erotica

It’s Not About Sex

Photo by matthew reyes on Unsplash

Anyone who has read my blog posts will know that I have a bit of a problem with genre labels. That’s one reason I love self-publishing. Nobody forces me to follow the genre rules. I can mix and match romance, horror, erotica, suspense, parody, even spirituality, to my heart’s content.

Most publishers have a genre fetish. They have a set of categories, and desperately want to know which one encompasses your book. If you can’t quite say, or if your book has elements of multiple, possibly disparate, genres, they don’t want to hear from you. Or at very least, they’re uncomfortable.

My own work doesn’t fit into neat pigeonholes, and often, the fiction I enjoy most is just as stubborn. I’ve found that the best books frequently defy categorization – or create new genres, which is basically the same thing.

Advocates of labeling claim that assigning books to particular genres helps readers find what they like. I’d argue that it’s just as likely to discourage readers from picking up something new that they might actually love.

If you had to pin me down, though, I guess I’d label what I write most often as “erotica”. Of course, this is the kiss of death from a marketing perspective. Many readers have the (mistaken) idea that a book that calls itself erotica will include constant, graphic sex. Some people think that this also implies an absence of plot. I just shake my head when I encounter this sort of attitude, which seems to be to be quite wrong.

You want my opinion? (Well, of course you do, or you wouldn't be reading my post...) I think that erotica is not about sex, per se. Erotica is fiction that focuses on the experience of sexual desire. Sexual desire may be a concomitant or precursor to physical sexual activity, but it doesn't have to be. Desire in its many variants (arousal, lust, love, obsession) is fundamentally an emotional state or process. Thus, it's theoretically possible to write erotica that contains no overt sex at all. (More on this below.)

Conversely, a story that includes graphic sex does not deserve to be called erotica unless the author is primarily concerned with the characters' feelings about their encounters, and how those feelings affect the non-sexual aspects of the characters' lives. To the extent that sex is treated as a mindless, instinctual activity, a response to a stimulus that brings relief like a sneeze, it does not (in my view) merit the term “erotic”.

I've been a member of the Erotica Readers & Writers Association for more than two decade. As you probably know, ERWA has a list called Storytime, where members share their erotic fiction (and poetry) and ask for critiques. I have participated in Storytime on and off. When I first found the group, I was very active, and the pieces I read there had a powerful influence on my own writing.

I still recall one story that was posted on Storytime, probably some time around 2002. I don't remember who wrote it, though I recall that it was a man. The main – indeed, the only – character is a soldier, staying in a cheap rented room somewhere, maybe Paris. A woman lives in the next room; the walls are thin. Night after night he listens to the sounds she makes coupling with her lover. He finds himself terribly aroused by this unseen female. He masturbates to her cries. He fantasizes about meeting her, about taking her lover's place. His obsession grows, his desire is unbearable, yet he still can't find the courage to knock on her door. Finally, one day, she's gone – the room next door is empty.

I found this story to be one of the most erotic pieces I've ever read. There was no sex involved, or at least none that involved the object of desire. Yet the tale managed to convey such a sense of yearning, a desperate, intense need – manufactured entirely out of the soldier's imagination.

That story (I really wish I still had a copy) has become my touchstone for erotica. I enjoy writing about sex, but like the soldier, it's the idea of sex that really turns me on. I've experimented, trying to write (and sell) erotica that keeps the physical side of sex to an absolute minimum. One story that falls into that category is “Stroke”, which originally appeared in Please Sir: Erotic Stories of Female Submission, edited by Rachel Kramer Bussel. The male protagonist is a Dom who's bedridden in a rehab facility, partially paralyzed by a stroke. The heroine is his nurse, who suffers from kinky fantasies her boyfriend labels as sick and shameful. The dominant manages to fulfill Cassie's fantasies, without ever touching her.

“Look at me.” His tone was softer but no less firm. I raised my eyes to his, which were the startling blue of glacial ice. I shivered and burned. “You’re new, aren’t you?”

“Yes.”

“Yes, Sir,” he corrected me. My nipples tightened inside my bra.

“Yes, Sir.” Just his voice was enough to make me ache.

“What’s your name?”

“Cassie, Sir. Cassie Leonard.”

“Don’t look away, Cassie. Look at me. Do you know who I am?”

“No, Sir. I just started at Lindenwood this week. Before that I was in the rehab department at Miriam Hospital.”

“My slaves call me Master Jonathan.”

My earlobes, my nipples, my fingertips, all seemed to catch fire. I wanted to sink through the floor. I didn’t want him to see how his words excited me.

But he did see. I stared at my hands, knuckles white from gripping the rail.

“You have a boyfriend, don’t you?”

“Yes, Sir, I do.” An image of Ryan rose in my mind, his brown curls and uneven grin, muscled chest and hard thighs. I did love him, truly I did, with his quirky humor, his gentle fingers and his boyish ardor. He was a fine young man. My mother approved of him.

“He doesn’t satisfy you.” It was a statement, not a question. Tears of remembered frustration pricked the corners of my eyes. “Why not, Cassie? Is his cock too small?”

I couldn’t believe I was having this conversation with a stranger, a patient, a half-paralyzed man forty years older than I was. I stole a glance at Dr. Carver. His mouth was firm but his eyes sparkled with suppressed mirth.

“No, Sir. His cock is fine.” Ryan was justifiably proud of his meaty hard-ons.

“What is it then? Is he a selfish lover? Does he come too quickly for you?”

Guilt washed over me. Ryan would happily spend hours licking my pussy and fingering me, trying to get me off. The only way I could manage it was to think about scenes from the kinky porn I hid from him. Whippings and spankings, gags and handcuffs, all the clichés that I couldn’t stop myself from wanting.

“Well? Tell me, Cassie. What do you need that he doesn’t provide? What do you want?”

My mouth filled with cotton. I couldn’t speak. I was acutely aware of my rigid nipples pressing against the starched fabric of my uniform. My clit pulsed like a sore tooth inside my sodden panties.

“Cassie, I’m waiting.” His sternness sent electricity shimmering through my limbs. “Don’t disappoint me.”

I dared a glance at his face. His left eyelid drooped slightly. His eyes snared mine. I couldn’t look away. One eyebrow arched in an unspoken question.

“I—um—I want him to, uh, to do things to me. That he doesn’t want to do.” I tried to break away from his gaze, but the force of his will held me.

Things?” He sounded amused. A fresh wave of hot, wet shame swamped my body. “What sort of things?”

Uh—tie me up. Spank me. Use me. Treat me like his slave.” It all came out in a rush, the desires I’d never shared with anyone except Ryan. Even then, I’d only shown him the tip of the iceberg, the least perverted of my needs. “He wouldn’t, though. He was shocked when I told him. Disgusted. Said that I had a filthy mind.” The tears that had gathered earlier spilled out over my cheeks.

I imagine that you do, little one, delightfully filthy.” His voice was a caress, soothing and seductive. “I knew that right away, just from your reactions to my voice. Your deepest desire is to submit to a strong master, isn’t it?”

