porn

Does Size Matter? The Final Showdown (According to One Man)

Photo by: https://www.pexels.com/@dainis-graveris/

Does size matter? It’s a question which has stumped philosophers, philanderers, and horn-balls for centuries. Historically, there’s been very little middle ground involved in the debate. People tend to break down into one of two camps. Those who say it doesn’t matter at all, and those who stridently shout that it matters a whole bunch, while pointedly shaking their heads at those in the first camp.

Even the very question itself is brimming with anxiety (at least, for men) because along with the question comes the implication that we’re afraid we won’t measure up. Personally, I have never known a man who hasn’t broken out a ruler at some point in his life. But while this may be one man’s opinion (and it totally is), one thing I’ve learned after years of listening to both camps, is that the real answer to this age old question lies somewhere in the middle.

Does size really matter? Answer: It depends on the person.

It may seem odd to consider this, but one of the greatest determining factor which often gets overlooked when it comes to the measure of a man, is the measure of a woman. Because just as every man’s endowment is as unique as his fingerprints, so too is a woman’s.

Some women (and it should go without saying that I am speaking of straight women here, but there is always someone who thinks lesbians are nothing but cold fish who never had their ashes hauled properly) would absolutely love to have a man with a shlong like a Pringles can. Others would run a mile rather than go near him because it would hurt too much.

Unfortunately for many of us, this debate has long been one-sided because our culture is obsessed with size. It influences everything from the cars we drive to the drinks we order, to how we feel when we look in the mirror. It is an obsession which is especially entrenched in porn, which does absolutely nothing to resolve the matter.

Now, please don’t get me wrong, I have nothing against porn. Porn is fantasy, pure and simple, and one of the most prominent fantasies is the idea that all a well-endowed man needs to do is drop his pants to make every woman within drooling distance say, “Oh, I must touch it.”

But it is the prevalence of this fantasy, and our own inability to distinguish it from reality, which drives so many men to send unsolicited dick pics, getting them into far more trouble than they are capable of dealing with.

We rarely, if ever, discuss penis size when it comes to body image, but the fact remains that having an unhealthy image of ourselves is detrimental to our way of life. There is no cream, device or (God help me) One Weird Trick pop-up ad which can permanently adjust the human anatomy. Whether we like it or not, our body is our body, and there is only so much we can do with it.

So if there is one lesson we can take away from all of this, it is that we need to be focusing less on size and more on skill, because just as there is only a small percentage of women who are capable of climaxing from vaginal sex alone (25%), I’d imagine that there is an equally small number of women who would be happy if you did absolutely nothing but lie there like a fleshy bump on a log.

Performance is a real thing. Just because a man may happen to have a large package, it does not in any way, shape, or form guarantee that he will be good in bed. Even those who have a natural talent for something, still need lessons to become great at it, and true masters never stop learning. Sex is like any physical activity you do for the first time. You will not be phenomenal at it, and any man who says he was, is either lying, or left the woman to do the lion’s share of the work.

The debate around size, for all its shouting and blushing, fears and body dysmorphia, teaches us to think more about “the box,” rather than outside of it. It tells us to apply our fingers, our tongues, and the myriad toys available on the market. Because the truth is, if you are attentive, if you care about her pleasure, and if you are willing to be taught, then odds are good that most women will be perfectly happy with whatever size you are. And if what you have is enough for her, then brother, it should be more than enough for you too.

Mindless Smut

Image by Andrea Altini from Pixabay

When I started publishing erotica, more than two decades ago, my work tended toward the more literary end of the genre. Reflecting on my personal erotic adventures, I wanted to explore the nuances of desire, the ways in which lust challenges and transforms us. I was particularly fascinated by the emotional and spiritual dimensions of dominance and submission. Indeed, along with fellow ERWA member S.F. Mayfair, I edited a collection of BDSM short stories in 2003 entitled Sacred Exchange.

If you pick up any of the tales from my first decade as an erotica author, you’ll find an earnest focus on conflict, characterization and language. There’s sex, of course, but less than you might expect given the genre label. I was at least as interested in the experience of arousal as I was in its consummation.

Writing serious erotica was hard work. Furthermore, as time went on, I began to feel as though I was repeating myself, rehashing the same themes, especially when dealing with my first love, S/M. For recreation and relaxation, I started publishing what I would label as “mindless smut”: stories without any deep message in which all the characters are perpetually horny and gleefully eager to act on their carnal impulses.

Much to my astonishment, and somewhat to my embarrassment, I discovered these uninhibited and rather superficial tales sold fairly well. Furthermore, creating them was a blast. Once I’d decided to slip into smut-monger mode, the words just flowed. I’d never succeeded before in writing any sort of series, but my outrageous, somewhat silly novella Hot Brides in Vegas had barely hit the shelves when I started getting ideas for a sequel. Eventually the Vegas Babes series grew to five volumes of mindless smut.

In fact, writing this sort of fiction does require some craft. Although you (of course) need to include a lot of sex, you also need variety. If every scene involves the same activities, eventually even the most dedicated one-handed reader will get bored. I’ve noted in a previous post the importance of escalation. As the story unfolds, the sex scenes should become more intense and/or more taboo. Even porn needs a story arc, with a big climax (or ten!) and a happy ending for all. Every chapter should push the characters closer to the edge – or maybe I should say, pull them deeper into depravity!

