Robert Buckley

Starved for Conversation

Cheers was the place where
everyone knew your name, a home away from home, where you could commiserate
with friends who shared a drink and a little time away from life’s cares.
Utterly unrealistic. Cheers, after
all, was a sports bar. Sports bars are loud, dominated by televisions,
sometimes multiple TVs tuned to multiple sports events. Talk is about sports;
talk is loud; participants talk over each other just to be heard or to make a
point. Their exchanges are determined by what they just saw or heard on the TV.

Conversation?
Not even close.

The
louder the din, the shallower the talk.

I
work with a lot of thirty-somethings. During breaks the males will coalesce and
begin to sputter on a limited topic: sports, particularly fantasy games.
Arguments will ensue over the relative worth of a player or coach.

I
share my desk with a work friend who, like me, is closer to retirement age.
We’ve come to regard the frequent outbreaks of guy talk as “Middle School lunch.” This is because they differ
not a whit from the conversations I remember that preoccupied boys of middle
school age.

And
so the sports bar is everywhere.

Once
upon a time, you could have an actual conversation in a bar, or a coffee shop.
People went to such places just to converse, and some venues were designed
around the conversation. Anyone old enough to remember conversation pits?

Such
places still exist, but I fear they are all in Eastern Europe. Some years back
my youngest took on an internship in Prague while she was in college. She told
me about a night she and her fellow students went out on the town and were
barred from entering numerous drinking establishments at the door. Why? Because
young Americans were regarded as loud, rude, and dullards. They interfered with
intelligent conversation.

Made
me want to hop the next plane to the former Eastern Bloc.

I’ve
been starving for a long, relaxing meandering conversation, the kind I used to
have with a late friend of mine, eclectic and fractured by an infinite number
of tangents. Oh, we might talk sports, but we’d also sound out religion,
history, literature, the price of eggs, who was and wasn’t gay. It would go on
and on and it gave a deep pleasure to one’s soul.

Perhaps
conversation has become a lost pastime, if not a lost art. Conversation – the
unhurried unraveling of thoughts and ideas, observations and gossip – just
doesn’t seem to fit in the social media age. Today a clever tweet passes as
something profound.

A
conversation allows two or more people to develop and illuminate ideas. It’s
akin to storytelling, but not quite. A storyteller, after all, speaks or writes
to a rapt audience who receive the tale, but don’t alter it. So while
storytelling might be part of conversation, all participants steer and adjust
the story, and through that process the initiator of the story might well reach
an ending he did not intend.

I’ve
toyed with writing a story as a conversation. And while some books I’ve read
could be described as conversational, the only one I ever read whose style was
in the form of a long, meandering conversation with tangents shooting off in
multiple directions is “Son of the Morning Star” by Evan S. Connell.

On
its face an account of the life and last battle of star-crossed Western Icon
George Armstrong Custer, it is so much more. An entire review of late 18th
century America and the clash of cultures, but told in small morsels of
humanity, with accounts centering on minor as well as major players. By the
time I’d finished the book I felt like I’d spent a few hours in a corner booth
with a gifted conversationalist.

I
miss it. Conversation, that is. Quiet, unhurried talk.

I
miss talking with people generally; I miss talking to people without a gadget
in their hand.

I
guess I’m getting crabby.

Mystery and Magic

One
of the signs that you’ve gotten old,
besides the guy behind you beeping his horn and yelling, “Get outta the
way, ya old bastard!” is finding yourself taking inventory of your life
and experiences, weighing good memories vs. regrets and thinking to yourself if I only knew then what I know now.

Yeah,
I’ve been finding myself doing that more frequently. But age also brings
with it the wisdom to realize that, like leopards, our spots don’t change. We’d
likely do things over just the way we did before. There’s no such thing as going
back to do it right. There is no
right and wrong, what happens just happens, and so reincarnation would be a
waste of time. And if you’re left with a mystery, best to leave it a mystery.

One
of the unsolved mysteries of my life had to do with the first girl I fell in
love with. In fact, it started with a mystery and ended with another.