Yes—Sir.” I felt relief, now that I’d admitted my secret. He at least didn’t seem to condemn me.

You want to be beaten and buggered, shackled to the bed and split open by a huge cock. You want to bath in your master’s come, maybe even his piss. To be forced to service his friends.”

It was thrilling and horrible, listening to him enumerating my darkest fantasies out loud. My clit felt the size of a ripe plum, swollen and juicy, ready to burst. I nodded, still finding it difficult to expose myself so completely.

I will do those things for you, if you’d like.”

You?” The suggestion startled me enough that I forgot the honorific, but he seemed to forgive my lapse. I searched his handsome, ravaged face. “How…?”

Don't underestimate me, girl. I may not be the Dom I once was, but I can still make you burn for my touch. I can still make you beg.” He snagged the button on the end of its cord and raised himself to full sitting position. He moved more smoothly and easily than before. “Remove your clothing.”

* * * *

No sex at all in this story. Just overwhelming sexual need. Is it erotic? I think so. And I suppose at some level it is about sex – the kind of sex that happens in the mind.

I really do subscribe to the philosophy summarized by my tag line. Imagination is the ultimate aphrodisiac. For me, erotica deals, first and foremost, with the mental and emotional aspects of desire. The physical stuff is optional.

And when people declare that erotica is “nothing but sex”, I roll my eyes and sigh.

My Favorite (Dirty) Words

Image by Wokandapix from Pixabay

I’ve been writing erotica and erotic romance for more than twenty years. Since my work covers a fairly wide range of sub-genres, I tend to adapt my vocabulary and style accordingly. Still, I do have some favorite erotic terms that tend to show up in many of my tales.

One word I love is “wench”. The term is sometimes used in a derogatory manner, to refer to a prostitute. It is also applied to female domestics. Nevertheless, for me, it has positive connotations. A wench is a woman who’s not shy about expressing herself sexually. Unencumbered by social convention or false morality, she’s willing and ready for almost anything. Still, a wench is not necessarily a slut (not that I have anything against sluts, or the word “slut” in fact); she has a bit more self-control and tends to be more concerned about pleasure per se than about breaking taboos. The archaic meaning of serving girl also makes “wench” highly appropriate in D/s contexts.

I tend to use “wench” as an affectionate or commanding epithet directed at a randy female character.

The lust that had simmered in her centre as she surveyed the erotic artworks leapt into flame. She needed that lovely cock, rooting deep in her hungry cunny. She needed to be filled, as much as she needed oxygen. With luck, his expertise in constructing devices for sexual stimulation meant he’d be a more skilful lover than her bloody cousin.

Meanwhile, saliva gathered in her mouth as she imagined running her tongue along that elegant shaft and pursing her lips around the delicate curves of the bulb. Before her rational side could assert itself, she replaced the catalogue on the table, seated herself in his chair and beckoned him closer. “This floor’s too hard for kneeling,” she told him as she grasped him at the base and squeezed. “Plus I don’t want you to think you’re above me.”

She leaned in and flicked her tongue over his cockhead.

He groaned. “Whatever you want, wench! But please, don’t make me wait!”

~ From The Pornographer’s Apprentice (WIP)

Another beloved word is “wanton”, which according to Merriam-Webster means “lewd; bawdy; lustful; sensual”. All good alternatives, I’ll admit, but for some reason “wanton” has a special attraction, implying as it does a state of desperate, barely contained arousal.

Kate stood before the mirror, legs slightly apart, hands on her hips. She was breathing heavily—she watched her breasts rise and fall. Her nipples were round and rigid, the size and shape of ripe olives. She imagined Gregory taking one in his mouth, and shivered. The dark leather around her throat made her creamy skin seem even whiter. The studs on the collar were red with reflected light, as if this emblem of submission were encrusted with rubies.

She gazed at her face, trying to recognize herself. The expression was strange, desperate, wanton. Her chest hurt from the pounding of her heart.

~ From Raw Silk

Of course, given my love of alliteration, I have a special fondness for wanton wenches.

Another word I adore is “shag”. Alas, I don’t get to use it all that often, given that it really only sits comfortably in the mouth of a British character (and a moderately contemporary one at that). In my opinion, “shag” is a good deal sexier than “fuck”. The former implies a sense of mutual fun that isn’t always present in the latter. When one character fucks another, the first is the aggressor. The second or might not be an equal participant. Sometimes, of course, I want that asymmetry, but often I want to convey the important point that a scene is about reciprocal pleasure. Shagging may lead to romance, but in the midst of a shag, that’s not the point at all. It’s very much about being in the moment and enjoying the delights of an enthusiastic sexual partner.

Then there’s “lascivious”. This word, too, means “lewd” or “lustful”, and is often used pejoratively, but for me, it’s a more nuanced description than either of the shorter synonyms. It can apply to a state of mind or a construction of the imagination, as well as to an overt action.

The studio was as crazy as always. She slipped easily into professional mode, joking with the cast members, giving orders and answering questions, shoulder holding her phone to her ear half the time.

Hugo loved the script. Her co-producer was a trim, energetic guy a few years younger than she was, with sparkling blue eyes, a ready laugh and a reddish-brown ponytail. Lauren had always thought him attractive, but today she struggled to keep her hands off him. It was sweet torture, standing close to him as they watched the rehearsal. Things weren’t much better with Daniel, the director, a dark and intense New Yorker with eyes that could bore into your soul. She’d fantasized about fucking him more than once. Now all those lascivious images came back to haunt her.

~ From The Slut Strikes Back

Finally, I have to admit a slightly embarrassing partiality for the word “reamed”. Literally, the word means “to widen the opening of (a hole)” or “to enlarge, shape, or smooth out (a hole) with a reamer”, but in erotica it’s often used to describe rough anal sex. And yes, in fiction at least, I find that a turn-on.

Dylan jerked his straining rod, humping his hand as he imagined Rafe flipping him over and spreading his butt cheeks. Nothing felt as fine as having Rafe buried in his ass, driving deeper with each stroke. They were perfectly matched. Dylan loved a bit of rough and Rafe enjoyed playing the brute, reaming him to the edge of damage—but never beyond.

He needed that now. He needed the physical sensation, to match his fantasy of being filled. Drawing his knees to his chest, Dylan wormed a finger into his hungry hole. All that did was whet his appetite for more. He tried two fingers, then three, but it still wasn’t enough. On his own, he couldn’t begin to compete with the sensation of Rafe’s cock stretching him to the limit.

~ From The H-Gene

I’m sure most erotica authors have favorite dirty words. I’d be curious to know about yours.

 

Intimate Race Relations

Photo by J.D. Mason from Unsplash

What can we say about race now? What can we write?

The past four months, since the murder of George Floyd and the international eruption of rage, recriminations and soul-searching that this event triggered, have turned the always-sensitive topics of sex and race into even more of a minefield for erotic authors. Breaking taboos is our stock in trade, but it may be that taboos related to race are now off the table.