I just published a brand new piece of unmitigated smut entitled Alex in Tittyland. It’s a loose (in several senses!) parody of Louis Carroll’s classic with a harem theme, inspired by discussions with a young male friend. In the process of penning this story I realized once again (1) how much fun it is to let my sexual imagination run wild and (2) how much thought is nevertheless required in order to create effective porn.

But it was still a lot easier than writing erotic romance or historically plausible steam punk.

I have to admit, however, that the prospect of producing nothing but mindless smut makes me uncomfortable. It feels too easy, and yes, a bit exploitative. In addition, I suspect that much of the audience doesn’t care in the least about premise, plot, characterization or even grammar. They’re just looking for the dirty parts. While I believe that my emphasis on craft makes my smut more readable, I’m not sure that my efforts constitute a competitive advantage when it comes to sales.

So I’ll probably continue to swing from one extreme of erotica to the other, delving into the emotional complexities of sexuality in one book, engaging in orgiastic fantasies in the next.

Adaptability is always a virtue, right?

 

Looking Forward

As the year comes to an end, I wonder where did 2019 go? It seems every year is shorter and shorter; I’m tempted to check the calendar to count the number of months and make sure it is still twelve. Did it use to have more, maybe?

As a writer of erotica, I see myself sometimes as a male version of Sybil, the woman with multiple personalities. Typically, our author’s side is hidden from the world as your neighbors and co-workers would be aghast at learning the fact you write stuff for people to jerk off to.

Now certainly, we can wrap ourselves in the guise of literary license, somewhat like our President wraps himself in the American flag, but let’s not kid each other, most people think we are perverts.

Are we perverts or just being honest with ourselves? In my lifetime, I’ve seen gays go from being people rednecks would beat up after leaving the bar to people who are your neighbors and friends who borrow your turkey baster.

Maybe in another thirty years, when people say what do you do to keep the wolf away from the door, we can say, “I write erotica!” Well, I’m not holding my breath!

Leading secret lives is something that Wifey and I had done long before I started writing with one hand. Being in “The Lifestyle” means that you have two separate and distinct lives.

One of the first things we learned was you have two sets of friends, straights, and swingers. In effect, we have two little black books and they are seldom joined. Initially, you may think that you can keep them straight but it has been a struggle for us.

When we lived in the mid-west, I had a photography studio in my basement. One wall was devoted to pictures I’d shot that I liked. One day, my sister-in-law commented that she’d recognized a nude woman on my photo wall as a swinger friend of ours. One of our closest couples, we partied with, lived about ten minutes away and we did a lot of things together that didn’t always involve the bedroom.

Consequently, they had met our in-laws, and while my sister-in-law never voiced the obvious question, “Why do you have naked pictures of some other guy’s wife?” I’m sure that the thought was there.

Likewise, we have huge New Year’s Eve Pajama Parties, and deflecting the questions about why they weren’t invited was always problematic. In fact, a story I recently published, Crashing the Swinger’s Pajama Party, was an adaptation of what actually happened when a neighborhood couple showed up at midnight to a hundred people, who were mostly naked and doing the nasty!

All things considered, we’ve been lucky to escape having our secret life exposed and none of our neighbors have shown up with torches and pitchforks. It hasn’t been easy to live a double life, but at least until now, doable. Relocating to Las Vegas has made that aspect of our life, easier to deal with.

Throwing your house keys in a bowl often results in wildly exciting and often humorous consequences that you are unable to share with your straight friends. This is one of the reasons that I got started writing smut, this time seven years ago.

Writing erotic stories allows me to talk about things we’ve seen and done while maintaining the anonymity of the guilty parties and being able to get it off my chest, so to speak. Even before we got into the Lifestyle, Foxy and I lived a questionable lifestyle (lower case).

I always encouraged her to dress sexy, and being an ex-model and exhibitionist wasn’t much of a challenge for her. For me, I love having the woman that everyone in the room wants but can’t have, and that’s a real turn-on. While I don’t consider myself a cuckold, it is a thrill to see everyone’s tongue hanging out when she stalks into the room.

Writing adventures has added another separate side to our lives, straight, swinger, and now an erotic author. When I started this, I promised her that I would keep my author’s life completely separate and have managed to do so, although it’s been a struggle at times.

As my seventh year of writing smut comes to an end, I feel that I’ve been relatively successful at it. I write what is colloquially known as “stroke erotica,” or stories you masturbate to.

A lot of my fellow writers look down their noses at stroke, but I don’t care and enjoy writing stuff basically aimed at getting my readers off. Stroke stories are typically short, yet mine are often novel or novella length. So I like to think my readers are getting their money’s worth.

Heading into the new year, I have over thirty published stories under my belt and am averaging about four per year. Should I be more prolific? Certainly, but life often gets in the way and writing smut is only one part of our sometimes hectic life.

Having a real day job means that I don’t have to publish but it does nag at me when I see my sales figures drop as the days since my last story pile up. Amazon, the company we love to hate, factors time between releases as a major component in whether they suggest your story or not to a prospective reader with his/her pants unzipped.

Luckily, I also publish through SmashWords which goes more by popularity and rating than when it was published. SmashWords also pushes out my stories to other outlets such as Apple iBooks or Barnes and Noble without have to do anything. My sales through iBooks generally match what I sell through SmashWords, so I get twice the bang for my buck.

