Confessions Of A Literary Streetwalker: Dirty Words By M.Christian

by | May 10, 2016 | Confessions of a Literary Streetwalker | 1 comment

Very few genres have their writers picking and choosing—often very carefully—what words they can, should, or must never use. In erotica, word choice basically comes down to two questions: what’s appropriate to the story, and how important is it to work around limitations.

Believe it or not, certain editors and publishers have a verboten word list that includes certain slang terms or spellings. The question of whether to argue with them isn’t an ethical one. Your preference for cum rather than come or your use of pussy when the editor doesn’t favor it isn’t really the question. Your main dilemma is simply this: how much you want to see your work published? Editors will insist you take it out or publishers will often change the word without your permission, so really, how attached are you to these words?

For the record, I believe an anthology should be consistent in its spelling—so while I respect a writer’s preference for come instead of cum I don’t blink, or blink that much, when my publisher suggests a change so the word is the same in every story. In the second instance, if an editor or publisher simply doesn’t like a word … well, I suggest the editor go into therapy, and that the rest of us simply try not to sweat it when they take the word out. And we can always just not work with them in the future.

Now appropriate word choice: that’s another matter. Certain words either aren’t correct or don’t feel correct in the context of a story. The problem could be historical. For example, the word sex as a term for female genitalia is tolerable when you’re doing a historical piece, but when your character is a Gen-X, Y, or Z person, how appropriate is it? It might be technically correct, but sex is often used as a safe way of describing what’s between a woman’s thighs. My own rule is to use terms that feel right for the character. If someone is depicted as repressed, using words like cunt or twat is jarring. Same for an older man using clumsy slang for his own genitals, like member.

I applaud people for doing research, by the way. Nothing adds a flavor of realism more than slipping in a good word choice for sex or the active biology of sex. One of my own favorites is a 19th century term for female genitalia, Old Hat, because it was frequently felt. Yes, you may wince.

One thing I like to see in a story has little to do with the words of sex and more to do with the view of sex. Assuming that characters in a story set in Nero’s Rome view sex the same way we do today can result in some clumsy word usage. Certain types of sex were rare or seen with disfavor—in the case of Rome, noticing or even admiring women’s breasts in a sexual context was a sign of weakness. Just look at the Pompeii mosaics; the prostitutes depicted—no matter what they were doing—kept their boobies wrapped. Therefore, you wouldn’t want to spend too much time waxing poetic on some Roman woman’s tits if your story was set in that time period.

The bottom line is that certain words and ideas work and others don’t. The trick to picking the right ones has little to do with the power of them at this moment or your own personal preference as it does with their relevance within the story. Naughty words shouldn’t be ones that reach the modern libido but instead be used to continue to keep the reader within and enjoying the story. Because when you get down to it, an erotic story isn’t about the words but rather what you are saying with them.

M. Christian

Calling M.Christian versatile is a tremendous understatement.
Extensively published in science fiction, fantasy, horror, thrillers, and even non-fiction, it is in erotica that M.Christian has become an acknowledged master, with stories in such anthologies as Best American Erotica, Best Gay Erotica, Best Lesbian Erotica, Best Bisexual Erotica, Best Fetish Erotica, and in fact too many anthologies, magazines, and sites to name. In erotica, M.Christian is known and respected not just for his passion on the page but also his staggering imagination and chameleonic ability to successfully and convincingly write for any and all orientations.

But M.Christian has other tricks up his literary sleeve: in addition to writing, he is a prolific and respected anthologist, having edited 25 anthologies to date including the Best S/M Erotica series; Pirate Booty; My Love For All That Is Bizarre: Sherlock Holmes Erotica; The Burning Pen; The Mammoth Book of Future Cops, and The Mammoth Book of Tales of the Road (with Maxim Jakubowksi); Confessions, Garden of Perverse, and Amazons (with Sage Vivant), and many more.

M.Christian's short fiction has been collected into many bestselling books in a wide variety of genres, including the Lambda Award finalist Dirty Words and other queer collections like Filthy Boys, and BodyWork. He also has collections of non-fiction (Welcome to Weirdsville, Pornotopia, and How To Write And Sell Erotica); science fiction, fantasy and horror (Love Without Gun Control); and erotic
science fiction including Rude Mechanicals, Technorotica, Better Than The Real Thing, and the acclaimed Bachelor Machine.

As a novelist, M.Christian has shown his monumental versatility with books such as the queer vamp novels Running Dry and The Very Bloody Marys; the erotic romance Brushes; the science fiction erotic novel Painted Doll; and the rather controversial gay horror/thrillers Finger's Breadth and Me2.

M.Christian is also the Associate Publisher for Renaissance eBooks, where he strives to be the publisher he'd want to have as a writer, and to help bring quality books (erotica, noir, science fiction, and more) and authors out into the world.

1 Comment

  1. Lisabet Sarai

    Great points, Chris, echoing a recent discussion on the Writers list. However, you point on breasts in Rome brings up a question. I certainly wasn't aware of this historical reality–so to what extent will readers be? If a reader *likes* breasts (as I do LOL) won't he or she be disappointed if they are ignored?

    I guess as is always the case with writing, you have to balance realism with effect.

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