Interracial tropes have always been popular in erotica: the white woman ravaged by the black bull with the enormous cock, the black woman with the sassy attitude and the big booty telling the whimpy white guy what to do, the black jocks and the white cheerleaders breaking all the rules, and so on. You may not have written any interracial sex, but I’d be very surprised if you haven’t read some.

Black authors use these stereotypes as much as white ones. Damien Dsoul, for instance, (https://erotica-readers.com/story-gallery/awesome-authors-presents-damien-dsoul) writes interracial erotica from a black man’s perspective, full of hungry, horny white women begging for penetration and domination.

These days, though, even writing interracial romance (let alone hard core smut) can get you in hot water. One of my author friends recently had the promo post for her new novel rejected by Facebook because it supposedly violated their standards. The apparent reason? This book, a reverse harem tale, features a black heroine and two white heroes. She had no trouble with the previous installment in this series, which has a very similar cover and blurb but which features all Caucasian characters.

Have we really got to a point where we can’t have any black characters without being censured or censored?

I don’t generally write “interracial” erotica, in the sense of stories where the race of the protagonists is part of the kink. In fact, I don’t really like to use that label. I do, however, have quite a few tales with a mix of black and white characters. In fact, my most recent release, The H-Gene, is an explicit MM erotic romance in which one of the heroes is black and the other white. The race of the characters is an integral part of their back story. I’m not using it specifically for titillation, though Rafe’s a big guy, in every way, and his dark skin and imposing stature do contribute to Dylan’s attraction.

After my friend Tina’s problems, I’m starting to get worried. I’m a white, Jewish woman writing about a black man from the ghetto. Am I racist? Will I get excoriated for “appropriating” the black male experience? Am I revealing my prejudice in deciding that my black character grew up in the slums while my white character is the son of a Boston lawyer?

Is it racist to write smut that uses the Big Black Cock kink? On the one hand, this is perpetuating stereotypes. Obviously not every black guy has a big cock, any more than every black guy has an innate sense of rhythm. I certainly wouldn’t like to read erotica that portrayed all Jewish guys as neurotic navel-gazers or all Jewish women as controlling guilt-trippers. (Of course, that’s the opposite of sexy, so maybe this isn’t a good comparison.) The trouble is, these tropes have been around for so long that we (i.e. the reading public – maybe including the black reading public) have been conditioned to find certain stereotypes arousing.

Should we try to decondition ourselves? Do we need to explicitly recognize and reject these racial stereotypes?

If these tropes become socially unacceptable, won’t that just make them more taboo?

I’m really quite perplexed about this. I recognize that black people have been systematically oppressed for centuries, and that racism is so firmly entrenched in many of our institutions that we don’t even see it. I know we need to open our eyes, to take responsibility and to change.

But does that mean abandoning the Big Black Bull?

In the current social climate, do we dare to write any black characters at all?

What do you think?

Stay Safe, Jerk Off

I hope everyone is working from home or sheltering in place. Foxy and I are lying low, like most people, and trying to ride this out. Our social life has ground to a complete halt, but at least we are not sick yet. If you’re thinking about publishing a story, now is the time as everyone has time to jerk off.

Las Vegas, a.k.a. Sin City is a ghost town, which is really weird. The governor of Nevada jumped on this like a duck on a June Bug and closed the entire town, except essential services. Casinos, restaurants, and most businesses are closed. At least the price of gasoline is close to breaking two bucks. Average prices in Nevada are about seventy-five cents above any other place, except for California. It’s too bad, we can’t go anywhere.

Even the strip clubs are closed, but Little Darlings hasn’t lost their sense of humor. Their sign says, “We’re Clothed.”

I often opine on urging people to write smut and stop talking about doing it. Shoulda, woulda, coulda!

Since next month is National Masturbation Month, I’ve been practicing every day and sometimes more often. I’ll be ready in a week or so to do justice with self-abuse. At least nowadays, most vibrators are rechargeable, which keeps me from having to go to the 7-11 at 2 A.M.

During those times, when I’m resting my hand, I’ve been working with InkScape, which is an open-source graphics design program like CorelDraw. I use CorelDraw to create my story covers as well as Instagram, Twitter, and other advertising images.

Certainly, I realize that you can do the same thing with PhotoShop or GIMP but the “right tool for the right job,” as my auto shop teacher always told me. CorelDraw is not cheap, and if an open-source program can do what I want and is free, that sounds like a winner.

InkScape works well except that the export process to create a JPG for posting has some size issues that require a little post-processing to fix but not too bad. Someone else I know is trying the CorelDraw Home version, which is $60 at Amazon, and getting good results with it. I’m going to stick with CorelDraw, at least for now, as I know it and have been using it for years. It costs me one-hundred bucks a year, and they send me all the new versions, which is not too bad.

I still have a day job, and writing smut is just a fun exercise. My goal is to make enough money to keep me in computers and camera gear. That’s been working pretty well, but my sights are set on a new Canon R5 system, which is going to blow my savings in one fail swoop.

My other long time hobby is photography, and I shoot a lot of models in town. It’s incredible the number of girls who will take their clothes off for pictures. Everybody wants to be a star, and Las Vegas is almost like LA. I trade pictures for modeling, and everyone is happy. The girls are all looking to have photos to post on Instagram. With digital cameras, you don’t have to spend hours in the darkroom and just have to pop the SD card into the computer and, voila, there are pictures.

I got started when I was in high school, and things are so easy today. The new generation of cameras is capable of outstanding results. I used to use a Hasselblad when I shot film, and my Canon digital is so much easier.

Now I’m shooting mostly landscapes, flowers, inanimate objects, Wifey as social distancing makes it more challenging to work with people you don’t know. When COVID-19 is finally behind us, I can go back to shooting girls. Of course, I still shoot tons of shots of Foxy. She was a model when we met, and I’ve got tens of thousands of pictures of her, but variety is the spice of life. She’s my best critic and always helps me edit the photos I take.

Hunker down and stay safe. Read a dirty book and get ready for next month. Foxy and I hope that you stay safe. We’ll get through this!

LarryArcher.blog/stories

Sex versus Story

Photo by Daria Shevtsova from Pexels

 

I’ve always been a story teller. I started reading other people’s stories when I was four. Without any particular prompting, I began to create my own. Of course, my dad served as a model, regaling my siblings and me with his wildly original tales of ghosts and monsters, and my early teachers encouraged my knack for narrative, but I probably would have written stories even without those influences. It’s just part of who I am.

During the third decade of my life, I began producing erotic stories – stories about the experience of desire, and its fulfillment. My own rather broad experiences as well as my still-unrealized personal fantasies inspired my early erotica. Those tales included a lot of sex. This didn’t get in the way of the plot or character development, though, because these books were in some sense sexual coming-of-age stories. They chronicled the heroine’s journeys as she explored and came to understand and accept her own sexuality – especially her interest in power exchange. In a sense, the sex was the story, the escalating intensity of the erotic encounters teaching the heroine who she was – a sensual, polymorphously perverse creature destined to live outside the bounds of conventional “morality”.