I also need to give a shout out to Kinky Literature, who promotes my porn and other popular writers. If you write erotica, you need to set up an account with Kinky Literature. Your reader pays the same price and you get the satisfaction of knowing Richie and Randi doesn’t look down upon you, unlike the blue-haired lady who hands you the dirty magazine in a brown paper bag as she sprays you with Lysol.

And of course, the Erotic Readers and Writers Association (ERWA) offers a place for writers to get together and discuss the finer points of writing smut stories as well as letting me opine on life in general once a month.

In closing, I’ll reiterate my singular goal for 2019, “Focus on one thing at a time!” Once again, I’ve failed at this goal. I will be writing some story, and out of the blue comes a thought for another story, which I can’t seem to get out of my head. Often, I will tell myself, “I’ll just write enough to flesh out the storyline.” Then what typically happens is that I’ll end up writing 20,000 words or so before going back to the story I’m trying to finish.

If I look at my draft folder, it contains over one-hundred partially finished stories that I really should do something about. I just can’t seem to turn my mind off, but maybe one day?

Well, I’m off like a prom dress! Until this time next month, stay kinky, and for more from my feeble mind, check out my blog, LarryArcher.blog.

Keeping my eye on the ball

There is no way around it, I suck at finishing stories. Over the last several months, I’ve written over one-hundred thousand words yet haven’t published a darn thing. There should have been two or three smut stories that I could have pulled off my computer, but nada.

By the same token, I’ve had to tape additional paper on the bottom of my sales chart to hold the line that is pointing towards the floor, when it should be pointing to the ceiling. With SmashWords, my sales are relatively stable, but Amazon is another story.

Amazon’s 30-day cliff means that a month after releasing a story, the door to the basement opens and your rating gets kicked down the stairs. So in a perfect world, I’d be publishing at least every month to maintain my author’s rank, but no, I can’t seem to accomplish that no matter how hard I try.

I’m so easily distracted by shiny objects even when I know that I should keep my eye on the ball and finish what’s in front of me. Unlike most other writers, I’ve had little training on how to write beyond a Technical Report Writing course I took in college.

My story ideas come to me out of the blue, often when I see something that sparks a train of thought to begin in my mind. Too often, what I find is that these flashes of inspiration will come as I’m typing madly away on some story.

My latest saga started when I finished House Party, where Foxy ran off with a movie producer to Los Angeles. This story is the first one where Foxy and Larry had a less than optimal outcome to a story. Assuming you’ve never read one of my stories from the Foxy and Larry series, they are a fictional version of ourselves. I started writing porn to give me the opportunity to talk about some of our adventures in swinging.

What I discovered is that I really enjoyed writing smut stories but quickly realized that I should have picked different names for my two main characters, but that’s water over the bridge. Not being a trained writer, the last almost seven years have been on the job training, so hopefully, I’ve grown.

For us being in the Lifestyle has always been fun and never something we fought about. This has always been reflected in my stories, yet I know that stories should have conflict, which I tried to inject in House Party with Foxy running off with another man. The bitch!

As I write House Party 2, I’m attempting to rectify the heroine running off and bring her back home. As I approached 50,000 words, I got the bright idea of what could happen if two sexually unsatisfied co-workers decided to solve their problems by swinging, while their hubbies watched Monday Night Football.

Now, this new story is approaching 45,000 words and is actually more complete than my first story, House Party 2. At this point, I have two stories that are each about 90% finished when wouldn’t you know I watched a German Goo Girls (GGG) movie on my computer. If you’re not familiar with Goo Girl movies, they are an offshoot of Japanese Bukkake, which are girls getting their faces covered with jizz and often don’t have sex, depending on your definition of what sex is?

In Goo Girls, they have sex then get their faces painted, so it’s the best of both worlds! That got me thinking about the ending of Crashing the Swinger’s Pajama Party, where Foxy sells a neighbor’s wife to a Goo Girls movie producer for ten thousand dollars, and she’s required to star in his shows for six months.

After releasing that story, I’ve had several fans write to ask when I’m going to cover Samantha’s adventures in the German Goo Girl movie business. Now I’m trying to flesh out my thoughts on the story before forgetting my train of thought.

Now I have three stories under active status, yet nothing is going out the door. Hopefully, I can focus long enough to finish something without another thought hitting me. The way my typical storyboarding process works is that I’ll get an idea, then let the characters start working the scenes in my mind.

My initial thought is to write down enough about a potential story that I can pick up the story at a later date and finish it. What often happens to me is that as I write up my notes on the new story, I become more interested in it and shift my attention to the new story.

That wouldn’t be too bad except that my imagination doesn’t stop working, and I’m continually coming up with story ideas, which just repeats the problem. It would be sweet if I could focus on one story and finish it before starting a new story.

My draft folder is full of stories that are half to three-quarters finished as I keep getting off track. Maybe one day, but what the hell!

For more from the irrelevant mind of Larry Archer, check out my blog at https://LarryArcher.blog Until this time next month, I’m off like a prom dress.

Aww Gee, Do I Have To Wear A Rubber?

Rant for the day by Larry Archer!