I
was sixteen and as awkward and unsure of myself as any kid that age,
particularly when it came to girls. I’d had weight issues in my preteens that
resolved themselves dramatically when I reached my teens … the proverbial
nick of time. Still, I couldn’t imagine girls actually liking me. My hero and role model was
Paladin of “Have Gun, Will Travel.” Here was a guy who quoted Shakespeare,
Byron and the Bible as easily as he dispatched a bad guy with his quick draw,
and that made the ladies swoon. I aspired to be cool and classy. Still, girls
weren’t throwing themselves at my feet.

I
met her at sea – sort of – during an excursion on what used to be called the
Nantasket boat, which traveled from Boston Harbor to Hull, the site of
Nantasket Beach and a lovely little amusement park called Paragon.

A
bunch of friends picked one summer day to make the trip. She
was a friend of a friend and I noticed her right away, me pining from a distance.
She was so pretty. Skinny – not just-got-liberated-from-Dachau skinny, but I
could have fed her a half dozen double cheeseburgers and it wouldn’t have hurt.
I suppose you could say she was willowy, enhanced by long, dark chestnut hair
that reached the small of her back. She had big brown eyes and a slight Irish
overbite, the sort of flaw that amplifies beauty.

Anyway,
my friends and I enjoyed the day on the rides and at the beach. And while my
eyes tracked her, there was no indication that she had taken any particular
notice of me.

We
took the sunset boat back to Boston. I was seated on one of the benches that accommodated
the passengers, when I felt the pressure of another body molding to mine. It
was her. She had sat next to me and was quite obviously making physical
contact. Scientists will tell you under certain circumstances the brain
releases chemicals quite suddenly that render us euphoric. Well, I can tell you
at that moment it was as if someone had tapped me with a magic wand. I didn’t
question it at the time. My arm, seemingly of its own accord curved around her
shoulders and I pulled her closer to me.

We
remained that way  for the rest of the
cruise. She began to rise as the boat was being moored, but ever so gently I pulled her back
into my embrace and she did not resist.

I
didn’t even know her name. Of course, I thought: What is happening? But I was too taken over by the sheer magic of it
all that a rejoinder instantly followed: I
don’t care; I’m going with it.

It
was evening now. The gang gathered at a neighborhood beach where I and this
magical girl continued to hold hands and snuggle. Nothing more, but it was all
new and wonderful to me. Others had noticed and a friend suggested we do a
double date – dinner and a movie.

That
date happened, I even remember the calendar date, September 21. It was the day
of the Autumn equinox and it was one of the more magical nights of my life. We
kissed – it was my very first romantic
kiss.

What
did this amazing, pretty girl see in me? I sure wasn’t Paladin. It was all pure
magic.

Magic
evaporates. After that night I made numerous efforts to follow it up with a
second single date. It never
happened. She would make excuses, but never told me she didn’t want to continue
what began on that sunset boat ride. I suppose she didn’t want to hurt my feelings, but at the time I’d have preferred an honest, quick stab to the heart. After several weeks I sadly accepted the
fact that she wasn’t going to be my girlfriend.

I
felt I was owed an explanation, but I never pressed for one. I couldn’t have
put her on the spot like that, but a reason would have been helpful. Was it something
I said or did? Did she get wind of the fact that I was a year younger than she,
and that made some sort of difference to her?

Our
friends could offer no reasons, or perhaps they just declined. As time went on
we became very good friends and I
never stopped caring for her as a friend. Still, she never, ever revealed why
she snuggled up to me on that boat, or just let our brief romance wither like it had.
But, I think there’s a certain romantic cachet to heartbreak with swirls of
mystery about it. (It still F’ing hurts).

In
hindsight I can pick out a few details, a few clues. I recall another guy who
was persistently interested in her. Perhaps she clung to me to dissuade him
from further pursuit.

And
as I came to know her better I realized she was not satisfied with her life,
brought up in a blue-collar Irish home. Perhaps she thought I, a product of
the old triple-decker neighborhood, was by circumstance benighted by my
environment. If she only gave me a chance; I wanted to flee and be rid of it
myself.