When I began writing erotic romance, the shape of my tales changed. Now the plot was about the development of a loving relationship, as is traditional in romance. Still, this was a sort of journey, and once again sexual interludes formed the milestones along the way.

In the last couple of years, I’ve been experimenting with a different sort of erotica: sex-first, over-the-top tales with many characters, all of whom are engaged in outrageously lewd activities with one another, without, in most cases, the societal whitewash of romance. For want of a better label, I’ll call this genre “stroke”, though this term has some negative connotations. The basic idea is to provide readers with plenty of heat and variety, without any angst. My Vegas Babes series epitomizes this genre.

It’s great fun to write stroke fiction, because I can let my dirty imagination run free. I don’t have to worry about delivering the sine qua non of romance: fidelity, a focus on the protagonists’ relationship only, and a long term commitment. Even when my characters are in love or married, they can enjoy themselves with other partners. Furthermore, I can mix up MF, FF, and MM interactions in the same book, a practice that romance readers seem to loathe.

So I just started a new stroke series. The genre is steam punk erotica, with tongue firmly in cheek. However, I appear to have a new problem. For the first time, story is getting in the way of sex.

Let me explain. My current WIP, set in an alt-Victorian world, follows the progress of a brilliant young female engineer, Gillian Smith, as she tries to win a place in the secretive Toymakers Guild, an organization that creates bespoke sexual devices on commission from the wealthy and influential. As might be expected from a group of people who design outrageous sex toys, a lot of carnal activity goes on in the remote Devon mansion where the Guild is located. Gillian is an enthusiastic participant – confirming the fact that she’s well suited to be a member – but her ultimate focus is on being accepted as an official apprentice, not on getting her rocks off.

My rough mental outline has her proving herself to the Guild, demonstrating not only her technical competence but also her resourcefulness and her loyalty. Along the way, she succumbs (willingly) to various lures of the flesh. That’s a good thing – I wouldn’t have a stroke book if she didn’t. However, my efforts to introduce the necessary characters and to sketch out the conflicts that will come to a head later in the book are making it hard to include as much sex as I’d like – or perhaps I should say, as much sex as the book requires.

As a rule of thumb, a stroke book needs some sex in every chapter. Otherwise, the folks who are reading only for the naughty stuff will start to get bored. But I find myself balking at the idea of throwing in truly gratuitous sex scenes that are unrelated to the plot. Even if I try, I can’t just write disconnected sex scenes. That’s not a story. There’s no build-up, no narrative arc, no crisis and resolution. And without those essential dynamics, readers who are looking for more than just sex are going to be disappointed.

Hence I find myself struggling, trying to figure out how to make each sex scene an organic part of the story, when for once my story is not fundamentally about sex.

Maybe that’s the crux of the issue. Perhaps I need to revisit my ideas about Gillian’s motivation. It could be that in order to make this book work, her journey has to become sexual, as much as emotional and intellectual. I’ve planned some femdom scenes for later – perhaps this book is really about Gillian becoming a Domme, not about her finding a place as a Guild apprentice.

Interesting thought. Maybe that’s a path to the synthesis of sex and story that I’m seeking.

Don’t Mock Romance Lovers

I write in two genres that get a lot of grief – romance and horror. Romance readers are far too often stereotyped as fat, lonely women out for a thrill between the pages with sexy heroes to make up for the lack of excitement and love in their lives. Horror readers are far too often seen as weird loners or losers who have psychological problems. Sadly, sometimes the people and businesses who are in a position to uplift these readers ridicule and bash them.

Case in point: The Kennett Library in Chester County, Pennsylvania. You’d think a library would want to attract readers, not bash them. That wasn’t how romance lovers were treated during a recent event entitled “Bad Romance 2020” event. What’s even more aggravating is that this was the third year this event was held.

An announcement by the Kennett Library described the event as highlighting some “remarkable ‘vintage’ book covers” in a way that made it sound less like describing romance books than the women who read them: “languishing in obscurity… Sad. Boohoo. Unloved.” There are plenty of books in other genres that languish in obscurity. Why not pick on unread mysteries, comedy, or science fiction? Why are romances and the women who love them so often dragged through the mud like this?

It wasn’t enough to quietly mock these books. The event consisted of reading aloud what the staff determined to be the most awful, cringe-inducing passages – all for a laugh. So, the library laughs at its patrons who enjoy romances. One notice even described the books as “debauched” and then went on to further mock romance readers by saying “hold [these books] to our pounding hearts, caress their soft pages”. The only stereotypical words left out of the descriptions were “turgid” and “throbbing”, but they might have been a little too risqué for library staff.

It’s no secret that the vast majority of romances are written by women and read by women. These books are very formulaic. There are numerous tropes eager readers lap up and the books must have either a Happily Ever After or Happy For Now ending. Plenty of people who aren’t fans of romance bring those facts up and ridicule women for enjoying their chosen authors and sub-genres. So what? Mysteries are just as formulaic. Action movies are downright predictable. Horror movies are so formulaic and predictable spoofs have been made of them. Why not make fun of all of them? Yes, some do, but not to the extent that romance books and the women who love them are ridiculed.

This lack of love for a billion-dollar industry that outperforms all other genres comes down to not-so-thinly-veiled sexism. Women who read romances are seen by their critics as fluffy creatures who cannot stand up for themselves. They prefer to wait for a Handsome Prince to take their cares away. Rather than acknowledge that romance lovers are voracious readers who deserve respect, events like this discount their existence.

I write romance and I would not want to attend such an event. The ridicule has rubbed off on me. Sometimes, I’m embarrassed to read my own works aloud, especially the sex scenes. I don’t have that kind of feeling when reading my horror aloud, even though my stories can be very violent. Violence is more acceptable in American society than sex. Some very violent movies are seen as masterpieces, yet show a nipple and some Americans squeal in horror. That’s so wrong I don’t know what else to say about it. We need more love and romance in this world.

Life is difficult enough. Reading is escapism. If a woman wants to escape into a sexy and thrilling romance, why make fun of her? If I want to write a romantic and erotic story about two bisexual werewolves looking for a third partner (“Full Moon Fever” will be released mid-2020), don’t mock me. If I want to write a sexy retelling of a fairy tale like “Trouble In Thigh High Boots” (Puss In Boots) or “Climbing Her Tower” (Rapunzel), don’t snicker at me under your breath. I’m reading J. R. Ward’s first book in her Black Dagger Brotherhood series and I’m enjoying the hell out of it. A library should not be in the business of ridiculing its patrons. Remember – these women have money to burn on books, and if they want to read romance, leave them alone. Instead of making fun of them, lift up romance novels. Celebrate their optimism. Admire the complex characters and relationships. Relish that happily ever after ending especially when the world is in turmoil. Romance readers and writers deserve respect.