Does Stephen King dismember his victims with a rubber knife? Did Jaws chomp up Captain Quint with plastic teeth? Did Maverick shoot down Russian fighters with a BB gun or bang Kelly McGillis with a dildo? What about Chucky and that delicious Jennifer Tilly (pant, pant, pant). No, No, No, No, and No!

So why do we have to put on a rubber when we bang out some smut story on our Underwood? This is not Randy “I can’t put my arms down” from A Christmas Story where we have to protect ourselves against our parent’s imagined fears, both seen and unseen?

I am continually amazed when someone says, “Your characters didn’t use protection in your story!” WTF?

Why is it that Dean Koontz can dismember his characters with abandon using a chainsaw, but I can’t have two people screwing unless they have a raincoat and rubber gloves on? You know, the big thick yellow ones that come up to your elbows and ensure you don’t get any of that icky “stuff” on you.

When you can get an STD from reading one of my stroke stories, then I’ll consider making my characters wear a rubber when they play hide the wiener.

In school, I had to read “The Secret Life of Walter Mitty,” which was about some guy who dreamed of being different people; fighter pilot, doctor, and probably porn star in the Hustler version. He didn’t wear a rubber and probably didn’t put on his seatbelt either!

Fictional books are often a form of escapism for the reader. We get to imagine anything our little pea brains can conjure up. Like getting to bang Stormy Daniels, why should Donald get all the fun, not to mention watching hookers pee on the bed? Personally, I would have chosen the Playboy Playmate myself, but there is no accounting for taste. I’m more of a leg man than a boob man.

When you lust after your next door neighbor, the stripper who sat on your lap, or maybe the milkman, do you think about running to the drugstore or gas station to pick up condoms? I know that I don’t! The feeling of skin on skin is far better than with a layer of plastic in between and much easier to fantasize about.

Writing an erotic story, I don’t think about safety, and I don’t want my readers to think about it either. Getting laid with a rubber is not near as much fun as bareback so why would you want your characters to put on protection before doing the nasty? Just like Dean Koontz, I don’t worry about my characters as they are all fictional and impossible to hurt unless I allow it.

Well, other than the times Wifey has on her leather bustier, thigh-high leather boots, and riding crop that she uses to correct her slaves! Then I’ll stand back an extra three feet to be sure I don’t get anything splattered on my camera!

My erotica is not designed to teach you a safe sex lesson, just the opposite. If you wanted safe sex, then you can screw your boring wife or husband on the first and third Friday (let me check my calendar). We want to have sex in the produce aisle with that hot chick from People of Walmart. Just flip her skirt up and make mad passionate love amidst the cantaloupes while hoping the guard on his electric scooter doesn’t catch us! Afterward, we’d zip up our pants and join Wifey as she tries to figure out which detergent to buy to get those stains off the front of her blouse she bought from Monica.

Like in a story I’m working on. The husband finds out his wife was in a gangbang and asked if they kissed her. Her response, “Why would they want to kiss me, they just wanted to fuck me!”

I’m not sure why reading someone’s comment that your characters needed to wear a condom puts me over the top, but it always does. Like Walter Mitty, I want readers to imagine a situation they would never normally find themselves in and especially not in their normal safe, dull environment with their pipe and slippers.

Few of us are ever in a situation where they can do things like be in a gangbang or be the gangbang’ee, so literature is the escape mechanism to let our imagination fly free. Sort of like those rock climbing crazy people on a sheer rock face without a rope.

In the real world we have to make compromises, like not smoking when we fill the lawnmower with gasoline, but in our minds, we can be King (Queen) of the World. Sort of like ZZ Top when they sing, “We could have had Miss October, but we waited until November.”

That was the rant for the day, and maybe next month I can finally post the article I wrote like two months ago, which keeps getting thrown under the bus.

Remember that reading erotica does not cause STD’s but may create friction burns, kind of like the carpet burns you got in high school. Use lubricant as necessary and remember to stop when you need glasses.

As always, check me out at LarryArcher.blog or on Twitter at @Archer_Larry.

“Erotica from the Dirty Mind of Larry Archer.”

P.S. See Lisabet I can stay under 1,000 words!

Dynamic Tension

By Lisabet Sarai

So what is the difference between erotica and porn?

Oh no! Not that old chestnut again! I’ve been a member of the ERWA Writers list for almost two decades. At least once or twice a year, some newcomer resurrects that question. Those of us who have been around for a while roll our eyes and grin to ourselves, already knowing how the discussion will go.

However, as I was thinking about my ERWA blog post for this month, I had an insight on this issue, which relates to writing craft.

Porn is easy. Erotica is hard.

I’m not saying that porn is easy to write. Though some people believe it’s a snap to throw together a great stroke story, I know that’s not true. Getting people hot and bothered takes talent and work, skill and imagination. This is true of erotica as well, of course, despite the disdain lavished on our genre by the literary establishment.

What I mean is that in porn, things are easy for the characters. The focus is on obtaining sexual satisfaction, the sooner the better. Readers don’t want the author to put obstacles in the way of the characters getting off. Hence, porn rarely features any significant conflict. The path from meeting to fucking is smooth and direct, with few if any stops along the way.

Erotica (and especially erotic romance), in contrast, thrives on obstruction. Erotica authors are more likely to put their characters through an emotional or physical wringer before the final consummation. Meanwhile, erotica readers tend to be more accepting of deferred gratification than readers of stroke fiction, in return for a richer and more complex narrative in which the characters overcome internal or external barriers in their journey toward release.

