Lisabet Sarai

Sexy Snippets for March

February was a short month! Here we are on the 19th of March, and once again we’re encouraging you to post your Sexy Snippets!

The ERWA blog is not primarily intended for author promotion.
However, we’ve decided we should give our author/members an occasional
opportunity to expose themselves (so to speak) to the reading public.
Hence, we have declared the 19th of every month at the Erotica Readers and Writers Association blog Sexy Snippet Day.

On Sexy Snippet day, any author can post a tiny excerpt (200 words or less) in a comment
on the day’s post. Include the title from with the snippet was
extracted, your name or pseudonym, and one buy link, if you’d like.

Please
follow the rules. If you post more than 200 words or more than one
link, I’ll remove your comment and ban you from participating in further
Sexy Snippet days. So play nice!

After
you’ve posted your snippet, feel free to share the post as a whole to
Facebook, Twitter, or wherever else you think your readers hang out.

Have fun!

~ Lisabet

Orthodox Erotica

By Oxartes (Guest Blogger)

 

I joined ERWA in September 2006 and began writing erotica, as a hobby, about a year before that. Nothing that would justify me being this month’s guest blogger, right? Well, what is out of the ordinary and what might justify my being this month’s guest blogger is that I’m an orthodox Jew.

You’ll have never read anything I’ve written, except on the ERWA site (with one exception, check out Jewrotica), for one very simple reason, other than I consider myself a rank amateur, especially in comparison to the excellent, excellent writers here at ERWA. I’m afraid, I’m very afraid. I certainly don’t see a contradiction between my writing erotica (that ranges from PG-13 to XXX) and my being an orthodox (as opposed to ultra-orthodox) Jew; if I did I wouldn’t be here. But I live in an entirely orthodox area here in Israel (moved here 27+ years ago) and I don’t think that my friends and neighbors would be so generous. On the contrary, they would probably consider what I right to be rank pornography. The fact that I’ve written several stories based on accounts in the Bible would only make it worse, much worse. I might be judging my friends and neighbors too harshly but I don’t care to ever find out. So, I have a mania about staying as deeply anonymous and underground as possible. I won’t risk my family being ostracized. So why do I write?

I started erotic and/or paranormal fiction, as an escape, a sanctuary from the darkling plain (I love that poem) outside my door. (I do live in the Middle East.) The shadows that I create sure beat the insanity outside. Lots of people here live, eat, breathe and sleep “the situation” (as we call the Arab-Israeli conflict). They read books about it, talk about it on Shabbat and are totally preoccupied with it. It defines them. I can’t and won’t live like that. I live it and will never be away from it. But I won’t become consumed by it, I won’t let it define me. In order to keep my sanity, I need some respite and sanctuary from it. This is where writing fits in. It’s where I can forget the reality outside my window and help keep the wolves at bay. It’s where I can relax, unwind and have fun. I write purely as a (secret) hobby, as R&R and as a kind of therapy (to let off emotional/psychic steam). That I can immerse myself in fictional realities helps me deal with “real” reality. This is what writing does for me. I’ve never really had a hobby before; it’s very relaxing. Why specifically erotica? I really don’t know but it’s a lot of fun and I’m enjoying the hell out of myself.

Verse #45 of Omar Khayyam’s “The Rubaiyat” says:

“But leave the Wise to wrangle,

and with me The Quarrel of the Universe let be:

And, in some corner of the Hubbub coucht,

Make Game of that which makes as much of Thee.”

Writing is the corner in which I leave the Wise to wrangle, let the Quarrel of the Universe be and in which I couch and make Game of the lot! Writing has become such a part of me that I really can’t see not writing.

Erica Jong writes:

“Never does she feel more truly ‘successful’ as a writer than when she sees what passions her works arouse in people. One writes alone in blissful, or paranoid, solitude…So, to see actual fellow humans being moved to laughter, tears, and argument by one’s work — that is vindication. One is a good social being after all.”

I’ve created a series of stories about succubi and incubi. I’ve written several stories based on people/accounts from the Bible. Being an orthodox Jew, I’ve created an orthodox Jewish couple and written about them.

If I cause my readers to laugh (or just smile; I’m not greedy), cry, puke, argue or be entertained or moved in any way, then I figure I must be doing something right.

Do I have moral qualms about writing erotica?

There are certain things, especially in regard to Bible-based stories that I won’t do. Someone suggested that I write about David and Jonathan. I’ll pass. (Personally, I find the idea that they were gay wholly unsupported by the text. But I have written gay/lesbian stories.) On the other hand, I had no qualms whatsoever about writing how Delilah sexually tortured Samson into telling her the secret of his strength (our sages comment on Judges 16:16 and say that’s exactly what she did) or about King Solomon sleeping with the Queen of Sheba (our sages say he did) or about creating wholly fictional accounts about who the woman from Thebez was who dropped a millstone on Abimelech’s head (Judges 9:53-55), or how evil Queen Athaliah could’ve actually gone into the Temple at the precise moment when High Priest Jehoiada was launching his coup d’etat against her. (II Kings 11:13-16). I started a story about David and Bath-Sheba from Bath-Sheba’s point-of-view but didn’t like the way it was going; I’ve shelved it for now.

On Yom Kippur, whatever qualms I still have about writing erotica give way to thoughts about my temper and judging others, about being a better husband/father/son, etc. Am I shortchanging God thereby? I don’t mean to and I sure hope that He doesn’t see it that way. I see myself as kind of like God’s court jester. His Majesty keeps me around and lets me say outrageous stuff (within limits) because He knows that I love Him and am His most loyal subject, flawed as I am.

I love to read history. My pen name, “Oxartes”, is a hybrid of “Oxus” and “Jaxartes“. These Asian rivers were, to the ancient Greeks and Romans, the barely known end/edge of the civilized world. They were mysterious in and of themselves and marked the border between the known and the vast unknown. I find writing a way to explore the unknown in my psyche.