———

Elizabeth Black writes in a wide variety of genres including erotica, erotic romance, horror, and dark fiction. She lives on the Massachusetts coast with her husband, son, and her three cats. Her story “The Beautiful Move in Curves” appears in “Dangerous Curves Ahead”, an anthology of sexy stories about plus-sized women. Look for it at Amazon. Her new paranormal erotic shifter romance novel “Full Moon Fever” will be for sale in 2020.

Web site: http://elizabethablack.blogspot.com

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Twitter: http://twitter.com/ElizabethABlack

Amazon Author Page: https://www.amazon.com/author/elizabethblack

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Closer to the Edge of the Amazon Cliff?

by Larry Archer

As a writer of erotica, I am painfully aware of the Amazon Cliff and how quickly I find my toes hooked over the edge, like a bird trying to hold onto a branch in a hurricane as nature attempts to blow you away.

The “Amazon Cliff” is widely discussed, and while not an official stated policy of Amazon, there appears to be almost undeniable proof of its existence. The Amazon Cliff is a term writers use to describe how an author’s ranking suddenly drops after the release of a new publication.

Previously, we have thought that the “cliff” was approximately 30-days after a new release, but I believe that has now changed to approximately 15-days (or two weeks), at least in my case. While I’ve tried not to be too anal about sales, I couldn’t help but notice the difference between daily sales, after the release of my latest story, Walk on the Wild Side, when compared to sales before the release.

The daily sales chart below shows how my daily sales increased at the time of release and, about two weeks later, dropped to the “normal” daily sales before the release of the story.

When you release a new story, there is typically a bump in your author’s and story’s rating, which translates into higher sales at Amazon, as the release date prioritizes the results of a search. Keep in mind that I’m looking at my sales data, which may or may not mirror the results of others.

A prospective reader goes to Amazon and searches for new smut to read. The results presented are based upon proprietary algorithms, but one of the components is the length of time since the author’s previous release.

The obvious and often stated takeaway from this is that you need to publish new stories frequently to keep you on the peak of the sales wave. However, for a lot of writers, this is not as easy as you might think.

Porn stories tend to be short because if the story is long enough to get you off, then that’s all you need. For me, this is a non-starter because I can’t seem to be able to type “The End.” When I start a new erotic story, I will only have a vague idea of where the story will go, and my characters take advantage of me to never stop doing the nasty.

When I compare my sales ranking at SmashWords, I see more consistent day to day sales figures. Below is a sales chart for the past 90 days at SmashWords. While there is a sales bump with the release of a new story, the overall sales tend to be a lot more consistent. Plus, if you dig into sales of popular stories, I have stories that have been out for over a year and are still in the upper section of popularity. This tells me that SmashWords places a priority on the popularity of a story and not just when it was released.

I think the bottom line is to publish as often as you can with Amazon to keep you higher in the SEO or search rankings. I use the Book Report web-based tool, https://app.getbookreport.com/, for my sales reporting, which is free if your sales are below a certain level.

That’s all for this month, and thanks for slogging through to the end. For more on erotica by Larry Archer, follow my blog at: https://LarryArcher.blog or https://LarryArcher.blog/stories for my list of HEA explicit erotica. Follow me on Twitter, @Archer_Larry, or MeWe at https://mewe.com/i/larryarcherauthor

 

What’s in My Toolbox

For my ERWA blog posting this month, I’m going through the tools I normally use while scribbling out my smut stories. I’ve discovered that there are ways to save money, yet not scrimp on performance or capability.

Philosophy

The traditional way to publish a book involves the use of editors to proof your manuscript, graphics designers to create a cover, and a publishing house to put it all together. In a perfect world, this is the way to go, but unfortunately most of us live in the real world.

Assuming that our story sells for $2.99 or $3.99 and we have a 70% margin, then your profit from a $3 book is $2, and a $4 book is $3. I’m using rounded figures here and know this isn’t strictly correct.

For a cover, let’s assume a price of $50 to $200 per cover. In terms of sales this translates to 25 sales at $50/cover or 70-100 sales at $200/cover. The painful truth that most of us quickly learn, your sales on an erotic story will be slim. Then you have to ask yourself, how long will it take until my new story is in the black or when you stop bleeding money?

Until you become rich and famous or have a spouse who doesn’t pay a lot of attention to the credit card bill, the average beginning smut writer can’t afford the luxury of hiring outside help.

Getting your foot in the door can be a pricy first step unless you are willing to do the grunt work yourself. Designing a cover is not that hard if you are reasonably competent, and using inexpensive or free tools can get you started. Certainly a professional graphics designer or copy editor can do a better job, but I don’t think you should drive yourself into the poor house doing it.

Make sure that you join our group of talented people who write erotica. They can offer a lot of advice to both new and seasoned writers. Erotica Readers and Writers Association (ERWA) has been around for many years and should be high on your list of blogs to follow. https://erotica-readers.com/blog/

Hardware

I’ve always been a PC person and generally considered those who had drunk the Kool-Aid to be under the influence of Steve Jobs, even from the grave, but not any longer. Like many, I’ve been seduced and taken a bite out of the forbidden Apple. Like Adam and Eve, who just ran around naked in the woods and screwed all the time until they succumbed to the forbidden fruit. They took a bite of the Apple and found themselves outside the fence.

In 2012, when I first started writing porn, I realized that I needed a laptop that I could take to the bathroom when I had one of those urges. I have purchased three Ultrabooks or thin, light PC laptops for the successful executive on the go. Every time I bought one, I quickly realized that they were not very good. Buyer’s remorse quickly set in as I discovered their shortcomings.

The problems I discovered centered around a couple of necessary features for me. Touchpads under Windows sucked, and many people are plagued with “ghost” touches. The touchpad would do things by itself and drove me crazy. This is a common problem, and many users complain about it.

I finally figured out how to stop the problem, but by this time, I had moved on to my MacBook Air. Others have suggested that I use a mouse to eliminate the issues, but then you have to lug the mouse around and deal with it.

The other problem is battery life and performance with Windows laptops. If you don’t get a good CPU like an i7 processor, performance sucks. Battery life is always measured in a few hours. Manufacturers boast 8-10 hours of run time, but they typically lie. When you can only get maybe 3-4 hours, you’re as bad as someone with an iPhone. You walk around with the charger cord in your hand, looking for an outlet.

Foxy uses an iPhone 8S with 256 Gig of ram and constantly has it plugged in and complains about battery life. For a thousand-dollar phone, I’d expect more, but that’s what she wanted and who am I to complain. I’ve learned to just hand over my credit card and close my eyes. What I don’t know won’t hurt me.

My love affair with Apple started in 2012 with my purchase of a 2012 MacBook Air, which only has an i5 processor, but you’d think there was an i7 under the hood. As a touch typist, the MBA’s keyboard is the best I’ve ever seen. My mistakes dropped like a rock, and once I got used to the differences between the PC and Mac operating systems, I’ve never looked back, mostly.

In 2015, I upgraded to a new model MBA with 8 Gb of ram and gave my old Mac to Wifey. It works well with her iPhone and saves me a lot of time dealing with Mac to PC problems. My new Mac was just like the old one except for twice the memory. To be honest, I’ve never noticed any problems with the previous Mac’s 4 Gig of memory, but I’m a sucker for new stuff, especially if it’s shiny.