Conflict creates dynamic tension. It prevents the characters from rushing headlong into a sexual connection. As conflict keeps the protagonists apart—or at least denies them complete satisfaction—their level of arousal increases. When the conflict is finally resolved, the resulting experience, both for the characters and the reader, can be far more intense than the problem-free hookup in a stroke story.

Classic theory categorizes fictional conflict as man versus nature (or God, or demon – super-human forces at least), man versus man, and man versus himself. I hate the sexist terminology, but agree with the general breakdown. I’ve read (and written) erotica that used all three categories.

K.D. Grace’s recent novel In the Flesh offers a wonderful example of the first type of conflict. Her heroine Susan falls under the sway of an evil but mercilessly seductive disembodied entity who uses her natural sensuality as a route to destroy her. In fact, the perilous lure of supernatural sex is a common theme in paranormal erotica. It would be all too easy for Susan to succumb; she fights her erotic urges because she recognizes the danger.

Daddy X exploits “man versus man” (or more accurately, man versus woman) conflict in his fantastic short story “Spy versus Spy”. Nicolai and Lilya have been sexual partners for years. Their long acquaintance and shared history means each is still aroused by the other. However, neither trusts the other—for excellent reasons.

Conflict internal to the character is perhaps the most ubiquitous type found in erotica. Characters are often torn between their own deepest desires and their beliefs about what is acceptable, healthy or normal. Remittance Girl’s controversial novella Gaijin illustrates this pattern in the extreme. Kidnapped and raped by a Japanese gangster, her heroine still finds herself aroused—and hates herself for those feelings. In Cecila Tan’s Wild Licks, we meet rock star Mal Kenneally, an extreme sadist who never has sex with a woman more than once because he’s worried he’ll do serious physical or psychological damage. Uncertainty about sexual orientation or identity—religious guilt—memories of abuse —fear of losing control—struggles with fidelity—sex is an emotional mine field.

We erotica authors regularly take advantage of that fact.

How is this relevant to craft? If you’re trying to write erotica (as opposed to porn), you need to consider the question of conflict. All too often I find that stories I read in erotica anthologies are really just vignettes. They may be well-written, but ultimately they consist of sex scenes and little else. They’re not really stories. (Belinda made a related point in her Editing Corner post a few months ago.) Other readers may enjoy these tales, but I find them flat and unsatisfying. When I read erotica, I want something more complex and challenging.

Please note that I do not mean to denigrate stroke fiction. In fact, my observation about conflict can be applied to this sub-genre as well. If you want to write one-handed stories (and I’ve definitely done so), you should probably avoid conflict. Your readers very likely do not want characters who agonize over whether or not to do the deed.

Actually, it’s funny. Sometimes when I set out to write stroke fiction, I don’t completely succeed, because my characters’ motivations become too complicated. A good example is my story The Antidote. I wrote this very filthy tale in reaction to the self-censorship required by my erotic romance publisher (hence, the title). I wanted to create something full of no-holds-barred sex scenes. Instead, I ended up with an arousing but rather heavy tale about sex, society and deceit. Erotic, but not the porn I was trying for!

The distinction, of course, is not clear cut. That’s one reason we veterans sigh when someone brings up the porn/erotica debate. There’s really no black and white answer, only (please forgive me!) shades of gray.

Whichever direction your writing leans, though, you should consider the question of conflict. Are you going to give your characters what they want right away, or make them jump through hoops? Your decision makes a big difference in your readers’ experience.

Show Me Bad: The Wages of Censorship

Last week, the Audiovisual Media Services Regulations 2014 introduced a series of restrictions on the pornography produced and sold in the UK. The acts that are now prohibited to show on video range from the edgy to the puzzling.

  • Spanking
  • Caning
  • Aggressive whipping
  • Penetration by any object “associated with violence”
  • Physical or verbal abuse (regardless of  if consensual)
  • Urolagnia (known as “water sports”)
  • Role-playing as non-adults
  • Physical restraint
  • Humiliation
  • Female ejaculation
  • Strangulation
  • Facesitting
  • Fisting


The last three are included for being potentially life threatening.

Rest assured, all these restriction only apply to video remediation of the acts, but what interests me is the reasoning behind them.

Certainly breath play can be dangerous; there might, feasibly be some concern that making it seem unproblematic could lead people to try it without further education on the subject (although a reenactment your run-of-the-mill movie bar fight would be just as likely to cause severe injury). But a search of the research indicates only one death, in 1987, caused by fisting which tore the tissues so badly that the victim bled to death. There is another recorded death associated with an air embolism. Following this reasoning, as dangerous activities go, videos of showers should be banned; it’s a thousand times more likely to lead to fatality. I’ve searched far and wide, and cannot find a single incident of death by ‘facesitting’.

Then there is the puzzling ban on female ejaculation. When asked to explain their thinking on this, the group responsible for this decision argued that there was no evidence that female ejaculation actually exists and that the fluid being ‘ejaculated’ might contain urine, putting it in the same category as other watersports, i.e. golden showers. The fact that mainstream society’s objection to golden showers stems from it being considered an act of degradation – not because it involves urine – seems to have been lost on this panel. Is there actually porn out there where women degrade men by squirting on them? Well, if there wasn’t, there will be now!

