Lucy Felthouse

Cheating in Erotica

by Lucy Felthouse

Each and every month, I’m highly aware of following Lisabet Sarai’s posts – they never fail to be awesome. This month, though, Lisabet has directly inspired my post – thank you, Lisabet!

Lisabet’s post covered writing commando, or being free and writing whatever you want. Read the article, she explains it much better than me 🙂

There was a particular sentence, though, that gave me the idea for this post, and I’m sure Lisabet won’t mind me borrowing it:

The inclusion of F/F and M/M in a book that is mostly M/F will evoke criticism from many romance readers, who seem to want a sort of genre purity.

Firstly, I agree with her comment and have found it to be true. But it led me to a slightly different way of thinking about the “genre purity” Lisabet mentions. There are many, many types of erotica and erotic romance, so many I can’t list them all as we’d be here for weeks. Some of it reflects real life, some of it is much more seated in fantasy. But, the thing to remember is, for the most part, it’s just fiction.

So why do readers dislike cheating in erotica and erotic romance? It happens in real life, it happens in television programmes, films, and it happens in other genres of book. But only in erotica and erotic romance does it get such a battering – readers really seem to dislike it, even though it’s made up and the characters aren’t real people – nobody’s actually getting hurt. I’m not bashing anyone. Far from it, I’m asking a genuine question – how come, for the most part, erotica and erotic romance readers are incredibly open-minded and they’ll read about anything from threesome and orgies, to BDSM, to anal sex, even water sports, blood play, and pseudo-incest but cheating is off-limits?

Please educate this poor confused writer 🙂

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over 100
publications to her name, with many more in the pipeline. These include several
editions of Best Bondage Erotica, Best Women’s Erotica 2013 and Best Erotic
Romance 2014. Another string to her bow is editing, and she has edited and
co-edited a number of anthologies, and also edits for a small publishing house.
She owns Erotica For All, and is book
editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join
her on Facebook and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

Goals for 2014

by Lucy Felthouse

Wow, my last post of 2013. How did that happen?! This year seems to have flown by, but I guess it’s because I’ve been so busy. And I’ll definitely never complain about that – business is good, I’m writing and publishing lots of books, nothing to complain about!

So now I look forward to 2014. I already have releases lined up, which is awesome, and there are other books out for submission which I have my fingers crossed for.

So what are my goals?

  • To finish and submit The Persecution of the Wolves to a publisher
  • To submit to four specific annual anthologies which I haven’t yet been published in – and no, I’m not going to name them, I don’t want to jinx it!
  • To finish two co-author projects
  • To write at least one solo novel

Hmm, it looks pretty doable when it’s listed in four bullet points, but I guess I’ll just have to wait and see. Some of that depends on other people as well as myself, so I just have to hope the stars align to get all that done. And, of course, these are just my larger goals – I’ll also be writing for anthologies, editing at least three anthologies, and I already have a couple of novellas I’ve promised to write… looks like it’s going to be a busy 2014 – woohoo!

Happy Christmas, everyone, and best wishes for 2014.

Lucy xx

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over eighty
publications to her name, with many more in the pipeline. These include several
editions of Best Bondage Erotica, Best Women’s Erotica 2013 and Best Erotic
Romance 2014. Another string to her bow is editing, and she has edited and
co-edited a number of anthologies, and also edits for a small publishing house.
She owns Erotica For All, and is book
editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join
her on Facebook and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

I Learned Something New…

by Lucy Felthouse

I learned something new this month. I can do a lot more than I thought possible. And without sacrificing sleep, food and fun, too. If you saw last month’s post, you’ll probably already know that what I’m talking about is related to NaNoWriMo. I thought I was insane to sign up for it, and that I had only a slim chance of achieving it, but it turns out it’s not the case. I’m currently a few days over the halfway mark, and I’m still on track. I’m managing my 2.5k words a day, weekdays only, and I’m also running my business, walking the dog, doing boring household chores and sleeping the same amount. Last week, I even managed to write and submit a short story, THEN did my NaNo words.