I’ve got money in my bank account for my writing and have been thinking about upgrading, but the new style keyboard scares me. My 2015 Mac is doing well, and I’ve been thinking about swapping out the 256 Gb hard disk for a 1-Tb disk, which is pretty reasonable. Not that I need it, but it would be something new.

One other neat thing about the MBA is that it boots instantly when you raise the lid and doesn’t drain the battery like a Windows laptop does. Fast Start is turned on by default, and that means when you power off, you don’t really power off but enter a hybrid state that allows the computer to boot faster. The downside is that the laptop is constantly using power and will rarely go more than two days without exhausting the battery. My Mac will go for several weeks at least by just closing the lid, with minimal battery loss.

But I have found that there are reasonable alternatives for those who like the Windows operating system. A couple of years back, they took away my work Toshiba laptop and gave me an iPad, which works for 95% of my needs when I’m away from my desktop PC.

A few months ago, I was running a test and needed a PC for the field. Our IT department loaned me a Lenovo business laptop, and I promptly fell in love. It has an older style keyboard that is a joy to type on. It reminds me of my old Dell keyboard, except this one doesn’t clack when you type on it.

The Lenovo is not as skinny and light as a modern Windows ultrabook but is not bad. It probably weighs a pound or so more than my MacBook Air but still not objectionable. Looking through refurbished laptops on Amazon, I discovered that I could buy a 4 year old Lenovo T450s for $315 used and rebuilt with Windows 10 Pro installed.

I’d never bought a used laptop before but liked the one at work so much, I sprung for the unit. It has an i7 processor, 250 Gb solid-state hard disc, and 4 Gb of ram. The unit is probably 4 or 5 years old but looks perfect. Naturally, both of the batteries had degraded to about 75% of new, and I ordered replacement batteries for the unit. While I had the back off, I added 16 Gb of ram to bring the unit up to 20 Gb of ram.

Now I have about $450 invested in the unit with new batteries and lots of ram. I consider this a better alternative than spending almost $2 grand on a high-end laptop. Plus, this thing has huge batteries and will run all day without requiring a charge.

I prefer my MacBook Air as it is lighter and has a phenomenal battery life. The Mac operating system is a form of Unix (Linux) and is more efficient than a Windows computer. On top of that, when you open the lid, the sign-in window shows up instantly. Even if you let it sleep overnight, the boot time is maybe 10-15 seconds, which blows my Windows 10 Pro laptop completely away. Unfortunately, some of the engineering software I use is only available on a Windows machine, so I flip back and forth as needed.

If you are on a tight budget and you need a computer, take a look at refurbished units. I’ve have been pleased with my used computer, and if you grab something with an i7 processor, it will be plenty fast even if it’s a few years old. Make sure you get a solid-state hard disk.

Less expensive laptops are available, such as a Chrome unit, but often have limitations and are slower than a more top of the line unit. By purchasing a used business-grade laptop, I get a unit that is durable and provides power and capability at a reasonable cost.

Word Processing Software

I use Microsoft Word for word processing, but it can be expensive. Now the new Microsoft Office 365 is just a rental that costs you about $120 per year. Renting software pisses, me off and I refuse to upgrade as I want to own the software. Depending on which computer I’m using, I run Office 2016 or 2019, but there are cheaper alternatives.

LibreOffice is a good free alternative that is available for both PCs and Macs. It’s virtually identical to Word, that is except for the Free part! LibreOffice comes with an office suite like Microsoft Office. https://www.libreoffice.org/

I’m also experimenting with Scrivener, which a lot of people like. You can buy it for either PC or Mac for about $50 each. They are beta testing the new Windows version, and you can download the beta version for free until they come out with the final release. If you are running Windows, it’s a good way to grab a word processor for free and will only cost you about $50 sometime in the future, if you like it. https://www.literatureandlatte.com/

Scrivener is kind of cool in that each chapter can be a separate document and allows the writer to deal with a story in parts, yet the software bundles everything together to output. You can also export to Word format to publish. It will publish to electronic book formats, but I’ve haven’t been that adventuresome yet.

Scrivener is a total solution to publishing by giving a writer the ability to build a completed manuscript from the parts, such as cover, front matter, body, and back matter. Plus, it can be set up to publish to different formats with a compiler option.

I’m writing the follow up to House Party, called cleverly House Party 2, using Scrivener, which has been an interesting challenge. There are enough differences to make the program different from Word, and I’m still not sure if I’ll like it going forward but am a glutton for punishment.

Graphics Processing

Having some good graphics tools are a requirement for the Indie writer, in my opinion. While an author can outsource the creation of the cover to a graphics artist, that cost can be difficult to make up with sales.

To replace PhotoShop try GIMP, which is very close to PhotoShop except being free. Download a copy at https://www.gimp.org/

To design your covers, give InkScape a try. InkScape is similar to CorelDraw but free and not hundreds of dollars. https://inkscape.org/

Another good one is Canva, an online cover designer. It’s somewhat limited as you have to pick a template and change it to your story’s details, but it’s free. https://www.canva.com/create/book-covers/

For resizing images, you can’t beat IrfanView, https://www.irfanview.com

To convert document files to ePub, MOBI, or PDF, grab a copy of Calibre. https://calibre-ebook.com/

All the software mentioned above is free and can be downloaded from the Internet. Certainly, commercial software will likely have a few more bells and whistles, but for the struggling artist they can fit your needs. I use mostly open-source (free) software except for a couple, but I pay the bills, and Foxy doesn’t have to bother her pretty little head about where our money goes!

Addendum 2019-10-26 – Mom always told me that if I kept on playing with myself, I’d go blind. I’ve always said, I’d just do it until I needed glasses! I now think it’s affected my brain as I missed a couple of things that are not really associated with writing smut but I consider necessary.

NAS Drive – If you have a network at home, which most of us with cable do, you should invest in a Network Attached Storage (NAS) device with RAID. A NAS drive is similar to the USB portable drives people use to backup or store important files such as pictures and videos from your wife’s first gangbang. A NAS drive will have an RJ-45 network jack that looks like an oversized telephone jack (you remember those don’t you?).

Plugging it into your router or a switch if you have a wired network, will allow backups from any device connected to your home wifi or network. The trick is to get a NAS drive with RAID 0. RAID means that the storage device has two physical hard disks inside that are the same size. With RAID, saving a file to the NAS drive means that the unit automatically writes a copy to the second hard disk. The non-techy explanation is there are two copies to every file, stored on different hard disks. So unless the unit is destroyed with a hammer, it’s virtually impossible to lose files if the hard disk crashes. Always remember, it’s not if a hard disk will fail, it’s when the hard disk is going to fail.

If a hard disk fails on the NAS drive, just unplug the bad hard disk and plug in a new disk of the same size or bigger. The NAS drive will automatically format and use the new hard disk by copying all the files from the original drive to it. This takes a few days as it’s done in the background but the drive will continue to work normally.