The list of ‘strange’ goes on. Spanking is out, even though approximately 65% of all couples have tried it. Penetration by any object “associated with violence” is on pretty dicey grounds; most women who have been raped would consider a penis an object associated with violence.  Physical restraint is so broad as to be laughable. Hands up if you’ve ever let your lover tie you up and fuck you? The absurdity of this part of the list would be risible if it weren’t so sad. How is it that a government ends up banning the remediation of what a considerable number of lovers do in their bedroom on a fairly regular basis? The subtext is that these things aren’t normal. They are abusive, they are perversions, they are wrong.

But strangest of all, at least to me, are the prohibited acts that are not even physical: verbal abuse, humiliation and age-play. None of these are acceptable even when there is clear consent in the video. All of these restrictions approach the concept of ‘sins of the mind’. It appears that the powers that have imposed these restrictions have completely discounted the difference between fantasy and reality. Fictionality is no longer acceptable in porn because, in their view, our society can no longer be trusted to distinguish the difference between, for instance, pretending to be a 12-year old schoolgirl and actually being one.  Ironically, it is fictionality that makes porn culturally safer.

Another defense of these restrictions is that it protects children from seeing things they shouldn’t see. But think about all the sexual acts NOT on the list. Is it okay for children to see those things? I’m not going to list them. I trust your imaginations. This argument can be dismissed as ridiculous.

On a personal basis, the banning of the remediation of the acts on list offends me – not because I would want to see most of the acts, I’m not much of a porn fan – but because the prohibition makes a very grave statement about how intellectually subnormal the government assumes its adult citizens to be. More importantly, the government has once again entered into the business, as it did in most of the 20th Century, of taking on the authority to determine what normative sexuality is, and it has moved to ensure that non-normative forms are discouraged, even in fantasy.

But more ironically than all of that, in the name of stemming ‘rape culture’ and the depiction of violence against women, it has banned the video remediation of female ejaculation and facesitting, while still allowing the depiction of women choking on cocks and bukakke scenes.

This is not about protecting anyone from anything. This is, along with the ever-increasing surveillance of our private lives, a claiming of additional powers in the guise of concern for our safety.

Of course, the censorship of sexually explicit material and bans on pornography have never stopped people from getting their hands on it. The plethora of both written and photographic porn produced during the late Victorian period attests to this. What the legislation has done is make certain pornographic spectacle more forbidden, and therefore more alluring. If squirting was a popular meme before, its cache in the UK will go through the roof.  People will crave more violent flogging, caning and spanking material because it is prohibited. Eroticism requires transgression and this has simply made the things that have been banned all the more erotic.

And it that spirit, I offer you a little piece of social science fiction:

Show Me Bad

Having pulled on their gimp masks as they make their way down into the basement of the strip-mall Thai takeaway in Ruislip. Gina, Lotte and Rose weave their way through the occupied stacking chairs in the dank, windowless, impromptu cinema.

The others in the secret audience are also masked. Some in balaclavas, some in gas masks, some in pillowcases with holes for the eyes. People nod, murmur. All the seats are occupied, so they stand to the side, leaning against the damp brick wall, and stare at a large flatscreen TV.

Someone switches the lights off. The bluescreen menu prompt pops up and the input is set to ‘video’. First the screen goes black, and then brightens again. On the screen, in what looks like an old fashioned kitchen, a small, bony man argues with what appears to be his obese wife. The wife grabs him, trips him, and pins him to the dirty linoleum floor. The camera moves in, closer, closer. She is hiking up the skirt of her faded, stained housedress. She’s not wearing anything under it. The little man is struggling to free himself but he’s no match for her. She inches her bared bulk up his body.

Someone in the audience whispers, “Fuck, yeah.” The sound of multiple zippers being pulled down, the rustle of displaced clothes is a whisper beneath the hiss of the video. On the screen, there’s a close-up of a plump, enormous cunt lowering itself onto the little man’s panicked face. He screams as the huge, meaty, wet labia cover his nose and mouth. Only his bloodshot,frightened eyes are visible as the woman begins to rock her pelvis back and forth, slathering his face in viscous effluvia.

“Lick me, you motherfucker,” mutters the woman. The man’s hands are fluttering, clawing at her thighs but she doesn’t stop.

In the dark of the room, there are moans, the quick, determined sounds of genitals being self-pleasured.

The man’s legs are kicking wildly, uselessly. Muffled choking sounds are emanating from under the draped slabs of her vulva

“Oh, my god,” whispers Lotte.

Gina has her hand down the front of her jeans, frigging herself, gimp mask impassive, eyes fixed on the flatscreen. The little man’s face – what’s visible of it – has turned a deep red. His head jerks helplessly.

“So fucking hot,” whispers Rose.

On the screen, the massive woman is coming. Her body goes rigid, flesh judders, fluid floods out over the face of the little man, who now appears to be passed out, if not dead.

Half the masked audience is also coming. Moans, cries, grunts fill the dark. 

* * *

While waiting for the bus, Rose, Gina and Lotte stand in silence for a while, their gimp masks tucked safely back in their purses.

“I can’t believe what we saw,” says Lotte. “So this is a thing?” “They used to have face sitting in porn, on the net,” says Rose. “It used to be just cunnilingus, you know. The normal kind. But then the government banned it.”

Lotte looks confused. “Why did they ban it?”