I give myself credit for not demanding an explanation, or
acting out against her rejection, as I’ve known knuckleheads much older than a 16-year-old
kid to do. Nope, I just let it go, mystery unsolved. I handled it like Paladin
would have. I was classy.

When
I last saw her, she was a single mother. Who was the dad? Another mystery with
no explanation given, nor asked. She had cut her beautiful dark hair short by
then and her face had the patina that comes with care and grief and just having
lived.

I
still cherish her memory, and the mystery … but especially the magic she
brought into my life. Yes, the hurt was definitely worth it.

It's all funny until someone gets pressed to death

Imagine,
it’s three hundred years from now, and a little town in Poland is reveling in
mischief, merriment and good old family fun, folks from the world over have
come to dress up in costume. A funhouse is set up for the kids; it’s a scale
model of a crematorium. That’s right folks! Come one, come all; kick up your
heels and help us celebrate Olde Auschwitz Days!

What?
That could never happen … people celebrating an atrocity? You gotta be
kidding, right?

Well,
the comparison might be a tad extreme, as atrocities are weighed, twenty as
opposed to millions. Still, in my adopted hometown, the “Witch City,”
Salem, Massachusetts, folks are midway through a month-long festival that owes
its inspiration to just such a morsel of murder.

Proponents
and fans of Haunted Happenings will spin it otherwise. We’re just celebrating
the spooky season and inviting all things that go bump in the night to come to
Salem, bump up against each other and in the process bump up the local economy.
After all, we’re the Halloween capital of the world.

Hey,
everyone celebrates Halloween, but not every town has a witch on a broomstick
flying on the doors of its police cruisers. Witches and witchcraft: An ironic
source of fame. Until fairly recently, it was a source of shame. Even after
nearly three centuries, Salem was embarrassed by its history of judicial
malfeasance that saw innocent folks railroaded onto the gallows. Well, most of
them were innocent – wink.

Salem
would try to redirect attention to its seafaring past when its ships sailed to
the far reaches of the globe and returned to the infant United States with rare
and exotic goods and ideas. So many ships that the Chinese thought Salem was a
nation unto itself. So much wealth was brought in that tariffs collected in
Salem accounted for a majority of the revenue that funded the federal
government and spawned America’s first millionaires.

Nah,
that kind of history doesn’t play on Jerry Springer. So, sometime around the
1970s, people from “somewhere else” with bucks to invest took a look
around Salem and mocked, “You people are sitting on a gold mine.”

Visitors pose at the Bewitched statue.

Kitsch
and marketing led to what these days is the closest thing to Mardi Gras you’re
likely to find in the chilly Northeast. And like Mardi Gras, Haunted Happenings
has a sexy vibe, but more of that in a bit.

First,
let’s take a refresher on Salem’s claim to fame. Salem actually gets a bad rap
– initially. The so-called witchcraft hysteria didn’t begin in the port of
Salem, but five miles inland at the farming community of Salem Village, now
Danvers. Everyone knows the basic story, a group of adolescent and
pre-adolescent girls, bored out of their skulls in the midst of winter and
inspired by a slave/servant’s spook stories got caught messing about with
forbidden (occult)  things. In an effort
to escape a good whupping, they began to throw various adult neighbors under
the bus, and in those days the bus was called witchcraft. Most folks were
skeptical at the girls’ claims, but events began to snowball, if slowly, aided
and abetted by well-meaning and not-so-well-meaning adults.

After
local judges determined there were cases to be made, the judicial proceedings
were taken over by William Stoughton, a high-ranking colonial official who had no legal training at all, and who
proceeded to toss out legal protections for the accused, such as the right to
counsel. He allowed accusers to chat with judges and allowed spectral evidence.
Imagine a DA today telling a jury, “Ladies and gentleman, I can’t show you
the murder weapon, on account of it’s invisible, but that’s okay, just take my
word for it.”