I’m not sure how I’m doing it. I’m not mainlining coffee, as I don’t drink it. I’m not even mainlining energy drinks. I’m just doing it… somehow. I suspect it’s down to the pressure. Whereas some people crack under pressure, I get more focussed, driven, determined to succeed. I hate letting others down, and, turns out, dislike letting myself down. And so, even at this stage, I’m pretty damn sure I’m going to “win” NaNoWriMo. I’m even considering doing it every month. Imagine the novels I could churn out at that rate of writing… 🙂

What can you take from this? Firstly, remember that no two people are the same, and the things that work for one person won’t necessarily work for another. But it’s definitely worth giving pressure a try – give yourself a deadline, or scare yourself by pitching something to a publisher that you haven’t written yet. It’s truly amazing what you can do when you really set your mind to it. I can write 2.5k a day, EVERY weekday, dammit. Something I never thought was possible. 

At this rate, I’ll have subbed the book by mid-January. Watch this space…

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over eighty
publications to her name, with many more in the pipeline. These include several
editions of Best Bondage Erotica, Best Women’s Erotica 2013 and Best Erotic
Romance 2014. Another string to her bow is editing, and she has edited and
co-edited a number of anthologies, and also edits for a small publishing house.
She owns Erotica For All, and is book
editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join
her on Facebook and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

I Think I May Be Crazy…

By Lucy Felthouse

Eek, I’ve only gone and signed up for NaNoWriMo (National Novel Writing Month)! I had no intention of doing it, until I saw someone post about it. Then curiosity led me to their website, and before I knew it, I’d signed up. And now I’ve signed up, of course, I’ve got to give it my best shot.

50,000 words in a month is probably not a lot for some people, and probably tons for others, but I’m somewhere in the middle. I don’t write full-time, but I do run my own business working from home, so I can juggle my schedule around writing when necessary. And I think in November, it’s definitely going to be necessary. I don’t work weekends, so my 50k will have to be done on weekdays. It’s still doable at 2.5k a day. In fact, on really good days I’ve written well in excess of that. But to do it every weekday for a whole month… well, let’s just see how I get on, shall I?

I’m currently in the process of finishing up other projects and also planning for the novel I’m going to write for NaNo. I’ve been researching it for the past couple of months, so I figure NaNo will give me the push I need to get a good chunk of it written while the research is still fresh in my mind. And who knows, by the end of December, perhaps I’ll have something ready to send to a publisher. Watch this space.

And, in the meantime, if anyone needs me, I’ll be the one hiding in the corner, panicking.

Are you NaNo-ing, too? Here’s my profile – come friend me: http://nanowrimo.org/participants/creativewriter1985

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over eighty
publications to her name, with many more in the pipeline. These include Best
Bondage Erotica 2012, 2013 and 2014 and Best Women’s Erotica 2013. Another
string to her bow is editing, and she has edited and co-edited a number of
anthologies. She owns Erotica For All,
and is book editor for Cliterati. Find
out more at http://www.lucyfelthouse.co.uk.
Join her on Facebook
and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

Are You a Plotter or a Pantser?

By Lucy Felthouse

Are you a plotter or a pantser? First, I’d better explain what that means for people that may not know. Basically, it’s whether you plot something when you’re writing, or just fly by the seat of your pants/make it up as you go along. I’m interested in the answers various writers have to give on this topic, which is why I thought I’d write about it.

So, personally, I’m both. I used to be a total and utter pantser, but the longer I’ve been writing, and the longer works I’ve been writing, the more I’ve plotted. I plotted my first novella, then made my second one up as I went along. I plotted my first novel, then the one I co-authored with Lily Harlem we made up as we went along. For the most part, it depends on the project. I plotted my first novella and novel because it was a big jump for me to go from short stories to longer stuff, so I needed to make sure I had enough material for the length of the story, and I also wanted to ensure things didn’t get boring in the middle, and that the thing had a beginning, a middle and an end. Now I just use a mixture of both, depending on what feels right.

And here’s what some other writers had to say…

K D Grace

I’m a plotanster. I never start a novel without a working blurb and a chapter by chapter synopsis. It usually takes me several days to come up with a blurb and chapter by chapter that I feel I can work from. That few days usually involve a lot of walking in the countryside and talking out loud to myself and alarmed glances from the people I meet en route. The blurb is only a short paragraph and the chapter by chapter is only a few sentences for each chapter. I’ve worked out roughly how many chapters, averaging 2500 words, I need for an 80K or a 100K novel and write the synopsis accordingly. It’s very loosely planned and very much subject to change.