I adore Bram Stoker’s Dracula. I have a little Bantam paperback edition (very dog-eared by now) that I reread every year or so. It has an introduction by someone named George Stade who writes:

“(…)

Bram Stoker’s Dracula, in short, is an apparition of what we repress, particularly eros. To be bitten by Dracula is to become slave to a kind of lust, abandoned to unlawful hungers, a projection of the beholder’s desire and dread…

Dracula is the symptom of a wish, largely sexual, that we wish we did not have. The effect of repression is to turn a hunger into a horror; the image of a repressed longing as it appears in a dream or a fiction is a sinister shape that threatens with what it promises, that insinuates the desire beneath the fear…

…For Dracula is a classic, a book that tells us not what happened but shows us something of what happens wherever there are humans. The fear of death and the fear of the dead and the dream of immortality; the psychological and sexual dialectic within us of mastery and submission, of sadism and masochism, of the desire to hurt those we love and be hurt by them for our desires, the conflict within us between knowledge turned into civilizing power and the power of unknowable and uncivil urges, the alternating control over us of the moonlit energies of the night, when fantasies rise from our sleeping heads to enact our darkest desires, and the waking renunciations of the day, and define manhood and womanhood — these have always been with us. In Dracula, for all its occasional clumsiness and systematic naivete, Stoker transformed what was merely personal or only of his time into images of something more — of something at once monstrous and definitively human.”

For me, much of the erotica that I write is where I give voice to those repressed hungers and uncivil urges and enact my (darkest?) desires, and not only let them frolic in the moonlit energies of the night but get naked and frolic right there with them (as it were).

I suppose some/much of what I write is personal fantasy and repressed wish fulfillment. It’s fun, and I suppose, therapeutic to be able to give voice to my fantasies and repressed wishes.

As fun as writing the occasional raunchy stroke piece (i.e. sex for sex’s sake) can be, the story is very important to me. I like writing stories with varied, often historical, backgrounds. I’ve always liked doing research and try to make my historical settings as accurate as possible. Among the earlier things that I wrote is a series of ten stories about succubi and incubi. In the order in which I wrote them, they take place in modern-day New York, 1302 Ghent, modern-day New York again, 9th-century west Africa, modern-day Buffalo, 1880’s London (involving Jack the Ripper), a Jewish community in 1702 Pinsk, Atlantis and then Carthage on the eve of its fall to Rome (this is the “origin” story), Tibet during the Cultural Revolution and 10th-century Mesoamerica. I would like to go back to the series one day, rewrite some of the earlier stories (I think my writing has improved since then) and write some new ones. I have ideas for stories in modern-day Honduras, ancient India (with a guest appearance by the Buddha, no less!) and late 19th century Samoa.

I’ve written a trilogy of short stories set in ancient China, a few Norse mythology tales, two (unrelated) stories set against the background of the US Civil War and several Israeli (as opposed to Jewish) stories. I’ve given an erotic makeover to several classic fairy tales, written about voracious snake- and spider-women and tried some fan fiction (if Darth Vader was motivated by anger, guess what motivated Darth Maia??).

One of the things I love about the creative process is how ideas take root and develop. Once in a while an idea will spring fully-formed, Athena-like, from my head and I will just have to flesh it out. What has become my magnum opus, what I’m working on now and which I would eventually like to try and publish, has been the exact opposite.

In November 2007, I wrote a 4,000-word story “The Vow” (in the ERWA Treasure Chest) about Alex, an orthodox Jewish private investigator, a former cop and a widower, in New York who stumbles across a ghost, a beautiful Jewish woman who died in 1931, and with whom he must have sex in order to release her from a terrible vow. When I wrote it I had no idea for a sequel.

But an idea took root and just wouldn’t let go. Building on the characters and setting of “Vow” (which I did not rewrite), in May 2010, “Fiend in Need” was born. (It is just under 20,000 words and is also in the ERWA Treasure Chest.). As opposed to “Vow” (which is an almost sweet story of self-discovery), the issues in “Fiend” are larger and considerably darker. Here’s a spoiler: “Fiend” and the as-yet nameless sequel (almost 37,000 words so far) are my version of the Lilith legend. Lilith stars in “Fiend”, as does my other new main character, Devorah, whom Lilith possesses and whom Alex eventually marries. “Vow” and “Fiend” are told in the first person, by Alex. As-yet-nameless sequel (in which the issues are larger and darker still) is being told in the first person, by Devorah. Writing in a female voice is proving to be quite a challenge, and a lot of fun.

Creating Lilith is a challenge in and of herself. She is the villain but I want her to be understandable, tragic, even sympathetic to a degree. I do not want her to be some monochrome figure who is more caricature than character. As-yet-nameless sequel really revolves around the struggle between two strong-willed women, Lilith and Devorah, with Alex playing more of a supporting role.

I have a general idea for the plot for “sequel” but I’m finding that I’m changing things as I go along. Often an idea that I have in my head just doesn’t come out right on my monitor. Often, as I’m writing, an idea will take shape and run more or less on its own and it fits and I like it. The creative process can be such a hoot.

I guess this is me.

Questions?

L’chaim!

Oxartes

[email protected]

Oxartes is 50, married for 25+ years, the proud the father of two teenage sons and the proud owner of two dogs (who, unlike the teenage sons, actually listen). He moved to Israel from the US 27+ years ago.

Fed Up With Following the Rules?

Do you agonize over what will sell?

Are you torn between what inspires you personally and what the pundits claim will garner you a best seller?

Scared that your work is too extreme or bizarre for the reading public?

Has worrying about markets and taboos taken all the fun out of your erotica writing?

We have the answer!

Here at ERWA we have declared the month of March to be National Write Whatever the Hell You Want Month. The brainchild of contributor Donna George Storey, NWWTHYWM starts today.

The rules of this effort are – there are no rules. And to support you in your efforts to throw off the shackles of genre tyranny, we’ve set up a page for you to share your thoughts and experiences. Just go here:

https://erotica-readers.com/blog-page/

You can also reach this page by clicking on the link at the top of the right sidebar.