Gina smiles. “They said it was too dangerous,” she says. “So someone decided to make it dangerous, for real.”

Rose nods. “It’s way hotter now, isn’t it?”

When Sex Was Fun

By Lisabet Sarai

[This blog is a repost from a 2010 item at my personal blog, but I thought ERWA denizens would also enjoy it. Certainly I think you’d enjoy the films! ~ Lisabet]

Last night my husband and I watched Radley Metzger’s 1972 film “Score”. We’d seen it before, in the nineties, when we first discovered a collection of Metzger’s work on VHS (remember VHS?) at our local independent video store (remember independent video stores?). The film was as lively and erotic as I had remembered, though some of the more dated references evoked a laugh or two.

Many of you are probably not familiar with Metzger. He began making sexually-oriented films in the late sixties and is responsible for ground-breaking efforts such as “I, a Woman” and “Therese and Isabelle”, one of the first films to concern itself with lesbian love. Later in his career, under the name of Henry Paris, he directed hard-core features including the classic “The Opening of Misty Beethoven”. The movies that initially made his name, however, skirt the edge between art and porn. They include nudity and simulated intercourse, but the attention to characterization and dialogue, not to mention the elegant cinematography and breathtaking locales (many of Metzger’s films were shot in Europe), move these films into a category all their own.

I don’t know how many of you watch modern “adult” movies. Based on my experience, most contemporary porn is pretty boring. The characters are primarily presented as bodies, who are largely interchangeable. They have no connection with one another beyond the physical tab-A into slot-B. There’s little or no conversation, no buildup of tension, no sense of transgression. One has no sense of any of the participants as individuals. Furthermore the sexual interactions tend to be annoyingly stereotyped and predictable. There is zero suspense.

Metzger’s work, in contrast, and “Score” in particular, focuses on the development of sexual attraction and the lure of the forbidden. Some of his films are more serious than others, but all are concerned with the experience of desire as much as with its fulfillment.


“Score” is one of his more light-hearted offerings. Jack and Elvira are a sophisticated, swinging couple who compete in their seductions. They set their sights on Eddie and Betsy, a pair of apparently innocent newlyweds. However, this is swinging with a twist. Elvira lays her snares to attract and corrupt angelic-looking Betsy, while Jack is determined to fulfill Eddie’s barely-suppressed homoerotic fantasies.

Neither Betsy nor Eddie falls immediately into bed with their pursuers. Elvira and Jack are gradual and subtle in their seductions. The characters are naked by the middle of the film, but it takes many sensual touches and intense, smoldering stares before the victims actually fall. Metzger vividly communicates the embarrassment and fear that mixes with Betsy’s and Eddie’s burgeoning lust. When they finally succumb to their hosts, the viewer feels a release of tension that goes far beyond the physical.

Metzger’s characters live in a permissive world where any sort of sexual activity might occur, including same-sex interactions. “Score” is cheerfully kinky in its acceptance of homosexuality, orgies, voyeurism, even a touch of S&M. It aims to arouse but not particularly to shock. Watching the film brought me back to the days when sex was fun, when it was relatively safe to surrender to desire.

Modern porn has much to learn from Metzger’s work. Even if you find porn offensive, you might well appreciate Metzger’s films. He has a healthy respect for his characters and their sexuality. In his world, sex is made to be enjoyed—and the chase is as exciting as the consummation.

Write What You Do Not Know

By Robin Juliet (Guest Blogger)

“She fired me because of my writing. She was worried about her reputation.”

“That doesn’t make any sense. I thought you were a serious writer. What do you write, porn?”

Fear coursed through me when I read my mother’s best friend’s words. Do I write porn? Is that what I do? How do I explain my decision to write erotica?

In many ways, erotica books chose me.

Unlike many, I did not come to this genre through reading. I have never been one to devour smut as a consumer. This is not to say I judge the genre harshly, it’s just never been on my radar screen as a reader.

Rather, I came to erotica through my writing.

Like most aspiring writers, I was told to “write what you know.” I get that. Start with a situation with which you have some familiarity so it rings true and isn’t based entirely on stereotypes and cliché. I still agree with the adage and work with it to a degree.

But, the fact of the matter is, the reason I write erotica is because of what I don’t know. And, what I still don’t understand is how and why and who and what we all do for sex. What makes sex interesting for me is when the physical sensation mingles with the emotional (or sometimes even spiritual) piece of who we are.

Human sexuality, and all of the psychological aftermath that comes along with sex, has me stumped:

  • How can you have amazing chemistry with someone you don’t even like?
  • Why do some people go POOF?
  • What makes someone a great lover? A terrible lover?
  • Is it ever possible to have ongoing casual sex with a favorite lover without getting attached?

Instead of claiming to know the answers to these questions, I prefer to write fiction where I place characters in these situations and find out what happens to them.

I don’t know the answers.

Neither do my characters.

Do erotica readers?

Not knowing is what makes erotica interesting. Not knowing is the difference between erotica and porn. Not knowing is why I write it. And, not knowing is why they come back for more.

“Are you saying your writing is considered porn?”

“By some people. You wouldn’t like them.”

“Good grief.”

“It’s what I gravitate to as a writer. I’m into the psychological play more than the sex, but people focus on the sex. It’s nothing worse than what you might find on HBO.”