It
became evident early on that verdicts were foregone conclusions. Those who did
not confess were sent to the gallows, but for one grisly exception.

Giles
Corey was a miserable old guy whose hobby was bringing nuisance lawsuits
against his neighbors. In a fit of pique he accused his own wife of witchcraft,
only to relent and recant his accusation. Big mistake, then he was accused of
witchcraft.

Giles
may have been the source of that Groucho Marx joke: “I went to court to
press my suit, but the judge said, ‘You can’t press your suit here, you gotta
take it to a cleaners.'”

Well,
Giles didn’t want to get taken to the cleaners by the authorities. See, if he
pleaded guilty to save his life, his property might well be confiscated and his
sons would lose their inheritance.

So
Giles, being law-savvy, refused to enter a plea, which blocked his indictment.
The downside of that was the sheriff was allowed to torture him until he agreed
to plea or confess. Giles got pressed like a cheap suit.

That
is, he was made to lay on the ground and something like a coffin was placed on
top of him. Then the coffin was filled with rocks to the point of crushing him.
He endured three days of this before he expired. The tour guides will tell you
it happened in Howard Street Burial Ground. But most likely Giles was taken
just across the street from the old gaol, to what is now the parking lot of the
Polish Catholic church, St. John’s.

So,
final tally, 19 executed by hanging, one pressed to death.

There
is a large Wiccan community in Salem who claim these twenty as martyrs for
religious freedom. Well, no they weren’t. Any of them would have been content
to allow the hanging of a practicing witch. A creature so foul in the eyes of
God, that they would rather go to their deaths rather than name themselves as
such. Nonetheless, it’s ironical that Salem today hosts lots of folks who follow
the old religion.

One
year, an organization of North American vampires based in Montreal announced
they would have their annual vampires ball in Salem. The protests that flowed
from the local Witches in the form of letters to the editor were hilarious,
particularly the one that scolded: let vampires into Salem and the town will go
to hell. Okay, it’s paraphrased, but you just can’t make this stuff up.

One
of the newer, popular attractions is the statue of Elizabeth Montgomery as
TV witch Samantha Stevens, donated by TV Land. Nevermind that the
series, “Bewitched,” was set in a Connecticut suburb of New York City,
not Salem. Also, Samantha is grinning more or less in the direction of where
the witch trials were held and so that troublesome dichotomy again rears its hydra
heads. Is this supposed to be fun?

That dichotomy is on display, uncomfortably one would think, everywhere in Salem, most notably
in the understated memorial to the victims, dedicated by Elie Wiesel in 1992,
the 300th anniversary of the hysteria, and which borders an alley of kitschy
stores and a pirate museum – Arrrrgh!

No
matter, Haunted Happenings has caught on in a big way. The largest crowds
recorded came last year when Halloween occurred on a weekend. Is it fun? Sure
it is. It’s a fun outing for families. But it’s even more fun for adults.

Even
though we are often blessed with a stretch of Indian Summer in October, some of
the costumes worn by young women literally fly in the face of the season. Last year, I made note of one
striking young woman, hair so blonde it could blind you with reflected sunlight, wearing a black peaked hat and a black baby doll … with heels. So
many heads turned that it was a wonder there wasn’t a slow-motion pile up.

When
the sun goes down and the kids go home, the pheromones are as pungent as rum
and candy corn. It is like a fog settles downtown as chill air contacts hot
bodies.

Yes,
Salem is a sexy town. I’ve set a few stories here, two of which included sex
scenes in the Old Burying Point.

You wouldn’t want to ‘hang out’ behind Walgreens three hundred years ago.

Perhaps,
in a way, that’s the best balm for guilt, if indeed there remains any after so
much time. Today romance rules in Salem as potential lovers try to cast spells at each
other.

I
live atop Gallows Hill. No one forgets my address. Already this month folks
have approached me while I was walking my spirit dog (really she’s a lab mutt, but
she has one bright blue eye that freaks out the tourists), and asked, “Is
this where they hanged the witches?”

“Nope.
The foot of the hill … behind Walgreens.”