Have fun. That is, after all, what it’s all about…

~ Lisabet

Sex-free Erotica

Once upon a time, I was nominated for a Silver Clitoride – seriously, you can’t make this stuff up. The story that prompted this honor didn’t have a single sex act depicted, no intercourse, no fellatio, no cunnilingus – none of the activities that most people, not including Bill Clinton, would define as actual sex. But enough readers thought it was erotic. Alas, not quite enough to push it over the top and earn me the coveted Golden Clitoride.

The story is a bit of a downer too; not only no sex, but it occurs on the very last day of a marriage of two “best friends” who had shared a bed for ten years, but are splitting because the woman has met her soul mate, a possibility each had accepted going into the marriage. The man won’t stand in the way of his wife’s/friend’s happiness, but on their last day together he offers to give her a backrub … yeah, a backrub … just a backrub.

Okay, you’re thinking, but backrubs can be sexy. Well, yes, any application of warm hands on bare skin can summon the blood to the erogenous zones. But anyone who gives a good backrub, and I unabashedly number myself amongst such artists, knows a backrub as foreplay has an inherent downside; it tends to put the recipient to sleep. If your partner cajoles you into giving a backrub, you have to know that you are investing in morning sex. For the nonce, you’re hugging your pillow out of frustration.

The woman in my story also falls asleep. She awakes feeling ten years younger, but also alone. He’s left the divorce papers on her kitchen table, signed, and taken his broken heart and moved on.

A friend pointed out to me recently that many of my stories don’t have sex scenes. I begged to disagree: “Ah, go on!”

But when I surveyed my story archive I was mildly astounded. She was right. Not that I can’t write an arousing sex scene, but I have to admit that when I do, they are work. Most depictions of the act, to borrow that running gag from “Betelgeuse,” read like stereo instructions. One could easily substitute the mechanics of a piston engine for a sex scene and I doubt anyone would be the wiser.

So not only have I come to a realization that I’ve been penning stories with no, or perfunctory sex scenes, it’s also occurred to me that I tend to read past those scenes in other’s books and stories. I suppose I should be drummed out of the ranks of erotica writers, but really, how many ways can you describe screwing? A novice may fall back on florid language – how many times have you read the term jackhammer used as a verb? But even old hands can slip into that trap. I admit to concentrating on the viscosity of pussy secretions to the point where I had to stop and think: He’s screwing her; he’s not changing her oil.

Actual sex is less important to me than how characters get to having sex, or not having sex. The best stories I’ve read unfold like extended foreplay, and I’d rather describe over multiple paragraphs how a man kisses a woman’s leg or licks her belly button. Oy! Don’t get me started on belly buttons.

I’m content to end a story with a hand slipping under a sweater, or a kiss applied to a knee exposed by a tear in a lady’s jeans.

But actual penetration? Hey, a paragraph will do.

And what if there’s no chance of penetration? I’m at an age now when things aren’t as easy, nor as frequent. Still, you like to think you’ll die in the saddle, or go down fighting. More than likely, you’ll have given up your guns long before you go knock-knock-knocking at Heaven’s door. And Viagra, with the myth of a hours-long erection? I’m convinced it is all a marketing ploy.

I’ve used erotica to look mortality in the face, imagining an elderly man who can still appreciate a young girl’s beauty and yearn for her. He’d rather yearn for her in vain than not feel anything. A form of masochism to be sure. Sex isn’t going to happen, and it doesn’t in that story. Is it erotic?

How about a couple holding hands on a bench savoring the sights of beautiful young women in summer attire? He’s a straight widower; she’s an elderly lesbian who has recently lost her partner of many years. Together they appear like any old couple slipping into their twilight, when in fact they’re a pair of friends who share a hobby. I dunno … you think that’s erotic?

Is there anything more erotic than a broken heart? I’ve peeked in on a couple, a guy and a girl, who are also best friends. And because he is the one person she trusts implicitly with her secrets, she asks him to give her an enema in preparation for the anal sex she plans to have with her boyfriend. It’s slapstick; but it’s also heartbreaking for her devoted friend. Erotic?

Over on the ERWA discussion lists we can count on the latest newbie to raise the question: what’s the difference between erotica and porn? And everyone sort of heaves a sigh and says, well, here we go again. I make no attempt at definitions. To borrow from Justice Brennan, I can’t define it, but I know it when I read it … and write it. And, you don’t have to agree.

 

BACKRUB

2001 Golden Clitoride nominee

He had offered to massage her shoulders … a parting gesture. She had let him, knowing better, knowing where it would lead. Now she lay on her bed, on her belly, stripped to her panties as his hands roamed, not randomly, but deliberately over her shoulders, then down, thumbs pressing deeply but gently along her spine until the heels of his palms pillowed up against her tailbone.

His hands began their return track up her back, trailing a wake of friction … heat that saturated her flesh and sought out every knot, every muscle made tight by frustration, stress or anxiety. She felt herself dissolve under his hands and enter a state of total relaxation.

His hands pressed over her hips and up her sides. His fingers subtly ploughed the valleys between her ribs. Then farther up to where he kneaded the soft flesh just beneath her arm before sharply turning, pressing over her shoulder blade, a thumb and pinky finger gauging its width.

His cock grazed her right thigh like a velvet wand, dabbing and streaking precum that had already cooled at the tip. She wondered when he had shed his trousers, but in the state he had put her in, she hadn’t noticed much.

He could take her now. She would not, could not resist. Warm syrup flowed out of her pussy that would coat his cock and slicken its way to her pulsing center. He could also toss her over on her back as if she were a rag doll. Either way made no difference … she was open, unguarded, utterly pliant.

Her mind darted to the day they met. They had been tossed together, the only two responsible for an impossible task. They had cursed their lot with humor and teasing and shared the camaraderie of the “screwed over.” Somehow they had completed the project on deadline. Their superiors made them a permanent team.

