘was it good for you?’

Hot Chilli Erotica

Hot Chilli Erotica

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