That’s the plotter bit of my process. Once the actual writing begins, I’m happy to take detours and side trips all over the place, and I often end up on a very scenic route to the end of the novel. I leave lots of room for the muse to kick me in the arse and point me in a different direction. I think the blurb and the synopsis serve as a writer’s security blanket for me. Once I have those two things in hand, no matter how far I stray from the original plan, I KNOW there’s a novel in process, and I KNOW I’ll get to the end of it, even if the route’s not the one I started off on.

Kay Jaybee

I must hold my hands up to being a pantser.

I try to be a planner- I really do- I even go as far as to make nice neat chapter plans for all my novels each time I start one. Then, inevitably, the plot slowly begins to go out of the window as my characters take on lives of their own. I swear they look me square in the face and say, “Come off it Kay, we’d never do that. Let’s do this, it’s much more fun!” And off they go, dictating their own literary destiny, and recklessly flying by the seat of my pants!

I’d get cross with my imaginary protagonists, but so far this ‘not quite managing to hold onto the plot’ policy seems to be working for me.

So, what about you, folks? What works best for you?

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over seventy
publications to her name, with many more in the pipeline. These include Best
Bondage Erotica 2012, 2013 and 2014 and Best Women’s Erotica 2013. Another
string to her bow is editing, and she has edited and co-edited a number of
anthologies. She owns Erotica For All,
and is book editor for Cliterati. Find
out more at http://www.lucyfelthouse.co.uk.
Join her on Facebook
and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

Are Writers Obsessed With Word Counts?

by Lucy Felthouse

Are writers obsessed with word counts? I can’t help but ask the question. At any one time, I’m working on several WIPs, and I have word count trackers in the sidebar of my website. They help keep me focussed, and also spur me along. I’ll input the latest numbers, then check out the graph and smile as it creeps along, growing ever closer to my goal. Often, I change the goals, for example if a short story call for submissions has a minimum word count and I end up going over it, which I often do. As long as I don’t go over the maximum, it’s all good.

But it’s easy to become obsessed. Some writers have a goal of writing a certain amount of words every day and get annoyed with themselves if they don’t achieve them. Equally, if they exceed that goal, it’s a cause for celebration. Many writers (including myself), take part in sprints, for example #1k1hr, which stands for one thousand words in one hour. It’s a good way to push on, and if you’re the competitive sort, you want to get lots of words down and try and beat the other writers you’re #1k1hr – ing with. It’s friendly, though, and a good way to get a chunk of words down.

I often find my gaze straying to the bottom of the page where my word count is displayed. I think it’s become a habit now. Because I do so many things as well as writing, I don’t set myself a minimum daily word count. I don’t even write every day. But when I do, I more often than not write down my starting word count and my ending word count so I know what I’ve done for the day. Naturally, some days are much more productive than others, and I find myself massively productive when I have deadlines looming.

Whatever I’m writing, I’m always conscious of the number of words, which often is crazy. If I’m writing for a call for submissions, then of course I have to stay within the parameters. But if I’m just writing a story and seeing what happens, whether it ends up as a short story, a novella, a novel, etc, then I don’t need to keep track of it. However, I still do! I’m not sure if it’s a good thing or a bad thing, to be honest. I do like to see what I’ve achieved (for example I totted up my word count for the year and it exceeded 175,000 words, and that was several weeks ago now!), so maybe that’s it. Maybe I’m governing myself.

I don’t think that’s a bad thing, then. As writers, we don’t always know what’s going to happen to our words, to our stories, when they’re complete. They may get sent off to a publisher and rejected, then sent elsewhere. Or they may be accepted, and we then have to wait quite a while before we see them published, and even longer before we’re actually paid for them. So really, it’s no surprise many of us watch our word counts so scrupulously. After all, because we may have to wait months, even years, to see our work come to fruition, we need an instant boost, an instant sense of achievement, otherwise we might wonder what we’re doing it for.

What do you think? Do you check out your word counts all the time? Or do you just write and don’t worry about all that? I’d love to get your thoughts in the comments!

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over seventy
publications to her name, with many more in the pipeline. These include Best
Bondage Erotica 2012, 2013 and 2014 and Best Women’s Erotica 2013. Another
string to her bow is editing, and she has edited and co-edited a number of
anthologies. She owns Erotica For All,
and is book editor for Cliterati. Find
out more at http://www.lucyfelthouse.co.uk.
Join her on Facebook
and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

Series Writing

By Lucy Felthouse

Writing a series is something I put off for a while, because the idea scared me. I’ve been known to lose consistency in a short story, never mind a series of stories! But I knew I couldn’t put it off forever, and now I’m writing two!