They were the best of friends. Their bond was that of two people who had endured against the odds and met a challenge arm-in-arm. Friendship became something deeper and marriage seemed like a good idea at the time.

They had carried their teasing and humor into their married life. She believed in soul mates, and flatly pronounced that he wasn’t hers. They had laughed about it then, even though she said if she found her true soul mate she would be torn to leave him. He said he could accept it if it meant her happiness. They decided then that the odds were that they were stuck together in this lifetime, best friends, lovers and companions.

That was ten years ago. Today she had called him home from the apartment he had taken recently. The divorce papers were ready to be signed. In defiance of the odds, her soul mate had stepped into their lives. She knew immediately, and explained to her husband.

… “I feel complete with this man, I won’t be complete without him,” she said.

She told him even as the aroma of the sex she had shared with her lover lingered about her. He drew deep breaths of it and replied, “Looks like I’m yesterday.” He said it as a statement of fact, no bitterness, no anger. He was like that. He would not fight the facts.

He insisted on a no-contest divorce, one lawyer for both. He didn’t want to take anything out of the marriage. It was all hers. He would shed himself of her entirely, except the memories. He had already lined up a new job more than a thousand miles away. …

He had sensed her anxiety as she greeted him at the door. Before she even had a chance to make small talk, he said, “You’re a bundle of nerves. You don’t have to be that way.”

“I guess I can’t help it,” she replied.

“Let me massage your shoulders … one last time.”

She knew she should have said no. His hands were magic. He called running his hands over her naked body “worship” and approached her not so much as a lover, but a supplicant. It was as if he entered a zone of spirituality, while she absorbed his total attention. She felt venerated. It was a heady, erotic elixir that his hands served.

The heat from his touch had opened her pores. Her skin became moist. Now he just lightly grazed his palms over her back, then ever more lightly still. Her body was a feather, inanimate on the bed.

She awoke just two hours into the new day. She lay on the bed for a long moment before she tested her muscles’ ability to lift herself into a sit. Her panties were still on. He hadn’t fucked her.

She stood and pulled on a robe that she let hang open. Her skin tingled and felt new. It seemed like ten years had been filtered out of her. As she started downstairs she looked at herself in the mirror on the landing. She nearly glowed and had to say to herself, “I’m beautiful.”

Stepping off the stairs she sensed at once that she was alone in the house, but more than that she sensed his absence.

She found the divorce papers signed on the kitchen table. Beneath his signature he had written, “Goodbye.”

A single tear fell from her cheek and smudged the ink. She knew she would never see him again.

About the Author

Bob Buckley was born in Cambridge, Massachusetts, in a hospital that doesn’t exist anymore, but was a conveniently short ride over the Prison Point Bridge from the Charlestown housing projects, in the shadow of the Bunker Hill Monument, where his family lived. He may even have passed Malcolm X, who was finishing up his time at the old state prison, when his parents took him home.

When he was four they moved to a brand new project in Boston’s Columbia Point, the site of a former WWII prison camp for Italian prisoners, and hard by the city dump. It’s now the site of the JFK Library and the University of Massachusetts. So wherever he went he came in touch with history, or history in the making.

Finally leaving the projects behind, he lived in a series of triple-decker houses in Boston’s blue collar Irish-Polish neighborhoods where one identified oneself not by the neighborhood one lived in, but what parish. It was a boisterous place peopled by folks who were casually violent and racist, tribal, spiteful, gossip-ridden, intensely loyal and unconditionally loving. The parish church and the greater Apostolic Catholic Church held sway over all aspects of life, so it was a repressed place, but the stronger the repression, the more likely renegade ideas and—Oh, my heavens!—questions are spawned.

Saturday afternoons one was obligated to confess not only actual sinful deeds, but also thoughts. Can you imagine how many times a day a young boy might visualize a naked girl? Never mind that he might have no foundation at all for his imaginings of what a girl might look like without her clothes on. He still had to tell the priest.

Every so often, one of the neighborhood kids would swipe his older brother’s or bachelor uncle’s Playboy.

Wow! Did they really look like that? Then how come Mary Theresa O’Halloran or Anya Wisniewski looked so unfilled under their parochial school uniforms?

Bob had his suspicions that the girls in Playboy were not precisely representative of real girls, so while he enjoyed sneaking peeks at the pictures, he noticed the short stories and fiction that surrounded those pictures. And that began his fascination with words in general, but especially erotic words. And it’s a fascination he’s maintained long since escaping the old neighborhood and finding out for himself what girls look like when they’re naked.

Today he still finds himself a stone’s throw from history, living up the hill from the spot where they hanged the victims of the Salem Witch Hysteria. He enjoys using words to uncover the erotic in places you might never expect to find it—like everyday, mundane life. He especially enjoys writing about ordinary people who find themselves in extraordinary erotic situations. So, far, it’s been fun.
 

The Romance of the One Night Stand

By Lisabet Sarai

After a solid week of roses and candy,
hearts and flowers, I’m just starting to recover from Valentine’s
Day. When you write erotic romance as I do, you are more or less
required to participate in the romantic frenzy. Over the past seven
days I was involved in two different Valentine’s blog hops
simultaneously. Every email I sent out to readers, every promotional
message or invitation to my blog ended with the obligatory “Have a
Happy Valentine’s Day”. All my publishers had contests dedicated
to love. Every day I received notices of Valentine’s release parties,
Valentine’s chats, Valentine’s treasure hunts, special Valentine’s
prices, et cetera. I spent more than an hour yesterday
collating entries to my own giveaways and sending out notifications
and prizes.

I’m exhausted. Not that I have anything
against Cupid’s Day, mind you. I enjoy a candle light dinner, a glass
of wine, and the intimate aftermath as much as anyone. It’s just that
my notions about romance aren’t exactly conventional. For example, in
contrast to the Happily Ever After crowd, I tend to find one night
stands deeply romantic.