NAS drives are not cheap but what’s your data worth? I have a Qnap T-420 which holds 4 hard disks. I’ve currently got 2 – 2Tb and 2 – 4Tb drives in it. Using RAID the capacity of the unit is half the installed storage, so in my case, I have a 2 Tb file system for my writing and personal records and a 4Tb drive for scanned images and video. I also store my pictures from my DSLR and our cell phones there.

FastCopy – I use the FastCopy shareware software to backup my files from my desktop and laptop computers. FastCopy is supposed to be the fastest copy utility around and it only copies files that have changed or are new. It skips the existing files so you can just tell FastCopy to copy from folder to folder, which just takes a few clicks. I write batch files and put them on my desktop to backup my computers. The site to download from is partially in Japanese but with a little head-scratching you can figure out how to download an English version. https://fastcopy.jp/en/

Crystal Disk Info – This handy little utility will read the status of your attached hard disks and tell you if any are having problems. When you run it, it will scan all of the connected disk drives and display the health status of each. If you start seeing warning messages, immediately buy a replacement drive and copy the files to the new drive. Typically, you never get warnings when your hard disk is having problems as it will retry to read a bad sector until it manages to get the data. But then one day, it cannot and you are typically history at that point. By watching the Power On hours and if the status changes from good, then you’re okay. A rule of thumb that I use is to replace an external USB hard disk at around 12,000 run hours or an internal at 18,000 – 20,000 hours even if you don’t see problems. These days an 8-Tb USB drive is about $150 so it’s not that expensive to swap them out. A good 4-Tb internal drive is about $85 also. https://crystalmark.info/en/

Sorry, I didn’t think about those at the time I was writing my monthly blog issue but feel that these are also important.

That’s it for this month, and follow me for more ramblings from the dirty mind of Larry Archer. My personal blog is https://LarryArcher.blog.

Keeping my eye on the ball

There is no way around it, I suck at finishing stories. Over the last several months, I’ve written over one-hundred thousand words yet haven’t published a darn thing. There should have been two or three smut stories that I could have pulled off my computer, but nada.

By the same token, I’ve had to tape additional paper on the bottom of my sales chart to hold the line that is pointing towards the floor, when it should be pointing to the ceiling. With SmashWords, my sales are relatively stable, but Amazon is another story.

Amazon’s 30-day cliff means that a month after releasing a story, the door to the basement opens and your rating gets kicked down the stairs. So in a perfect world, I’d be publishing at least every month to maintain my author’s rank, but no, I can’t seem to accomplish that no matter how hard I try.

I’m so easily distracted by shiny objects even when I know that I should keep my eye on the ball and finish what’s in front of me. Unlike most other writers, I’ve had little training on how to write beyond a Technical Report Writing course I took in college.

My story ideas come to me out of the blue, often when I see something that sparks a train of thought to begin in my mind. Too often, what I find is that these flashes of inspiration will come as I’m typing madly away on some story.

My latest saga started when I finished House Party, where Foxy ran off with a movie producer to Los Angeles. This story is the first one where Foxy and Larry had a less than optimal outcome to a story. Assuming you’ve never read one of my stories from the Foxy and Larry series, they are a fictional version of ourselves. I started writing porn to give me the opportunity to talk about some of our adventures in swinging.

What I discovered is that I really enjoyed writing smut stories but quickly realized that I should have picked different names for my two main characters, but that’s water over the bridge. Not being a trained writer, the last almost seven years have been on the job training, so hopefully, I’ve grown.

For us being in the Lifestyle has always been fun and never something we fought about. This has always been reflected in my stories, yet I know that stories should have conflict, which I tried to inject in House Party with Foxy running off with another man. The bitch!

As I write House Party 2, I’m attempting to rectify the heroine running off and bring her back home. As I approached 50,000 words, I got the bright idea of what could happen if two sexually unsatisfied co-workers decided to solve their problems by swinging, while their hubbies watched Monday Night Football.

Now, this new story is approaching 45,000 words and is actually more complete than my first story, House Party 2. At this point, I have two stories that are each about 90% finished when wouldn’t you know I watched a German Goo Girls (GGG) movie on my computer. If you’re not familiar with Goo Girl movies, they are an offshoot of Japanese Bukkake, which are girls getting their faces covered with jizz and often don’t have sex, depending on your definition of what sex is?

In Goo Girls, they have sex then get their faces painted, so it’s the best of both worlds! That got me thinking about the ending of Crashing the Swinger’s Pajama Party, where Foxy sells a neighbor’s wife to a Goo Girls movie producer for ten thousand dollars, and she’s required to star in his shows for six months.

After releasing that story, I’ve had several fans write to ask when I’m going to cover Samantha’s adventures in the German Goo Girl movie business. Now I’m trying to flesh out my thoughts on the story before forgetting my train of thought.

Now I have three stories under active status, yet nothing is going out the door. Hopefully, I can focus long enough to finish something without another thought hitting me. The way my typical storyboarding process works is that I’ll get an idea, then let the characters start working the scenes in my mind.

My initial thought is to write down enough about a potential story that I can pick up the story at a later date and finish it. What often happens to me is that as I write up my notes on the new story, I become more interested in it and shift my attention to the new story.

That wouldn’t be too bad except that my imagination doesn’t stop working, and I’m continually coming up with story ideas, which just repeats the problem. It would be sweet if I could focus on one story and finish it before starting a new story.

My draft folder is full of stories that are half to three-quarters finished as I keep getting off track. Maybe one day, but what the hell!

For more from the irrelevant mind of Larry Archer, check out my blog at https://LarryArcher.blog Until this time next month, I’m off like a prom dress.

Keeping ‘Em Coming

Image by Khusen Rustamov from Pixabay

Here at the ERWA blog, we discuss a wide range of issues related to the business and craft of writing. In the past few months, we’ve had great articles on research, writer’s block, creating covers that sell, revision strategies, online marketing, and pruning to reduce word count. Today, I want to cut to the chase, take the bull by the horns, and talk about what distinguishes our genre from writing mysteries, or scifi, or political thrillers. Yes, I want to talk about writing sex scenes. More specifically, I want to offer a few suggestions on how to make your sex scenes more effective: more engaging, more interesting and more arousing.

Who am I to give you advice? Not the best seller I’d like to be, certainly. Still I’ve been writing and publishing erotic for more than two decades, and most of my fans think my stuff is pretty steamy. Plus, I’ve read an enormous number of sexy stories, for editing, reviews and of course my own pleasure. I think I know what works – or at least, what works for me. As always, your mileage may vary. Feel free to take what you find useful from this post and toss the rest in the trash.

There’s a misconception that writing sex is easy. After all, almost everyone has had some personal experience. In addition, when it comes to sex we have a vast cultural repository of tropes, kinks, and classic scenarios to call upon for inspiration. Getting your characters together to do the nasty seems like it should be straightforward. In my experience, though, it’s anything but.