And
then, in their expressions I detect a momentary letdown. As if something as mundane as a
pharmacy chain could somehow subtract from hallowed ground.

I
give them directions, send them on their way and then retreat to my home with
my black dog and two black cats.

Happy
Halloween, all.

Flattery to the Extreme

I have a friend who has a preternatural talent for clever
turns of phrase and pithy remarks. Spend any amount of time in his company and
bon mots go off like cluster bombs. I’m constantly telling him, “I’m going
to steal that one.” And he just brushes it off – yeah, sure, feel free.

I have stolen a
few of his best and included them in fictional dialogue of my own, but not
before Googling the phrase, just in case he picked it up from someone else. 

I
think we all pick up on clever remarks, and those of us who write are likely to
recycle them in the mouths of our characters. But a quick Google check might
reveal a phrase’s origin, or more importantly, whether it as fresh and original
as you thought. You don’t want to use it after it has become a meme or cliché. What’s
clever today has a briefer shelf life due to social media.

It might also keep you ought of trouble; what if it’s a
quote from a copyrighted work? There’s fair use, and then there’s being fair
and giving credit.

I think, though, stealing
lines is fairly common among writers. It may even be the sincerest form of
flattery, or homage. I think it’s the same as, for instance, using a locale
that figures prominently in the work of an author you admire. Or even borrowing
a minor character who inhabits that locale. Of course, you might want to do the
courtesy of giving the other author a heads up. The few times other writers
have asked me if they could borrow a
character my response was always, “Wow, sure.” It was fascinating reading
my own characters as interpreted by someone else. Truly, it can open your eyes
to another facet of a character you thought you knew inside-out … I mean, you
created them.

Outright plagiarism has surfaced in the news recently.
Taking someone’s unique creation and passing it off as one’s own is the
ultimate mortal sin among artists. The majority of such claims seem to arise
out of the music industry. The latest, Led Zeppelin’s exoneration of charges it
plagiarized it’s iconic “Stairway to Heaven.”

You have to wonder, though, with only so many notes at
one’s disposal, and with all the music already created by our species over
thousands of years, how anyone comes up with a distinct melody. Haven’t you
ever begun humming a tune and seamlessly segue into another tune with a similar
melody? And yet, we recognize each as a distinct song.

It’s a bit more difficult, I think, to plagiarize a known
written work, or a speech, for that matter. Changing a few words just doesn’t
do the trick. If the current political season has taught us anything, it’s just
plain stupid to try that.

Unless it’s a blatant rip-off, like lifting Michelle
Obama’s words wholesale, I tend to cut the accused offender a bit of slack
because of something that happened to me.

While writing a story that came to be called “What
Was Lost” – featured within “Cream” an amazing anthology of
stories written by members of the Erotica Readers and Writers Association and
edited by Lisabet Sarai – I took a break to watch a war drama, “The Lost
Battalion.”

Well, the movie ended in the wee hours, so I hit the
sack. The next day I finished my story in time to post it to the ERWA critique
list.

Among the responses I got was from a friend and an extraordinary
writer of erotica, Helena Settimana: “I bet you watched ‘Lost Battalion’ last
night.”

Huh? How’d she know that? Then she quoted a line I used
in the story. Think of what happened next as an epiphany delivered with a kick
in the ass. I had had the line in my head and it fit perfectly into the mouth
of my main character. The fact that I had, quite without intention, stolen a
line from the movie frankly scared me.

Nothing of the sort has happened since, but it does give
one pause, and perhaps a bit of empathy for the random artist who used a string
of notes, or a series of words in a particular order that turned out to be part
of someone’s else’s work.

They used to say, put a keyboard in front of a chimpanzee
and give him enough time, he’ll eventually bang out “War and Peace.”
I doubt either the chimp or its observers would live that long. But the human
brain insists on putting things in order as it recycles information it receives
all day.

Maybe whenever you come up with a great line, you should
try saying, “Gee, I wish I’d written that.” You know, just to reboot
your brain’s quality control.