I’m not talking about Erica Jong’s
zipless fuck here, a chance conjunction of bodies with physical
pleasure, and perhaps the shattering of conventions, as its primary
goal. I’m talking about the sense of erotic connection I’ve sometimes
experienced in the arms of a stranger. The one night stands that live
in my memory had a sense of rightness that amplified every sensation.
Two individuals blundering through life, we collided by chance, and
for a brief, beautiful time, we became one creature. Bound by lust,
and perhaps loneliness, together we lit up the night.

Traditional romance celebrates the
concept of soul mates. Some of the lovers who shared my bed just once
seemed to know me so well, I was almost ready to believe in that sort
of destiny. At the same time, bittersweet regret always lingered in
the background, the specter of inevitable parting. The shadow of
pending farewell threw the immediate pleasure and joy into sharp
relief.

For me, one night stands are erotic
exactly because they don’t last forever. The transience heightens the
intensity. Rationally, I understand that the magical feeling of
connection may be an illusion. Relationships based on chemistry alone
rarely survive. What if I’m not deluding myself, though? What if this
man really was “the one”? How deliciously tragic to know
that we’ll go our separate ways! And how sweet to imagine an
alternate, impossible future, a future of endless nights, equally
incandescent. The fantasy thrills me exactly because I know it will
never be fulfilled.

No wonder I have such trouble adjusting
to the tropes of romance .

I’ve tried to capture the eroticism and
transcendence of one night stands in some of my short stories (though
reviewing my back list, I’m somewhat disappointed to realize how
few). Perhaps the purest expression can be found in “Shades of
Red”, available in my collection Spank Me Again, Stranger. A
young woman, fascinated by the red light district in Amsterdam, rents
a window for herself. A stranger engages her services, seeking the
discipline her costume seems to promise, and she discovers that
indeed she does have a talent for dominance. The bond they share as
she beats him is not at all what she expected.

***

He’s shy and grateful afterward. I sit
in the armchair, watching him as he dresses. He’s definitely a
handsome man. When he pulls his wallet from his pocket and tries to
give me a hundred euros, I shake my head.

“Thirty. That’s what we agreed.”

“But you gave me so much – just
what I needed.”

“Never mind. Business is
business.”

“Please…”

“I said no. Are you going to start
disobeying me?”

He smiles, puts most of the money away,
and presses a ten and a twenty into my hand. “Thank you. Thank
you so much.” For a moment I think he’s going to kiss me. I wish
that he would. But that moment passes. He reaches for the door,
squeezes past me in the crowded room and is gone, into the night.

I lean back in my hired chair staring
at the bills in my hand. I’m sweaty. My hair has come loose from the
clip and is tangled down my back. My arms ache.

When I unlace my corset, my breasts
tumble out, the nipples as hard and sensitive as ever. I unsnap the
leather panties, drenched and stained from my juices. They make a
sticky noise as I pull them away from my pussy. The ripe smell of
cunt rises, mingling with the bitter scent of semen. I reach for the
vibrator, conveniently to hand in the tiny room. The cool stainless
steel cylinder slides deliciously into my swollen cleft. I flip the
switch to high and writhe helplessly as the vibrations trigger one
ragged, ecstatic climax after another.

Epiphanies? Revelations? I don’t think
he’ll forget this night. As for me, I know that the memory of his
red-streaked buttocks and tear-stained face, my power and his
surrender, will fuel intense orgasms long into the future.

I still feel high as I lock my door
behind me and step into the street. I’m naked under my coat. Every
sensation is frighteningly acute. A random breeze plays in my damp,
bare sex. The smell of spilled beer mingles with the tang of autumn
leaves.

The alleys are still crowded. I hear
snatches of conversation in a dozen languages, riffs of jazz and rock
and roll. I sense the beat of the men’s hearts as they congregate
around some red-lit rectangle of glass.

A lithe male figure in a turtleneck
brushes past me and my breath catches in my throat. Images flood my
mind, images of pale, pliant flesh, offering itself to me.

It occurs to me, as I make my way back
to my five star hotel and my ordinary life, that perhaps I am the one
who was marked this night.

***

I defy you to tell me that’s
not romantic.

Sexy Snippets for February

It’s that time again! Time for you to post your Sexy Snippets!

The ERWA blog is not primarily intended for author promotion.
However, we’ve decided we should give our author/members an occasional
opportunity to expose themselves (so to speak) to the reading public.
Hence, we have declared the 19th of every month at the Erotica Readers and Writers Association blog Sexy Snippet Day.

On Sexy Snippet day, any author can post a tiny excerpt (200 words or less) in a comment
on the day’s post. Include the title from with the snippet was
extracted, your name or pseudonym, and one buy link, if you’d like.

Please
follow the rules. If you post more than 200 words or more than one
link, I’ll remove your comment and ban you from participating in further
Sexy Snippet days. So play nice!

After
you’ve posted your snippet, feel free to share the post as a whole to
Facebook, Twitter, or wherever else you think your readers hang out.

Have fun!

~ Lisabet 

Writing Ticks: How to Kill a Great Story

By Emilia Mancini (Guest Blogger)

As an editor, I should find that writing comes as easily and smoothly as breathing. However, I am one of those writers who has terrible personal ticks—bad habits that become a part of a writer’s style. For me, the ticks formed early in my writing career—long before becoming an editor and published author—and have stuck with me. I fully recognize that I have these issues, but as personal ticks tend to do, they have been nearly impossible to break.

One of the worst things I do is use the same words and phrases over and over. I latch onto a word and seem to find a way to work it into every paragraph. Several times. This is an incredibly annoying habit to me as an editor, but as a writer it’s one that I can’t stop doing. I now edit my work looking specifically for a word that that wriggles its way in far too often. In my last book that word was “slid.” He slid down her body. She slid his cock into her mouth. They slid onto the floor. I cut out so many instances of “slid,” I was nearly banging my head by the time I finished.

Another tick, one that I can’t seem to get away from, is “filtering”. Rather than just saying someone took a slow drink, I have a terrible habit of saying something like, “He watched her take a slow drink.”