Silence.

“Sorry to disappoint you,” I told her.

“Oh my dear, the disappointment is certainly not with you but with the idiots who have stupidly labeled your writing. One day, hopefully sooner rather than later, you can shove it down their . . . you know what I mean.”

About Robin
We cannot help but rubberneck when erotic romance author Robin Juliet explores the psychological train wreck that occurs when lust and love collide.

Never one to shy away from breaking out the lube, Ms. Juliet writes contemporary erotic romances where lust trumps love and happily ever after gets twisted beyond recognition.
Ms. Juliet lives and writes in Denver, Colorado with her dog Bennett. You can reach her at robinjulietwrites [at] gmail [dot] com

Links
Robin Juliet’s newest novella, Involuntary Reflex, is now available in paperback at: https://www.createspace.com/4742348
Website: http://authorrobinjuliet.wordpress.com
Twitter @robin_juliet
Goodreads Author Page: https://www.goodreads.com/AuthorRobinJuliet

How Porn Made Me a Better Person

By J.T. Benjamin (Guest Blogger)

I’ll never forget my first real exposure to pornography. The June, 1979 issue of Playboy Magazine featured Monique St. Pierre as Playmate of the Year, and Louann Fernald as Playmate of the Month. The former was European, Nordic, sleek, sultry, and exotic. She wore a glamorous, shimmering evening gown on the cover of the magazine. The latter was homegrown, olive-skinned, buxom and as wholesome as the sundress-wearing college student-girl next door she was. 

 

And I was hypnotized by both. The magazine had been “borrowed” by a friend of mine from his older brother, the same way I “borrowed” it from my friend. (My shameful introduction into a life of crime and debauchery). 

 

To this point, my Catholic upbringing had induced me to fear sexuality; any sexual image, any sexual concept, any sexual thought meant the hellfire of eternal damnation. And yet, when I gazed upon those gorgeous, nude, sensual images, a little voice in the back of my head told me that when considering the opportunity to see more full frontal female nudity versus the risk of eternal damnation,, I decided to take my chances. The flames of Hell? Nothing compared to Playmate of the Month. 

 

So began my descent into Hell. I masturbated. I fantasized. I procured more porn. More Playboys. Penthouse. Hustler. Then came the movies. The first few were in the company of others, at which I laughed and pretended to be more amused than aroused, but after a while, I stopped pretending and I simply watched the movies alone. Then I started reading porn. Oh, sure. Some people called it “erotica,”, but I knew that if I read it or watched it and I got a hard-on, it was porn. And I embraced it. And watching it or reading it made me a better person. 

 

How? I’m so glad you asked.

First, as the saying goes, “Once you’ve seen one woman naked, you want to see them all naked.” My exposure to the sultry Monique St. Pierre and the charmingly homespun Louann Fernald only made me want to pursue examination of the female form in every way possible. I examined naked women in every way, shape and form Pale skin, dark skin, olive skin, blonde, brunette, redhead, large breasts, little boy breasts, firm ass, long legs, short legs, buxom figure, petite figure, every possible configuration, and every possible way to look beautiful. I gained an appreciation for the female form that can only come from considering all the possibilities. Through pornography, I saw beauty and sensuality in everyone.

Then, came the exploration of alternative sexualities. At first, like most ignorant adolescents, I initially saw homosexuality or bisexuality as some sort of aberration or deviation. Once I started exploring pornography, I saw these alternative sexualities as something as normal as my fascination with girls with glasses, 140 IQs and fishnet stockings. Lesbian sex? Okay. Bondage? Sure, why not. Leather? You bet. Homosexuality? Okay with me. Not my bag, but still. 

Ultimately, I figured out that what (or who) turned other people on wasn’t my problem or even my business, because, as the saying goes, “Different strokes for different folks.”

Thirdly, I have turn-ons, kinks, and depravities. Thanks to my exposure to porn, I realized everyone else does, too. It’s no more appropriate for me to cast judgment on the kinks of others as it would be for those others to cast judgment on my kinks. So, when the issue of same-sex marriage came up, it was easy for me to decide which side to choose. Everyone’s entitled to their own pursuit of happiness. I wouldn’t have come to this realization without exposure (through porn) to this notion.

Finally, ultimately, in my opinion, the goal of porn is arousal. Either the arousal of one’s partner, one’s own arousal, or even the arousal of total strangers. For myself, porn isn’t fun if someone else isn’t having fun. I take pride in the fact that when I’ve been intimate with others, I’ve exerted the utmost effort in giving as much pleasure as possible to my partner or partners. For the most part, as far as I’ve been led to believe, I’ve been successful in that effort more often than not. I wouldn’t be so diligent in those efforts if not for the exposure to porn I’ve had over the years.

In short, thanks to my exploration of pornography I’ve learned how to be curious about sex, adventurous about sex, tolerant about concepts of arousal divergent from my own, and I’ve acquired a general notion that someone else’s idea of pleasure is simply none of my business. 

 

So, why do I write about porn? Well, I just want to give something back. 


About the Author

J.T. Benjamin, latter-day hippie, writer, philosopher, and porn pundit, has been a member of ERWA since 1998.  These days he’s working on the Great American Sex Novel when he’s not a cubicle slave for The Man and being devoted to his Lovely Wife, children, five dogs, three cats, and his mortgage.

 

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