Just sayin’.

Anticipation

By Bob Buckley

Playing
with a person’s emotions is a dangerous thing, but we writers do it all the
time, from the moment we seek to hook our reader with an opening paragraph that
piques their curiosity as well as, we hope, tweaks their libido. Then we string
them along, leading them down a path to a conclusion where we hope they say,
“Wow.”

Or
maybe they’ll just say, “Huh?”

Along
the way to one conclusion or the other, our readers begin to wonder where our
tale is going. They can’t help it. They build up expectations: Will she sleep with him? Is he going to
leave her? Will they live happily ever after?

Even
that last expectation – guaranteed if the story has been labeled romance –
still elicits a guess about how we’re going to get there – the HEA, that is. We
all do it as readers, after we’ve come to
care one way or the other about the characters. Sure we wonder what’s going to happen next, but we also anticipate, which is different – in effect, we try to get ahead of the story, writing our own in our head and seeing if it eventually matches up with the author’s plot. Haven’t we all, at one time or another, said at the end of a story or novel, “I knew that was going to happen,” or, “I saw that coming.”

Anticipation
– okay, cue up Carly Simon honking away with that nasally voice of hers.

Writers
of mysteries and thrillers craft their tales around readers’ anticipation and deliberately defy their expectations. It’s
called a plot twist. It throws you off the rails if it’s successfully executed,
if not, it might annoy the hell out of you. But for readers of these types of
stories, nothing is more satisfying than a twist, particularly the
twist-at-the-end. It’s then they realize they’ve been manipulated, deceived and
perhaps even disoriented. And they love it.

But,
what if you’re writing a romantic, erotic story and yank the rug out from under
your reader by leading them to a place they didn’t expect to go? Well, if
you’ve achieved every writer’s goal of getting your readers to believe in your
characters and invest their emotions in them – they may end up hating you.

Some
years ago I posted a story to ERWA about a pair of what my mother would have called “poor souls.” I wanted to explore why some people, men and women, go
through life alone and lonely, through no fault of their own.

My
main characters included a lonely guy who couldn’t get a woman to give him the
time of day. You know the type, a guy whose romantic history involves him being
aggressively overlooked. But like the Lonesome Loser of the song, “he
still keeps on tryin’.” He’s allowed himself to be set up in a series of
blind dates – none of which have panned out – by a good-intentioned friend. On
one of these arranged meetings, he’s introduced to a girl who has as sad a
romantic history as he does. And voila, they hit it off  and have a wonderful
night together that leads to some wonderful sex.

Unfortunately
for them, I’m telling this story, and I decided from the beginning it was not
going to end with a HEA. While he wants to continue to see her, she rejects the
notion of them in a relationship. Though she likes him, she thinks
it would be tantamount to “settling.” She fears the world will look
at them as two losers who couldn’t land anyone better and she won’t give the
world that satisfaction.

Okay,
it’s a stupid reason to toss away something magical. Have you ever heard of
anyone tossing happiness away for a good
reason?

It
ends with her out the door and him sitting on the banks of the Charles River in
utter bewilderment.

I
wasn’t quite prepared for the vehement reactions to the story, even though I
allowed that folks who love a HEA were going to be disappointed. Disappointed?
They were furious! Even some critics who, themselves, were into darker
explorations of the human heart were appalled.

Multiple
responders demanded that I explain what it was about the male protag that made
him repulsive to women. Well, how should I know? Why do nice guys, or for that
matter, nice girls end up alone?

A
few suggested ways I could give it a happy ending. (In fact, I could have added
two short lines at the end and instantly turn it into a HEA.)

Given
my sometimes morbid sense of humor, it tickled me to no end that some people
were angry at me for being a prick to my characters. I had struck a nerve.

The furious backlash told me I had gotten under the readers’ skins, manipulated
them into caring for and hoping for all the best for my characters. I can’t
blame them for being furious, but I’m glad they were.

Still,
it gives a writer pause, does it not?

When
you write, you’re playing with nitroglycerin … be careful.

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