If we are in his point of view, of course he watched her. If he wasn’t seeing her take a drink, we wouldn’t be seeing it either. There is no reason for the writer to constantly tell us he was watching or he looked or he felt. Tighten those sentences up, get rid of those filters, and get right to the point.

The last bad habit that I just recently realized I have, is using the word “again.” Okay, I already said that I fixate on words and over use them, but my abuse of “again” deserves its own tick. If you have this habit as well, stop. Stop now. “He kissed her again.” Or “She moaned his name again.”

Again is a lazy word. It’s basically saying, “I’m too tired or uncreative to find another way to say what is happening.” If you have to use “again,” constantly throughout a scene, take a step back and see what can be altered to shake up your word usage, because I promise you, something can be changed to expand on what you are trying to express.

There are so many ticks and we all have them, we all have things that define our way of writing that makes our editors cringe. The trick is to find those problems and correct them before they make it to the editor’s desk.

Some tips for editing:

1. Walk away and come back later. Reading and re-reading something you just wrote makes it nearly impossible to see your errors. Let it sit for a few hours, or days if you have the patience. When you come back, your brain will more easily see what is actually on the computer screen instead of what you intended to say.

2. No, it’s not easy, but try to read first for content. Fix plot holes and inconsistencies before getting hung up on technical issues. Pay attention to things like eye and hair color and the names of secondary characters. These are things that can easily be mixed up.

3. Read your manuscript again for grammar, those pesky writing ticks, and incorrect spellings that have slipped through your computer’s spell check program.

4. One last step, one that can make a huge difference in how you see your words, is to print the book on paper. If you have the patience, put it aside for a day or two. Then curl up and get to reading.

Though these steps are basic and suggested repeatedly, they are tried and true editing tips that can make the difference between a sloppy first draft and a solid submission that an editor, and hopefully a publisher, can really sink her teeth into. Utilizing all or just a few of these also can help you recognize and correct your own personal ticks—before your editor rips her hair out.

Bio

In her “real” life, Emilia Mancini is a Developmental Editor at Musa Publishing, a freelance journalist working for numerous magazines, and a freelance editor/publicist working with independent authors. She has a double BA in Journalism and Public Relations and will earn her MS in Publishing from University of Houston-Victoria in May 2014.

Emilia is published with Musa Publishing, Liquid Silver Books, and Sweet Cravings Publishing (as Marci Boudreaux). Her newest release, Seducing Kate, is now available from Musa Publishing.

Coming to a Conclusion

By Rose B. Thorny (Guest Blogger)

As writers, we all know that there
comes a time when we have to end it all.

Whether we’re plodding, strolling,
prancing, or hurtling towards the inevitable, we know it is precisely
that… the unavoidable conclusion that we must reach if we’re
going to have a marketable product, even if we don’t actually sell
it for money. By marketable product, I mean a story that satisfies
someone other than the writer. The way I see it, the point of
writing a story is to tell a story you have inside you, but the point
of finishing it is to share it with others.

That last part is the gamble, though,
isn’t it?

Not long ago, I was involved in a
discussion that arose from a writer saying, essentially, that she was
“stuck” part way through a major project. Part of the discussion
touched on where, in stories of any length, one is likely to get
stuck, and I gleaned that it is not unusual for authors to stall when
their stories are reaching the conclusion. If it had occurred to me
at the time, I would have taken a little informal poll just to get a
ballpark percentage, rough data on the number of writers who stall
near the end of their projects.

Of the stories I’ve started and not
finished, the majority of them are close enough to the end – beyond
the major turning point – that I realize that point is where I have
stalled. It isn’t that I don’t know how the story is going to
end, because I have a very clear vision of the where and how of the
conclusion. Of the stories I’ve written and finished, though, I
think about how much easier it seemed to be to finish them before
I’d had any successes.

The more stories I wrote and finished,
the harder it became to finish them. While I was writing the final
act of my later stories, I’d write a sentence or two and then I’d
feel paralyzed. I’d have to get up and walk around, look out the
window at the bird feeders, or get a coffee, then I’d sit down and
write another sentence, then maybe do a chore – put on a load
laundry, or walk out to get the mail (and that’s a fifteen-minute
break, because out to the mailbox is a quarter-mile hike) then sit
down and a few more words. It got really bad when I’d watch myself
writing two or three words and then being so antsy I’d have to get
up and move around for ten or fifteen minutes (taking deep breaths
and feeling totally wired), before I could sit down and write another
few words. I reached a point where it really just wasn’t fun. It
was all anxiety about writing the perfect story.

I’ve thought about this a lot, just
to try and analyze what’s going on in my brain when this
unfortunate impasse occurs.

I’m not going to get into the
mechanics of writing and how, if such a thing happens, you should
just sit and write, write, write, even if what you are writing is
crap. I don’t believing in writing crap on purpose, the same way I
don’t believe in making a crappy dinner on purpose, even if I’m
cooking just for myself. If it’s crap, it isn’t the story I’m
writing and all I’d have, if I did that, is a good story with a
crappy ending, which, I think, is why I’m subconsciously afraid to
continue on to the conclusion in the first place – the fear of
writing a crappy ending. To me, a crappy ending means there wasn’t
much point in writing the story at all.

I’m also not going to be shy about
saying that when I’m writing what I consider to be a good story, I
sincerely believe it is a good story. My gut tells me
it’s a good story. Of course, I don’t know if that’s misplaced
confidence, or an example of perfectly appalling hubris, or pathetic
self-delusion, or, by some weird twist of fate, true. I do know that
when I read and re-read (and re-read) the story, up to the point
where I’ve stopped, I find it entertaining. I think, “This
is a story I would read right to the end, if someone else wrote it.”

And that’s when I wish someone else
had written it… and finished it!! I think that if someone
else had written it, they would have known, in advance, what the very
best slam-bang ending would be, the one that would have the readers
saying, “Wow…just wow.” I know what the ending is going to be,
but I think what happens is that very special fear creeps in. It is
the fear that the conclusion will not live up to the rest of the
story, that it will be a disappointment, not to me (because I can
self-delude with the best of the self-delusional), but to the reader.