My first dabble at series writing started with my series of short stories based around two young men on their gap year before starting University. They were going to have lots of adventures and tumble into bed (or wherever!) with various different women. So I had a challenge on my hands, remember their likes and dislikes, personality quirks, as well as what they did with who and where. And so began my insane list. It’s full of the above, and there’s a list for each of my characters and the names of what women they slept with and where. It sounds pretty clinical, and I suppose it is, but it was the only way I could be sure that Ryan, the main character, didn’t end up having sex with four Janes, two Emilys, three Roses, and so on. I’ve just finished the third book in the series and it’s working for me so far, so fingers crossed it will continue to do so!

As I mentioned in one of my previous posts, I co-authored a novel with Lily Harlem, which was great fun. We very much just wrote and waited to see how it went. There was no planning, we literally just wrote and let the storyline and characters develop themselves. As a result, there are no notes or anything on that book. Which would have been okay… had we not decided it would be fab to write a series. We’d very much like to write about more characters from the same “world” as the first book, and so I’m currently in the process of reading through the first book and making lots of notes about the characters we’re featuring in book two. Again, this is to make sure there are no inconsistencies, and so on. Also, the starting point for book two will actually be in a scene in book one, if that makes sense. Told from the new characters’ perspectives, and so it’s vital that any happenings and dialogue are exactly the same. It’s proving fun, and I’m reacquainting myself with book one at the same time. Which is just as well, as we’re hoping to see it released by the end of summer. Watch this space.

So I kind of muddled along when it came to series writing to begin with, but now I know what works for me I can continue doing it. Lots of lists and copious notes – my characters will not change hair colour in book three, honest! ;0)

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over seventy
publications to her name, with many more in the pipeline. These include Best
Bondage Erotica 2012 and 2013, and Best Women’s Erotica 2013. Another string to
her bow is editing, and she has edited and co-edited a number of anthologies.
She owns Erotica For All, and is book
editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join
her on Facebook and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

Growing More Adventurous (In My Writing)

by Lucy Felthouse

The first ever erotic story I wrote was about a young man and his teacher. But that was because I’d been dared to write an erotic story, and the “darer” gave me names and a plot. So I don’t include that one because  the plot was from my friend’s imagination, not me.

After that, though, I wrote a story fully from my own head, which was about a couple that end up getting down to it on a balcony in the pouring rain. So, pretty vanilla by some standards, but still, outdoor sex! Following that, I penned military erotica, more outdoor erotica, rubenesque, classroom sex (between consenting adults), vampire sex and first-time lesbian sex. Which, thinking about it, isn’t too bad for a beginner. Looking at my past publications, alfresco sex and military sex is a recurring theme… I can’t think why 😉

Now, though, I’ve definitely branched out. For a long time, I wouldn’t even attempt to write BDSM. There was no particular reason behind it, other than I didn’t fancy writing it. But I eventually caved in and answered a call for submissions for sex toy erotica, which also ended up including bondage and spanking. That seemed to open the floodgates. I’ve now had between ten and fifteen BDSM stories published, with lots more written, submitted, contracted and waiting for release dates. I’m not quite sure how it happened. It certainly hasn’t been a conscious decision (except when answering calls for submission, of course), but I find it much easier to write BDSM now, to the extent that I’m coming up with some seriously wild and wacky scenes (see one of my future releases!) that even make me wonder where it’s coming from as I’m writing.

I’m definitely glad I’ve branched out. My author tagline is “Erotic and Romantic Fiction… Whatever Your Fancy!” because there’s so much variety in my work. From straight, to lesbian, to gay. Vanilla to medium and hardcore kink, indoors, outdoors, military, at home, abroad, second chances, paranormal… the list goes on. I love that there are so many topics, likes, dislikes and kinks I can write about as I’ve gotten over my fear and always push myself to write something new, something that may involve lots of research, or even something I don’t agree with. There are quite a lot more things on my mental list that I want to cover, but hopefully I’ve got plenty of time yet.