When I can make the time to write, I’m pretty fast at turning out decent prose. Sex scenes, though, take me much longer than any other part of my books. I can write a page of dialogue in ten or fifteen minutes. Sexual encounters may require hours before I’m happy with them. (I’m not including time off to go relieve the tension, either!) I’m not sure why this is true. Maybe I’m nervous, too aware how critical the sex scenes are to the book’s success. More likely, I’m working really hard to capture aspects of experience – smells, tastes, textures, weight, pressure, levels of force, and so on – that are fundamentally beyond words. Despite all the books that have been written, despite all the poems and songs, conveying the true excitement of sex using language is close to impossible.

Still, we intrepid erotica authors have set ourselves this impossible task (cue music from Man of La Mancha), and we can’t seem to stop tilting at our carnal windmills.

My suggestions here won’t necessarily make things any easier. However, they might improve the ultimate outcome.

Less is More

How long should your sex scenes be? One page? Five pages? An entire chapter? The answer depends to some extent on your sub-genre and audience. However, as a reader I find it hard to maintain interest in a really long sex scene, unless it’s exquisitely written. Indeed, I admit I’ve skimmed through plenty of sex scenes, especially when the activities were commonplace and the outcomes were predictable.

A long time ago I read a wonderful article in which a gay erotica author (maybe Lawrence Schimel) compared erotic scenes to a radio drama. People used to sit around their radios for hours, listening to conversations and sound effects and weaving together the stories in their minds. The bandwidth of an audio-only presentation was pretty low. Hence, each listener brought a great deal of her own self to the story. The work itself sketched out the skeleton of the narration; it was the listener who put the flesh on those bones, using imagination and desire to fill in the gaps deliberately left by the author.

Erotica, I believe, is the same, at least partly because sexual experience is so difficult to describe. Oh, you can offer up a million details about bodies, cocks, clits, assholes, breasts, thighs, tongues and so on. But that’s not enough to bring a sex scene to life. Erotica arouses us when it evokes an answer from within us, when it kindles a memory, triggers a fantasy, or tickles a deeply buried fear.

When I’m writing sex, I’m very conscious that less is more. Sometimes I can bring my readers more fully into the scene by leaving out some of the nitty-gritty details, even by cutting off the action before the supposedly inevitable climax. A page or two may be enough to accomplish my task, leaving the reader breathless and wanting.

Variety is the Spice

A few months ago, a Storytime member, in posting an intense BDSM-flavored tale, apologized because her characters had anal sex as their first sexual interaction, instead of what she thought of as the “standard” progression of oral → vaginal → anal. I cringed a bit – and applauded her willingness to break what she saw as the rules. The way I see it, the more variety there is in a story’s sex, the more it shatters the stereotypes and pushes the reader into new territory, the better. Let your sex scenes surprise and delight the reader.

Maybe the sex isn’t reciprocal. There’s a belief that all participants must always have climaxes, but that’s not realistic, and it gets boring. Doing can be as erotic as being done to.

Maybe the sex acts are limited, by the environment or by design, so that there’s no penetration, for instance. That just ramps up the tension for your next scene. On the other hand, perhaps things get really wild and crazy, with mermaid-bound women on crutches, yogurt-filled strap-ons, nuns tumbling down on parachutes, a whole horny rugby team descending on a pre-wedding party…

And of course, there’s always room for toys, kinks, taboos, gender-bending, practices your characters might have dreamed about but never dared to try.

One of my pet peeves in erotic novels involves a series of sex scenes that are more or less the same. They all include foreplay, penetrative sex and mutually satisfying orgasms. Of course there’s nothing wrong with any of this – but if you’ve done it once or twice, why not try something else?

Don’t Hesitate to Escalate

Especially in longer works, you might want to think about your sex scenes not as isolated invitations to wank, but as a progression of increasingly intense experiences for your reader. I discussed the concept of escalation in a post last year. I don’t want to repeat myself here, but I recommend that you consider the role each sex scene plays in the story you’re building. Don’t shoot your whole wad right away. (So to speak!) You might want to hold back earlier in your tale, teasing the reader with less complete, intimate or transgressive scenes, then gradually work up to full-out fuck-fests that will curl your readers’ hair.

It’s All Sex

Freud was right. In compelling, arousing erotica, the sex doesn’t start when one character kisses or touches another. The build-up to your sex scene counts just as much as the physical contact. Mutual glances, shy or heated – flirting or innuendo – an unexpected exposure to strangers engaged in sexual activity – reading a sexy story or watching a movie – you might think of these aspects of your story as separate from your sex scene, but I believe this is a mistaken perspective. The non-explicit parts of your tale increase the reader’s excitement, sexual tension, and anticipation. They’re essential for raising the temperature, so that by the time your characters interact physically, they’re ready to burst into flames – as is your reader.

As I mentioned earlier, my work is generally considered pretty hot. Yet if you looked closely, you might be surprised by the relatively modest amount of time I spend on the “actual sex”. I probably spend twice as long, on average, building up to the official sex acts in the scene.

Beyond Meatspace

Some people consider sex to be an essentially physical instinct, a simple itch to be scratched, a hormone-governed compulsion to rut that highlights our fundamental animal nature. I’m not going to deny the biological imperative of sex. However, society, culture, personal experience and individual personality layer multiple levels of meaning on the act of intercourse. This supposedly simple physical act has become embedded in a complex web of belief, morality, fantasy and emotion. Our sexuality is inextricably entwined with our identity. We are likely the only animals who spend less time engaging in sex than thinking about it. The infamous Rule 34 (if it exists, someone’s kinky for it) highlights the uniquely human predilection to imbue inherently non-sexual actions or objects with an erotic charge.

When you’re writing a sex scene, you can (and in my opinion, should) take advantage of the emotions that accompany (or perhaps even drive) the sex. Show your readers what a particular sexual act means to your character. How does it affect his or her feelings? What desires does it trigger? Does the character feel a psychological connection to her partner(s)? Is she frightened of her own lust? Embarrassed? Jubilant? Powerful? Does the situation remind her of past lovers or long-cherished but forbidden fantasies?

A sex scene that pulls your reader into the head of the protagonist has a lot better chance of arousing her than one which lingers on the surface, dwelling solely on wet cunts and hard cocks. After all, your readers have to imagine the physical part (unless they’re masturbating while they read, and even then, there’s limited verisimilitude). Getting them to identify with your character emotionally is the key to getting them off.

Examples

I had planned to include one of my own sex scenes as an illustration of my points, but this post is already far too long. If you’re interested, you can read some of the scenes I’ve posted on my blog and judge for yourself whether these suggestions are effective.

https://lisabetsarai.blogspot.com/2019/05/sizzling-sunday-gazillionaire-and.html

https://lisabetsarai.blogspot.com/2018/08/sizzling-sunday-velvet-lesbian.html

https://lisabetsarai.blogspot.com/2018/07/sizzling-sunday-exclusive-excerpt-and.html

Thanks for reading!

 

Hot Chilli Erotica

Hot Chilli Erotica

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