With the stories I’ve written and
finished, I thought the endings were good, but before I heard
that from anyone else, first I would think it’s good and then I’d
start thinking, “No, it sucks. Everyone is going to hate this.
Why did you even put it out there?” And then I’d get the
feedback and it confirmed that my initial gut reaction was on track –
the story, including the end, was good.

And that is the bigger picture:
Writing a good story and finishing it and having it
acknowledged as worthy by one’s peers and other readers. That’s
great, when it happens, but then the next story is all
conclusion, by which I mean that before I’ve even gotten a few
hundred words into it, I’m already thinking, “This is going to be
a disappointment. I won’t be able to do it again. Even if the
story line is good, the ending is going to be a letdown.” I can’t
help but think that any success is a fluke and the odds of flukes
continuing are not good.

Conclusions mean, to me, that I just
have to keep getting better and better and better, but, in my
experience, at some point, there is no better, there is only a “this
is as good as it gets” plateau and after that, it’s just like the
boiling point of water. The only thing that happens when water
reaches the boiling point is that it starts evaporating. But there’s
also no sitting on your laurels, because, well, that’s what
everyone says… don’t sit on your laurels. The implication is
that sitting on your laurels is the equivalent of failing. So what’s
the alternative? Keep going, keep boiling that water in the pot.
Keep proving to everyone that you’re as good as, or better than,
your previous success. Keep walking along that edge. Keep that gut
of yours clenched and those hands shaking and your heart pounding
with anxiety wondering when the fall is going to come. Rest on your
laurels and you’re a has-been failure, who loses all respect, or
keep going knowing that, eventually, you’re going to fail anyway.

This isn’t just the ravings of an
insecure, anxious wimp.

Very few published authors, whose work
I enjoyed initially, maintained a level of quality and anticipation
that has kept me coming back for more. Of course, there were/are
some, a few, who have maintained the momentum, but so many others
started out writing stories that had me gripped to the end and then
something happened. Somewhere along the line, while their subsequent
stories held the promise of, “Yesssss, that was a fabulous read,”
the conclusions became predictable, and then, even the stories became
repetitive and predictable, and the endings a yawn I saw coming.

I don’t want that to happen to me,
but if it happens to so many oft-published professionals, with so
many years of writing under their belts and so much more experience,
how can I possibly expect it not to happen to me? Why would I
be an exception to that? What would make me think I’m so
special that I believe I would be? And that creates the specter of
being a disappointment, the image of a has-been that nobody cares
about or even remembers. “Yeah, what’s-her-name was good to
start, but then, pfffft… she lost it. What was her
name, anyway? Well, doesn’t matter.”

The conclusions become harder and
harder, because every ending means a next beginning and the doubt is
always present that there will either be a plethora of
three-hundred-word beginnings, or no next beginning whatever, because
all of it, and not just the slam-bang endings, will have dried
up.

Okay, so if you’ve read this far,
you’re probably thinking, “This is the most downer blog piece
I’ve ever read on ERWA,” and, perhaps, you’re right, but bear
with me. Just keep reading a bit further… I’m almost done.

I started a story, way back in
September of 2012. Just as I reached the turning point of the story,
the part that heralded the conclusion, I stopped. Over the
subsequent months of 2013, I went back to it regularly and re-read
it, edited it (and by edited, I mean embellishing or changing
phraseology, or finding a better word, or rewriting sentences –
nothing major, just touch-ups), but never added to it following the
last sentence of the story as it stood when I’d stopped. I really
enjoyed re-reading the whole story over and over. I couldn’t see
much at all wrong with it, and still don’t.

While it is unfinished, though, it
holds all kinds of promise. I think the fear is that once I finish
it, it won’t live up to the promise and, if I put it out there and
it’s a flop, I will have neither the energy nor the inclination to
do it all over again. The second fear is that if I put it out there
and it is not flop, what do I do next? The expectation will
be that the next one has to be even better, and if this one took over
a year to write, and it’s good, how long will it take to write an
even better one? I mean we’re not talking novel, here. I’m
talking about a story that is, at this point, just under 14K, and
it’s taken me fifteen months to get that far.

But here’s the upshot. I did
get over the first hurdle of the conclusion. Over the past winter
break, when I had thirteen days mostly to myself (if you don’t
count getting up every two minutes to tell the new puppy, “Get
down,” “No, you can’t have that,” “Drop that,” “Here,
play with your toy instead,” and ask “Do you need to go out and
pee?”), I actually sat down and wrote the pivotal scene that
presages the final act of the story.

If I can do that, then I can finish the
story. And if a neurotic, anxiety-ridden, over-analyzing
perfectionist with crazy-ass self-esteem and insecurity issues can
finish a story, anyone can.

The End.


About Rose

Rose B. Thorny (the “T” is often
silent) has been a denizen of ERWA since 2005. She has been
published in the anthology, “Cream, The Best of the Erotica Readers
and Writers Association,” and boasts stories in Volumes 7 and 10 of
Maxim Jakubowski’s “Mammoth Book Of Best New Erotica,” plus
stories and poetry in ERWA’s Treasure Chest. By day, Rose is a
not-exactly-mild-mannered administrative assistant. The rest of the
time, she is all over map trying to focus on writing, cooking, art,
photography, wildlife and running the homestead with her husband, all
the while, looking after three cats and now a new puppy. Rose is
also an ERWA Storytime editor; she loves the thrill of reading work
by the promising new writers who make ERWA the coolest hotspot in
literary erotica.

Writing Commando

By Lisabet Sarai

When I was in my mid-twenties –
during my sex goddess period – I sometimes went out without
panties. Walking around bare beneath my skirt, every current of air
caressing my naked flesh, was thrilling to the point of addiction.
It’s not that I’m an exhibitionist (although perhaps we erotic
authors all share a desire to expose ourselves). I wasn’t interested
in treating strangers to a flash of my pussy. Indeed, I would have
been mortified if I’d accidentally revealed my bottomless state.