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over seventy
publications to her name, with many more in the pipeline. These include Best
Bondage Erotica 2012 and 2013, and Best Women’s Erotica 2013. Another string to
her bow is editing, and she has edited and co-edited a number of anthologies.
She owns Erotica For All, and is book
editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join
her on Facebook and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

Amsterdam – A City of Surprises

By Lucy Felthouse

One of the infamous canals – there really are lots!

… and not necessarily the ones you think I mean. I just got back from Amsterdam where I spent a few days exploring and hoping for lots of inspiration for one of my erotic series. One such surprise is that I wasn’t as inspired as I thought I would be. It’s a city known mainly for its Red Light District – despite the fact there’s lots more to it – and I figured I would get lots of ideas from that alone. I admit I’m slightly disappointed (only by the lack of inspiration – the trip itself was wonderful!).

The Condomerie – surrounded by giggling
idiots. Yes, I was one of them.

I didn’t see all of the Red Light District, it goes on for quite a way, and thousands of football fans made us beat a hasty retreat before it all got rather nasty. We went back the following day but it was early and not much was happening. Despite that, there were women in the windows, there were an abundance of sex toys in the other windows, and it really wasn’t very erotic. I can only comment on what I saw with my own eyes, of course, and this is just my opinion, but I just didn’t think it was sexy or seductive. I thought it was pretty damn trashy. I haven’t got anything against the idea of prostitution, especially in that kind of environment where it’s much safer and heavily policed, but I tried to see it through a man’s eyes and what might be hot about it – and failed miserably. If I was a single man desperate to be with someone, I still wouldn’t go in there. I may as well go next door and buy a Fleshlight.

Wonkiness is apparent here, and I hadn’t
even walked past a “coffeeshop” yet

Otherwise, it’s a very beautiful city with lots of wonky buildings (and no, I didn’t touch any drugs, though I’m sure I got a fair whack of passive highs as I walked past the many “coffeeshops”) and a pretty laid back atmosphere – none of the rushing around you see in London, or the massively over-crowded shopping streets. There are bikes literally everywhere and crossing the road is an incredibly dangerous thing to do. It’s much smaller, I believe, than London, Paris or Rome, but I still found it quite difficult to navigate – and I’m pretty nifty with a map. Having said that, though, we didn’t get lost, so it’s all good 🙂

We visited lots of museums, churches and of course, went on a canal cruise, and we didn’t manage to do everything on our itinerary, so it just shows there’s tons more there than drugs and prostitution, and although I haven’t got a bazillion ideas running through my head, I’ve definitely got enough to be going on with for my erotic series, and I’m sure other things will probably come to me at a later date, as they so often do.

I hope so, anyway. I do love penning different locations.

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over seventy
publications to her name, with many more in the pipeline. These include Best
Bondage Erotica 2012 and 2013, and Best Women’s Erotica 2013. Another string to
her bow is editing, and she has edited and co-edited a number of anthologies.
She owns Erotica For All, and is book
editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join
her on Facebook and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

On Co-Authoring

By Lucy Felthouse

I’ve been published for a few years now, mainly in the short story arena, though I have novellas available and others contracted, as well as a novel out on submission. I always keep my eye on what’s out there, what’s coming soon, how people are working, their achievements, and so on. And one thing that’s caught my eye several times has been co-authoring. To me, it looked like a brilliant way to work on a project with someone, have fun and then end up with a piece of work at the end of it. But I admit I didn’t really understand how it worked, so it just bubbled away in the back of my mind, and I didn’t do anything about it.

However, towards the back end of 2012, my good friend and fellow writer Lily Harlem suggested co-authoring something together. I explained I had a few projects on, so I couldn’t start right away, but I would definitely be interested. She was busy too, so we said we’d start in the early part of 2013, when all the New Year festivities were over and done with, and life was back to normal.

The writing bug bit Lily, however, and in December she sent me a chapter that had just come to her, so she’d written it down. I managed to read it quickly, but knew I still wouldn’t be able to do anything with it until January. I was eager to try out co-authoring, but other commitments had to take priority.

Then 2013 arrived. I’d cleared my commitments and was free to start something new – hurrah! I read the chapter again and then bombarded Lily with a million and one questions about the process of co-authoring, how she thought it would work, our intended publisher, and so on. I was very lucky in that a) Lily had co-authored many times before so knew how it worked b) she was very, very patient with me and answered all my questions c) that our writing styles are quite similar, so that although we wrote from separate character viewpoints, our respective sections would still fit together well and d) we know each other well enough to give constructive and honest feedback that will be truly helpful, rather than trying to sugar coat anything for the sake of being nice.

And so we began. The chapter Lily had written back in December was from the female perspective and I was happy to write from the male perspective. I’ve done it many times before and enjoy it very much. We’d already agreed that if things didn’t work out, we wouldn’t worry too much about it, so I opened the document and began to write without thinking too hard. We had no plan, no idea what on earth the book was going to be about, really, just that it would be an erotic romance. Despite this, the words came. Fast.

After writing a chapter of roughly the same length as Lily’s, I skim read it and sent it back to her. And thus the mad email exchange began. Prior to this project I’d only written one full-length novel by myself and found it a learning curve, albeit it a fun and very satisfying project, but often I had to force myself to carry on and not procrastinate. With this book, however, it was totally different. It was full of surprises – because we hadn’t planned it, the chapters we sent back to one another were a total surprise, and we both had to think on our feet to work out where the plot would go next. We’d agreed not to rush one another for chapters as we both had other things on, too, and although we didn’t pressure one another, we still produced the words at lightning speed (for me, anyway!). I grew eager to read Lily’s next chapter, to see where the characters – which I’d quickly grown very fond of – would go next, what they would do. There was very, very little procrastination!

The only thing we’d really planned was that the book would be longer than 50,000 words – to make it novel length. We did discuss how it would end, but never made a set decision, we just decided to keep writing and hope it came to a natural conclusion. We agreed that because Lily had written the first chapter, that I would write the last. That was the only time throughout the project that I felt pressure – and it was from myself, not my co-author. I had to write the last chapter, therefore the ending, therefore it had to be good, and satisfying! I put my fingers to the keys of my laptop and hoped that what came out would be good. When I finished the final chapter I read it again and made tweaks, then decided that no benefit would come of me staring at it – so I sent it to Lily. And waited with baited breath for her reply.

She loved it!! She even said that it made her cry. Naturally, I was incredibly relieved that she liked it – and the fact it made her cry was a huge bonus. Poor Lily was suffering with a bad cold at the time so she wasn’t feeling her best, but I decided to take the compliment anyway. And voilà – our novel, which had been through what felt like a bazillion title changes throughout the writing process, was finished. We smashed our 50k minimum and ended up with 70,000 words, roughly. In five weeks (with me even doing two chapters in one day – one in the morning, then one in the late afternoon as Lily sent hers back in the early afternoon) we penned a novel that we were both absolutely delighted with, and characters we adored.

Next, we made ourselves leave it alone for a while. We both agreed that jumping in with edits and polishing too soon wouldn’t help. We’d made comments on each other’s chapters as we went along, asking for clarification of certain points or even just saying parts had made us “LOL” and that helped immensely. So much so that after our waiting period, we didn’t change very much at all.

Then came the discussion on submission. We’d had a publisher in mind all along – Ellora’s Cave – and we submitted to them. Thankfully, they said yes. Cue much happy dancing from Lily and I! As we waited for news, we had a bit of a debrief and agreed we’d both loved the process and were amazed at how quickly the book had come together – and even discussed making it into a series.

Now we have contracts, a cover and are waiting for edits. As the book is themed around tennis, we’re hoping to see our novel – titled Grand Slam – release in August, in time for the US Open. I don’t want to say too much more and give the game away (no pun intended), but the novel is an erotic romance with a sports theme and some BDSM and seriously hot sex in there, too.

I totally adored the process of co-authoring with Lily. It was genuinely fun and we just seemed to work really well – and quickly – together. We’ve already got some time carved out to write another book in the series – and who knows what will happen after that?

So if you’ve been thinking about co-authoring, I would say go for it. If you know someone that you can work well with, and you will be honest with one another and complement one another, then it’s a great way to write a book. You’ll have to ask lots of questions to make sure you’re both on the right wavelength, but it’s worth it in the end.

Keep an eye on my website and social networks for news of my first co-authored novel and a peek at the cover, and I’ll see you again next month.

Happy Reading!
Lucy x

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over seventy
publications to her name, with many more in the pipeline. These include Best
Bondage Erotica 2012 and 2013, and Best Women’s Erotica 2013. Another string to
her bow is editing, and she has edited and co-edited a number of anthologies.
She owns Erotica For All, and is book
editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join
her on Facebook and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

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