The appeal had more to do with a sense
of freedom and a consciousness of risk, a heady appreciation of my
own delightful recklessness. Most of my life I’d hewed close to the
rules, an overachiever always trying to please others. I’d been shy
and timid, dutiful and diligent, the quintessential good girl. When
my hormones took over the helm, that changed. I found that I was far
braver and more brazen than I (or anyone else who knew me) would have
believed. And I loved that feeling, the notion that I was treading
the edge rather than keeping to the straight and narrow.

My panty-less state focused my
attention on the sensual. I became acutely aware of temperature and
texture. Arousal simmered through me, ready to be sparked into flame
by a chance encounter with a kindred spirit. Erotic possibilities
waited around every corner, and, bare-bottomed and moist with
anticipatory desire, I was ready to take advantage of them.

Writing my first novel felt very
similar to “going commando”, though it came more than a decade
later. I didn’t worry about markets or reader sensibilities. I wrote
what turned me on: wild, kinky, transgressive scenes, every
assortment of genders, twosomes, threesomes and foursomes, floggers
and spankings, nipple clamps and butt plugs, public sex, pony sex,
anal sex, even golden showers. I pushed the limits of acceptability
to the point that my editor actually made me tone down a couple of
scenes (and this was back when Black Lace was billed as “erotica”,
not “erotic romance”). My personal fantasies provided the energy
to move the book forward. Craft issues were secondary. The book had
already been accepted on spec, and I wasn’t really thinking about
what happened after it was published. The writing process itself was
arousing.

I didn’t know anything about genres
back then., though reading Raw Silk now, I realize that it
follows many of the conventions of modern erotic romance – except,
of course, for its omnisexuality. The inclusion of F/F and M/M in a
book that is mostly M/F will evoke criticism from many romance
readers, who seem to want a sort of genre purity. They’d probably
judge my heroine as promiscuous too, for having simultaneous sexual
relationships with three different men, although in the end, in
typical romance fashion, she chooses to commit to just one.

None of this concerned me back then. I
wasn’t so swept away that I lost sight of the story. Indeed, even now
the novel’s plot strikes me as quite tight and well-paced. I guess
that was instinct, though, because my focus was squarely on the sex.
Like those days when I eschewed undergarments and opened myself to
adventure, I wasn’t concerned with what others thought. I was free,
writing for the pure joy of vicarious experience. I was in my
heroine’s mind and body, living my dreams through her. If others
disapproved, so be it.

If you think catch a hint of
wistfulness in my description of those times, you’re not wrong. I
don’t go commando anymore. The notion embarrasses me – a
sexagenarian exposing her graying pubic hair to the world? But I
remember that intoxicating feeling of lightness and power. I miss it.

And my writing? I’ve had fourteen years
of education on the tyranny of genres, what sells and what doesn’t,
what you can and cannot include in a book aimed at a particular
market niche. I’m constantly tempted, for instance, to let my
straight heroines indulge their occasional Sapphic inclinations, but
I know that will be the kiss of death for any book aimed at the
erotic romance market. Meanwhile, I have a difficult time keeping my
erotica from becoming to “mushy”. Although I’ve had my share of
zipless fucks, I’ve never found sex without some emotional connection
– love, tenderness, loneliness, shared kink, whatever – to be at
all arousing.

I yearn for the freedom – the
innocence – of my first years writing erotica. I’ve started to
realize I’ll never be a best seller (and I’m not even sure I want to
be). So why should I care about pleasing a mass of readers? I know
there are some people who’ll appreciate my particular approach, my
personal blend of romanticism and filth. I should strip off my
official author’s uniform and just write to please myself, and them.

I can already feel the breeze.

Sexy Snippets for January

Sexy Snippet Banner


The ERWA blog is not primarily intended for author promotion. However, we’ve decided we should give our author/members an occasional opportunity to expose themselves (so to speak) to the reading public. Hence, we have declared the 19th of every month at the Erotica Readers & Writers Association blog Sexy Snippet Day.

On Sexy Snippet day, any author can post a tiny excerpt (200 words or less) in a comment on the day’s post. Include the title from with the snippet was extracted, your name or pseudonym, and one buy link, if you’d like.

I’m going to include an example here in the body of the post, to illustrate. I’ll be away on the 19th, and I want you to have a model to follow. After this month, I’ll post my snippets in comments, just like everyone else.

————–  Sample Sexy Snippet ——————–

He’s
the sadist in our relationship. But I’m the one who’s more extreme.

He
wanted to strap a butterfly vibe to my clit, to ramp up my arousal so
I could better bear the pain. Does he really believe I could be more
aroused than I already am?

I’m
immobilized in one of our dinette chairs. Leather cuffs secure my
wrists and ankles. Woven straps encircle my thighs, my upper arms, my
waist and torso. The first rasp of separating Velcro liquefied me.
No, that’s not right. I’ve been soaked since I served him dinner and
he informed me, ever so casually, that tonight was the night.

He
putters around the kitchen, drawing out the preparations, making me
wait. My Master possesses an instinctive sense of timing – an asset
for any Dom. He plays every action for greatest effect. The goose
necked lamp from my desk has already been plugged in, ready to dispel
any shadows. Spreading a clean towel on the breakfast bar beside my
chair, he lays out his materials and implements, one at a time: latex
gloves, a cigarette lighter, rubbing alcohol, cotton balls, betadine,
gauze, surgical tape, and finally, two gleaming, silvery scalpels.

198
words from “Limits: A Love Story” in Spank Me Again, Stranger
by Lisabet Sarai

http://tinyurl.com/cvyeup8

———————————- 

Please follow the rules. If you post more than 200 words or more than one link, I’ll remove your comment and ban you from participating in further Sexy Snippet days. So play nice!

After you’ve posted your snippet, feel free to share the post as a whole to Facebook, Twitter, or wherever else you think your readers hang out.

Have fun!

~ Lisabet 

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